Jonathan Franzen - Strong Motion - A Novel

“No,” Louis said slowly. “I’m in radio. I work for a radio station.”

“Lot of students live around here. Tuff students mainly. It’s right up the street. They’re not bad kids. What do you think? You like it around here? You like Somerville? I think you’ll like it. I tell you I felt that earthquake?”

John Mullins hit himself in the forehead. “Sure I did. Sure I did.” The encounter was evidently becoming too much for him. “All right, Lou.” He squeezed Louis’s shoulder and stumbled towards his car.

As Louis went inside he heard his soprano neighbor’s arpeggios commencing, the fundamentals being struck on the piano in a rising chromatic scale. He sat down on the bare floor of his room and opened the papers. “Drat it,” he distinctly heard John Mullins say to some other neighbor. “They said it wasn’t going to rain anymore.”

Neither the Globe nor the Herald could quite hide its delight at having a death — Rita Kernaghan’s — to justify big headlines for a small local temblor. The shock, with a magnitude of 4.7 and an epicenter just southeast of Ipswich, had occurred at 4:48 p.m. and lasted less than ten seconds. Property damage had been so insignificant that a photograph of an Ipswich man fingering a crack in his breakfast-room wall received a prominent enlargement in both papers. Being the higher-brow paper of the two, the Globe also ran boxed articles about the history of earthquakes in Boston, the history of earthquakes, and the history of Boston, including a special graphic time line revealing (among other things) that the last two significant tremors to shake the city had coincided with the end of Henry Cabot Lodge, Jr.’s second term as U.S. senator (1944) and the end of his third (1953).

Another box on page 16 contained an update on the doings of a Protestant minister by the name of Philip Stites, who according to the Globe had six months earlier moved his Church of Action in Christ up to Boston from Fayetteville, North Carolina, with the stated intention of “eliminating abortion in the Commonwealth.” Stites’s followers were attacking fetal murder by standing at the doors of clinics. On Friday evening people of conscience from thirty-one states and possessions had marched to the third in a series of protest rallies in downtown Boston; in a subsequent television interview Stites said the earthquake had come close to striking “the epicenter of butchery,” by which he meant the Massachusetts State House. God (he let it be inferred) was angry with the Commonwealth. Like the Church of Action in Christ, He would not rest until the slaughter of the unborn had ceased. “Look for me everywhere,” Stites said.

“I was at the Foodmaster,” John Mullins said above the rain and arpeggios. “I thought it was the old nerves.”

Rita Damiano Kernaghan, whose death was the only one reported in yesterday’s earthquake in Ipswich, was a popular lecturer on the local New Age circuit and the author of three books on inspirational topics. She was 68 years old.

Kernaghan was perhaps best known for the battle she and the Town of Ipswich had waged since 1986 concerning the pyramidal structure she erected on the roof of her home, a farmhouse built within the town limits of Ipswich in 1765 and enlarged in 1623 under the direction of George Stonemarsh, a leading post-Revolutionary era architect.

In 1987 the Ipswich Town Meeting conceded that a clerical error had resulted in the granting of a building permit for the pyramid, and acted to retroactively enforce the local landmarks-preservation code and ordered the removal of the pyramid. Kernaghan sued the town in 1988 and later refused an out-of-court settlement under which the town would have paid the cost of removing the pyramid and restoring the house to its original 1823 design.

Kernaghan maintained that her right to build the pyramid — a geometrical form held by some to exert healing and preservative influences — is a First Amendment issue, rooted in the separation of church and state. The case, still unresolved, has become a cause celebre in the north-suburban New Age community.

Kernaghan, whose printed works include “Beginning Life at 60,” “Star Children,” and the recently published “Princess of Italy,” was the widow of Boston attorney John Alfred Kernaghan. She is survived by a step-daughter, Melanie Holland of Cleveland.

Higher and higher the soprano’s fundamentals rose, a slow upward spiral of hysteria. Louis was frowning, his pinky on the bridge of his glasses, his fingertips on his hairline, his thumb on his jaw. The thing he couldn’t stop looking at was his mother’s name. Not because the Globe had stuck her in Cleveland but for the name’s sheer personal resonant presence in print on paper. Melanie Holland : this was his mother, peculiarly reduced. Two words in a Boston paper.

Still frowning, and also beginning now to shiver, as if when the raindrops hit the windowpanes behind him their chill came right on through, he looked again at the boxed article about the Reverend Philip Stites. “ Up Tremont Street ,” it said, “ and across the Common to the steps of the State House .” The facts were consistent with what Louis himself had seen of the march — consistent in a deep way, because the article, like memory, like dreams, reduced the event to an idea, illuminated not by twilight and streetlight but by its own light, in the darkness of his head: he saw it because he knew that this was what had happened, because he knew that this was how things had been. And therefore it seemed to him that it could only be raining this morning. The rain had to be there to make this day different, to bar any return to yesterday afternoon and the particular conditions of atmosphere and light through which those marchers had been marching, the blue northern clarity of light in greater Boston when the earthquake struck. The rain made the morning real, so unshakably present that it was hard to believe there’d even been an earthquake; to believe the accidents had occurred anywhere but on paper.

Stacked against one wall of the bedroom were his cartons of radio equipment, which he’d faithfully shipped from Evanston to Houston and from Houston to Boston and never unpacked. He worked his fingernail under the duct tape holding the top carton closed. Strength failed him. He staggered to his futon, one foot slipping on the open Globe , crashed heavily and lay face down until long after the arpeggios had stopped.

Sunday night he had dinner with his family in a fish restaurant on the harbor. He was surprised to hear that his mother and Eileen took it for granted that Rita Kernaghan had fallen to her death less because an earthquake shoved her than because she was blind drunk at the time. Then again, they’d known her and he hadn’t. The word was she’d fallen off a barstool, which sounded like a joke in bad taste but was apparently the literal truth. She was being cremated privately on Wednesday morning, her ashes hurled from a pier in Rockport on the afternoon of same, and her life celebrated the next day at a memorial service that Louis was expected to take time off from work to attend. His mother, obviously impatient with the whole deceased-disposal process, referred to the service as “the thing on Thursday.”

It wasn’t until shortly before “the thing” that he saw his parents again. He’d done Dan Drexel’s board work until ten in the morning, and then, possibly a little hurt that his mother hadn’t planned any other get-togethers or shown any interest in where he lived and worked (“hurt,” however, maybe not the word for his feelings towards a family in which people rarely had the resources to take or fake a personal interest in anyone’s life but their own, “regret” or “bitterness” or “general sadness” maybe being more like it), drove straight to their hotel, a newish medium-rise by the river in Cambridge, just off Harvard Square. It would later transpire that his mother had made his father spend two afternoons in Widener Library so they could write off his half of the trip. Outside their door, at the end of a hushed hallway, Louis raised his hand but didn’t knock. He lowered it again.