Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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Halfway up the basement stairs, on her way to preparing this dinner, she paused and gave a sigh.

Alfred heard the sigh and suspected it had to do with “laundry” and “four months pregnant.” However, his own mother had driven a team of plow horses around a twenty-acre field when she was eight months pregnant, so he was not exactly sympathetic. He gave his bleeding cheek a styptic dusting of ammonium aluminum sulfate.

From the front door of the house came a thumping of little feet and a mittened knocking, Bea Meisner dropping off her human cargo. Enid hurried on up the stairs to accept delivery. Gary and Chipper, her fifth-grader and her first-grader, had the chlorination of the Y about them. With their damp hair they looked riparian. Muskratty, beaverish. She called thanks to Bea’s taillights.

As fast as they could without running (forbidden indoors), the boys proceeded to the basement, dropped their logs of sodden terry cloth in the laundry room, and found their father in his laboratory. It was in their nature to throw their arms around him, but this nature had been corrected out of them. They stood and waited, like company subordinates, for the boss to speak.

“So!” he said. “You’ve been swimming.”

“I’m a Dolphin!” Gary cried. He was an unaccountably cheerful boy. “I got my Dolphin clip!”

“A Dolphin. Well, well.” To Chipper, to whom life had offered mainly tragic perspectives since he was about two years old, the boss more gently said: “You, lad?”

“We used kickboards,” Chipper said.

“He’s a Tadpole,” Gary said.

“So. A Dolphin and a Tadpole. And what special skills do you bring to the workplace now that you’re a Dolphin?”

“Scissors kick.”

“I wish I’d had a nice big swimming pool like that when I was growing up,” the boss said, although for all he knew the pool at the Y was neither nice nor big. “Except for some muddy water in a cow pond I don’t recall seeing water deeper than three feet until I saw the Platte River. I must have been nearly ten.”

His youthful subordinates weren’t following. They shifted on their feet, Gary still smiling tentatively as though hopeful of an upturn in the conversation, Chipper frankly gaping at the laboratory, which was forbidden territory except when the boss was in it. The air here tasted like steel wool.

Alfred regarded his two subordinates gravely. Fraternizing had always been a struggle for him. “Have you been helping your mother in the kitchen?” he said.

When a subject didn’t interest Chipper, as this one didn’t, he thought about girls, and when he thought about girls he felt a surge of hope. On the wings of this hope he floated from the laboratory and up the stairs.

“Ask me nine times twenty-three,” Gary told the boss.

“All right,” Alfred said. “What is nine times twenty-three?”

“Two hundred seven. Ask me another.”

“What’s twenty-three squared?”

In the kitchen Enid dredged the Promethean meat in flour and laid it in a Westinghouse electric pan large enough to fry nine eggs in ticktacktoe formation. A cast aluminum lid clattered as the rutabaga water came abruptly to a. boil. Earlier in the day a half package of bacon in the refrigerator had suggested liver to her, the drab liver had suggested a complement of bright yellow, and so the Dinner had taken shape. Unfortunately, when she went to cook the bacon she discovered there were only three strips, not the six or eight she’d imagined. She was now struggling to believe that three strips would suffice for the entire family.

“What’s that? ” said Chipper with alarm.

“Liver ‘n’ bacon!”

Chipper backed out of the kitchen shaking his head in violent denial. Some days were ghastly from the outset; the breakfast oatmeal was studded with chunks of date like chopped-up cockroach; bluish swirls of inhomogeneity in his milk; a doctor’s appointment after breakfast. Other days, like this one, did not reveal their full ghastliness till they were nearly over.

He reeled through the house repeating: “Ugh, horrible, ugh, horrible, ugh, horrible, ugh, horrible …”

“Dinner in five minutes, wash your hands,” Enid called.

Cauterized liver had the odor of fingers that had handled dirty coins.

Chipper came to rest in the living room and pressed his face against the window, hoping for a glimpse of Cindy Meisner in her dining room. He had sat next to Cindy returning from the Y and smelled the chlorine on her. A sodden Band-Aid had clung by a few lingering bits of stickum to her knee.

Thukkety thukkety thukkety went Enid’s masher round the pot of sweet, bitter, watery rutabaga.

Alfred washed his hands in the bathroom, gave the soap to Gary, and employed a small towel.

“Picture a square,” he said to Gary.

Enid knew that Alfred hated liver, but the meat was full of health-bringing iron, and whatever Alfred’s shortcomings as a husband, no one could say he didn’t play by the rules. The kitchen was her domain, and he never meddled.

“Chipper, have you washed your hands?”

It seemed to Chipper that if he could only see Cindy again for one moment he might be rescued from the Dinner. He imagined being with her in her house and following her to her room. He imagined her room as a haven from danger and responsibility.

“Chipper?”

“You square A, you square B, and you add twice the product of A and B,” Alfred told Gary as they sat down at the table.

“Chipper, you better wash your hands,” Gary warned.

Alfred pictured a square:

1 Large Square Smaller Squares Im sorry Im a little short on bacon - фото 2

1. Large Square & Smaller Squares

“I’m sorry I’m a little short on bacon,” Enid said. “I thought I had more.”

In the bathroom Chipper was reluctant to wet his hands because he was afraid he would never get them dry again. He let the water run audibly while he rubbed his hands with a towel. His failure to glimpse Cindy through the window had wrecked his composure.

“We had high fevers,” Gary reported. “Chipper had an earache, too.”

Brown grease-soaked flakes of flour were impastoed on the ferrous lobes of liver like corrosion. The bacon also, what little there was of it, had the color of rust.

Chipper trembled in the bathroom doorway. You encountered a misery near the end of the day and it took a while to gauge its full extent. Some miseries had sharp curvature and could be negotiated readily. Others had almost no curvature and you knew you’d be spending hours turning the corner. Great whopping-big planet-sized miseries. The Dinner of Revenge was one of these.

“How was your trip,” Enid asked Alfred because she had to sometime.

“Tiring.”

“Chipper, sweetie, we’re all sitting down.”

“I’m counting to five,” Alfred said.

“There’s bacon, you like bacon,” Enid sang. This was a cynical, expedient fraud, one of her hundred daily conscious failures as a mother.

“Two, three, four,” Alfred said.

Chipper ran to take his place at the table. No point in getting spanked.

“Blessalor this foodier use nusta thy service make asair mindful neesa others Jesus name amen,” Gary said.

A dollop of mashed rutabaga at rest on a plate expressed a clear yellowish liquid similar to plasma or the matter in a blister. Boiled beet greens leaked something cupric, greenish. Capillary action and the thirsty crust of flour drew both liquids under the liver. When the liver was lifted, a faint suction could be heard. The sodden lower crust was unspeakable.

Chipper considered the life of a girl. To go through life softly, to be a Meisner, to play in that house and be loved like a girl.

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