Jonathan Franzen - Strong Motion - A Novel

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Strong Motion : A Novel: краткое содержание, описание и аннотация

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Jonathan Franzen is the author of three novels: The Corrections, The Twenty-Seventh City, and Strong Motion. He has been named one of the Granta 20 Best Novelists under 40 and is a frequent contributor to The New Yorker and Harper’s. In Strong Motion, Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first earthquake kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes’ cause complicate everything.
“Bold, layered. Mr. Franzen lavishes vigorous, expansive prose not only on the big moments of sexual and emotional upheaval, but also on various sideshows and subthemes. An affirmation of Franzen’s fierce imagination and distinctive seriocomic voice. his will be a career to watch.”
— Josh Rubins, "Ingenious. Strong Motion is more than a novel with a compelling plot and a genuine romance (complete with hghly charged love scenes); Franzen also writes a fluid prose that registers the observations of his wickedly sharp eye.”
— Douglas Seibold, “Complicated and absorbing with a fair mix of intrigue, social commentary and humor laced with a tinge of malice.”
— Anne Gowen, “Strong Motion is a roller coaster thriller. Franzen captures with unnerving exactness what it feels like to be young, disaffected and outside mainstream America. There is an uncannily perceptive emotional truth to this book, and it strikes with the flinty anger of an early-sixties protest song.”
— Will Dana, “Franzen is one of the most extraordinary writers around. Strong Motion shows all the brilliance of The Twenty-Seventh City.”
— Laura Shapiro, “Lyrical, dramatic and, above all, fearless. Reading Strong Motion, one is not in the hands of a writer as a fine jeweler or a simple storyteller. Rather, we’re in the presence of a great American moralist in the tradition of Dreiser, Twain or Sinclair Lewis.”
— Ephraim Paul, “With this work, Franzen confidently assumes a position as one of the brightest lights of American letters. Part thriller, part comedy of manners, Strong Motion is full of suspense.”
— Alicia Metcalf Miller, “Wry, meticulously realistic, and good.”
— “Franzen’s dark vision of an ailing society has the same power as Don DeLillo’s, but less of the numbing pessimism.”
— “Base and startling as a right to the jaw. [Franzen] is a writer of almost frightening talent and promise.”
— Margaria Fichtner,

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Strong Motion by Jonathan Franzen For Valerie Grateful acknowledgment of - фото 1

Strong Motion

by

Jonathan Franzen

For Valerie

Grateful acknowledgment of support is made to the Mrs. Giles Whiting Foundation, the Corporation of Yaddo, Sven-Erik and Marianne Ekstrom, and Dieter and Inge Rahtz. Thanks also to Lorrie Fürrer and Robert Franzen, and especially to Goran Ekstrom for his advice and seismograms. Parts of Chapter 13 draw heavily on William Cronon’s Changes in the Land (Hill & Wang, 1983).

A rock was sticking out of the water, jagged and pointed, covered with moss — a remnant of the Ice Age and of the glacier that had once gouged out this basin in the earth. It had withstood the rains, the snows, the frost, the heat. It was afraid of no one. It did not need redemption, it had already been redeemed.

— I. B. SINGER

I

Default Gender

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Sometimes when people asked Eileen Holland if she had any brothers or sisters - фото 2

Sometimes when people asked Eileen Holland if she had any brothers or sisters, she had to think for a moment.

In grade school she and her friends had played foursquare during recess, and when fights broke out in far corners of the playground, it usually turned out that the person whose face was being smashed into the blacktop was her younger brother, Louis. She and her friends would continue to bounce their ball from square to square. They were skipping rope the day Louis fought a boy on the top tier of the old tetanus-infested jungle gym and damaged a different part of himself on each of the pipes he hit during his fall, breaking off his front teeth on level three, bruising his ribs on level two, getting a concussion by impact and whiplash on level one, and stunning his diaphragm on the asphalt. Eileen’s friends ran to look at the possibly dead boy. She was left holding the jump rope and feeling as if she’d fallen and no one would help her.

Eileen was a faithful and pretty image of her mother, with astonished dark eyes and pencil-thin eyebrows, a high forehead and plump cheeks and straight dark hair. She had the limbs of a willow tree and sometimes she even swayed like one, with her eyes closed, when she was so happy to be among her friends that she forgot they were there.

