Amitav Ghosh - The Shadow Lines

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A boy growing up in suburban Calcutta in the 1960s experiences the world through the eyes of others. When a seemingly random act of violence threatens his vision of the world, he begins piecing together events for himself, and in the process unravels secrets with devastating consequences.

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For a moment she was too startled to speak; then she gasped and her body went rigid. She put her hands on my chest and pushed me back.

You’re stinking of drink, she said, grimacing. I hope you’re not going to make any trouble.

I caught the driver’s eye in the mirror. He was a young West Indian. He was watching me, his eyes flicking from the road to the mirror and back again, expressionless. His hand snaked out to the dashboard when he caught my glance. He toyed with something and let it fall back with a clink. It was a knuckleduster: he smiled when he next caught my eye.

By the time we reached her house May was worried; I could tell from the awkwardness of her gestures as she paid off the driver. But I was merely curious; it didn’t occur to me that she was afraid, and that her fear might have had something to do with me.

Please don’t make a noise going up the stairs, she said, spacing the words out, speaking slowly. The landlady gets very annoyed if she’s woken up.

I’ll be quiet, I said. I reached out and ran a finger through her hair.

Stop that! she cried, jerking her head away. What do you think you’re doing?

Shh! I said. You’ll wake the landlady.

She tiptoed up the stairs, opened her door, and shut it quickly behind me.

Now you go over there, she said, pointing to her bed. Get into bed and go to sleep at once. I’m afraid I can’t give you anything to change into, so you’ll have to go to bed as you are.

At once? I said, grinning. I know you don’t mean that; not really. Please, she said. Her voice was hoarse now. Please go to bed.

I turned to look at the bed: it was small and narrow, piled high with quilts and blankets and covered with a green bedspread.

All of a sudden, an idea occurred to me.

But if I sleep over there? I said, with drunken cunning. Where will you sleep?

I’ll be all right, she said quickly. Don’t worry about me.

But I can’t help worrying about you, I said. Where will you sleep?

She went over to the bed and drew the covers back. It was perfectly made up, with clean new sheets and pillowcases, but it looked curiously unused. There were sachets of pot-pourri under the quilts, and the sheets smelt mustily of lavender and roses.

I don’t sleep on the bed anyway, she said, picking out the sachets of pot-pourri.

Oh really? I said. So if you don’t sleep here, whose bed do you sleep in?

She flashed me a quick, bright glance. I sleep over there , she said, pointing across the room, at the floor.

Where? I said.

Without answering, she opened a cupboard and took out a thin mattress, a couple of blankets and a sheet, and carried them across the room. Kneeling, she unrolled the mattress and spread it out on the floor. It was very thin; not much more than a sheet.

You can’t sleep there, I said in astonishment. I don’t believe you do. Why’ve you got a bed then?

Oh, that, she said. That’s for people to see — so that they won’t think me odd.

But you don’t even have a pillow, I said.

No, she said wryly. That was the hardest bit to get used to.

Why do you do it? I said. It must be horrible sleeping down there.

It’s not too bad, she said briskly. ‘No big deal’ as they say on television. After all, this is how most people in the world sleep. I merely thought I’d throw in my lot with the majority.

She sprang up and dusted her hands. All right, she said. Now go to bed — please.

Can I mortify my flesh too? I said. Can I sleep over there with you?

She began to laugh, the tension draining out of her face.

You’re going to feel really stupid about all this tomorrow morning, she said. I’m longing to see the look on your face when I remind you.

Please May, I said.

You idiot, she said, laughing. You’re just drunk; you don’t really want to — I’m old enough to be your spinster aunt.

I do, I said. I really do.

Well, we’ll see if you can bring yourself to say that when you’re sober, she said. And as for now, you’ll just have to go without, won’t you?

She pushed me gently towards the bed. Now, please go to bed, she said.

You’re laughing at me, I said, knocking her hand away. You shouldn’t laugh at me.

I reached out, took her face in my hands and pulled her towards me.

Please don’t, she said, her eyes widening with fear. Please.

Why not? I said. I kissed her on her open mouth, and slid my right hand quickly down her neck, into her blouse and under the strap of her brassière.

Stop! she cried, clawing at my face.

Why? I said. I pinned her against my body with my left hand, holding her tight, so that she couldn’t get her hands free. My right hand was deep inside her dress now, cupped around her breast.

With a tremendous effort, teeth clenched, she squirmed out of my grasp, threw herself backwards, and fell on the mattress. There was a ripping sound as her dress tore open and I was left clutching the air. When I looked down at her, she was crouching on the mattress, and her breast was hanging down, out of the rent in her dress, flapping against her ribs.

You bastard! she screamed. She flew off the bed and across the room and suddenly the lights went out. I heard her going across the room, to the bathroom, and I slunk over to the bed and crept in. I was asleep within a moment.

When I woke up next morning my head was throbbing and my mouth tasted of sour bile. I could hear plates rattling in the kitchen. I raised my head and saw May standing at the wash basin; she had changed into a pair of faded brown corduroy jeans and a white pullover, and her grey-streaked hair was tied in a ponytail with a rubber band. Her mattress and blankets were neatly rolled up, standing in a corner.

I was about to call out to her when an image of her, crouching on the mattress, trying to shield her naked breast, flickered before my eyes. I fell back on the pillow and shut my eyes, and slowly everything I had done and said the night before came back to me, in minute, ghastly detail.

She must have known I was awake; seen the sweat on my face. I heard her voice, low and gravelly, above me, saying: Well? Do you think you’re ready to eat something now?

When I opened my eyes, she was looking down at me, her face calm, grave.

May … I began. I could not look at her; I let my head fall.

Yes? she said coolly. I knew she was waiting.

I don’t know how … I began again. I raised my head with an effort; she was still looking at me, her gaze steady, unwavering.

I’m afraid you’ll have to think of some way of saying it, she said. That’s absolutely the very least I expect.

I’m sorry, I said. What else can I say? Is there anything I can do to show you how sorry I am?

She was still looking at me steadily, but now there was a twitch at the corner of her mouth.

Not feeling quite such a he-man now, may we surmise? she said.

Yes.

Her lips twisted into a smile and she stretched out a hand and rapped me on the back of my head.

Go on, she said. Get out of bed and wash your face. Then I’ll see about making you some breakfast.

By the time I was out of the bathroom, a plate of fried eggs and toast and a glass of orange juice were waiting for me on her table. I was very hungry now; I remembered I had eaten nothing the night before. But May was still busy in the kitchen so I stood behind a chair and waited.

Don’t wait for me, she called out. Go on — eat. You must be hungry after all your exertions.

But what about you? I said awkwardly. Aren’t you going to have any breakfast?

I wouldn’t worry about that if I were you, she said. In fact, if I were you, I would address myself to the toast and eggs before they get cold and squishy. The bread is that wholewheat stuff we’re told we ought to eat nowadays — the trouble is it transmutes itself back into dough if it’s left to itself for more than a minute.

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