Louis, like his father, was less ornamental. From the age of ten onward he wore aviator-style glasses whose metal frames vaguely matched his hair, which was curly and the color of old brass screws, and was thinning by the time he finished high school. His father had also donated a barrel chest to his genetics. In junior high and high school new friends of Eileen’s expected to be told, “No, no relation,” when they asked her if Louis Holland was her brother. To Eileen these questions were like vaccination shots. The soothing alcohol swab that followed was her friends’ avowal that her brother was not like her at all .

“Yeah,” she’d agree, “we’re real different.”

The young Hollands grew up in Evanston, Illinois, in the shadow of Northwestern University, which employed their father as a history professor. Once in a while, in the afternoon, Eileen caught sight of Louis in a booth at McDonald’s surrounded by the misfits he hung out with, their snide menu selections, their cigarettes and pasty faces and military clothing. The negativity emanating from his booth made her feel like she couldn’t wedge herself tightly enough between the elbows of her peers. She was, she told herself, very different from Louis. But she was never entirely safe from him. Even in the middle of a jammed and laughing back seat she would glance out a window just in time to see her brother striding along the trashy shoulder of some six-lane suburban thoroughfare, his white shirt gray with sweat, his glasses white with road glare. It always seemed that he was there for her alone to see, an apparition from that parallel private world which she herself had stopped living in when she started having friends but which Louis still obviously inhabited: the world where you were by yourself.

One day in the summer before she started college she suddenly needed to use the family car to see her boyfriend Judd, who lived farther up the Lake Michigan shore in Lake Forest. When Louis pointed out that he’d reserved the car a week earlier, she became furious with him, the way a person gets with an inanimate object that she keeps dropping and mishandling. Finally she made her mother go ask Louis to be selfless, just this once, and let her use the car to visit her boyfriend. When she got to Judd’s house she was still so furious that she left the keys in the ignition. The car was promptly stolen.

The Lake Forest police were not particularly nice to her. Her mother was even less nice, on the telephone. And Louis, when she finally got home, came down the stairs in a diver’s mask.

“Eileen,” her mother said. “Honey. You let the car roll in the lake. Nobody stole the car. I just got a call from Mrs. Wolstetter. You didn’t set the emergency brake and you didn’t put the car in Park. It rolled across the Wolstetters’ lawn into the lake.”

“Park, Eileen?” Louis’s voice was glassed-in and adenoidal. “The little ‘P’ on the far left? N for Neutral? P for Park?”

“Louis,” their mother said.

“Or is it N for No and P for. Proceed? D for Desist?”

After this trauma Eileen could no longer retain information about where Louis was or what he was doing. She knew he went to school in Houston and was majoring in something like electrical engineering, but when her mother alluded to him on the telephone, perhaps to mention that he’d changed his major, the room Eileen was calling from suddenly got noisy. She couldn’t remember what her mother had just said. She had to ask, “So he’s majoring in — what now?” And the room got noisy again! She couldn’t remember what her mother was saying even as she said it! And so she never did figure out what Louis was majoring in. When she saw him during Christmas vacation of her second year of graduate school — she was getting her MBA from Harvard — she had to make a wild guess about what he’d been doing since he graduated from Rice: “Mom tells me you’re, like, designing microchips?”

He stared at her.

She shook her head no no no no, cancel that. “Tell me what you’re doing,” she said humbly.

“I’m staring at you in amazement.”

Later her mother told her he was working for an FM radio station in Houston.

Eileen lived near Central Square in Cambridge. Her apartment was on the eighth floor of a modern high-rise, a tower of concrete that loomed above the ambient brick and clapboard like a thing that had failed to erode, with shops and a fish restaurant in the basement. She was at home making triple-fudge brownies one night at the end of March when Louis, whom she’d last seen reading a crime novel by the Christmas tree in Evanston, called her up and informed her that he’d moved from Houston to the town of Somerville, Cambridge’s budget-class neighbor to the north. She asked what had brought him to Somerville. Microchips, he said.

The person who walked into her apartment a few days later, on a raw late-winter night, was effectively a stranger. At twenty-three, Louis was nearly bald on top, with just enough curls remaining to have captured sleet. His crude black oxfords squeaked on Eileen’s linoleum as he walked around her kitchen in a starshaped path, slowly ricocheting off the counters. His cheeks and nose were red and his glasses were white with fog.

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