Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“I love rutabaga,” said Gary inconceivably.

“I could live on nothing but vegetables,” Enid averred.

“More milk,” Chipper said, breathing hard.

“Chipper, just hold your nose if you don’t like it,” Gary said.

Alfred put bite after bite of vile Revenge in his mouth, chewing quickly and swallowing mechanically, telling himself he had endured worse than this.

“Chip,” he said, “take one bite of each thing. You’re not leaving this table till you do.”

“More milk.”

“You will eat some dinner first. Do you understand?”

“Milk.”

“Does it count if he holds his nose?” Gary said.

“More milk, please.”

“That is just about enough,” Alfred said.

Chipper fell silent. His eyes went around and around his plate, but he had not been provident and there was nothing on the plate but woe. He raised his glass and silently urged a very small drop of warm milk down the slope to his mouth. He stretched his tongue out to welcome it.

“Chip, put the glass down.”

“Maybe he could hold his nose but then he has to eat two bites of things.”

“There’s the phone. Gary, you may answer it.”

“What’s for dessert?” Chipper said.

“I have some nice fresh pineapple .”

“Oh for God’s sake, Enid—”

“What?” She blinked innocently or faux-innocently.

“You can at least give him a cookie, or an Eskimo Pie, if he eats his dinner—”

“It’s such sweet pineapple. It melts in your mouth.”

“Dad, it’s Mr. Meisner.”

Alfred leaned over Chipper’s plate and in a single action of fork removed all but one bite of the rutabaga. He loved this boy, and he put the cold, poisonous mash into his own mouth and jerked it down his throat with a shudder. “Eat that last bite,” he said, “take one bite of the other, and you can have dessert.” He stood up. “I will buy the dessert if necessary.”

As he passed Enid on his way to the kitchen, she flinched and leaned away.

“Yes,” he said into the phone.

Through the receiver came the humidity and household clutter, the warmth and fuzziness, of Meisnerdom.

“Al,” Chuck said, “just looking in the paper here, you know, Erie Belt stock, uh. Five and five-eighths seems awfully low. You sure about this Midpac thing?”

“Mr. Replogle rode the motor car with me out of Cleveland. He indicated that the Board of Managers is simply waiting for a final report on track and structures. I’m going to give them that report on Monday.”

“Midpac’s kept this very quiet.”

“Chuck, I can’t recommend any particular course of action, and you’re right, there are some unanswered questions here—”

“Al, Al,” Chuck said. “You have a mighty conscience, and we all appreciate that. I’ll let you get back to your dinner.”

Alfred hung up hating Chuck as he would have hated a girl he’d been undisciplined enough to have relations with. Chuck was a banker and a thriver. You wanted to spend your innocence on someone worthy of it, and who better than a good neighbor, but no one could be worthy of it. There was excrement all over his hands.

“Gary: pineapple?” Enid said.

“Yes, please!”

The virtual disappearance of Chipper’s root vegetable had made him a tad manic. Things were i-i-i-looking up! He expertly paved one quadrant of his plate with the remaining bite of rutabaga, grading the yellow asphalt with his fork. Why dwell in the nasty reality of liver and beet greens when there was constructable a future in which your father had gobbled these up, too? Bring on the cookies! sayeth Chipper. Bring on the Eskimo Pie!

Enid carried three empty plates into the kitchen.

Alfred, by the phone, was studying the clock above the sink. The time was that malignant fiveishness to which the flu sufferer awakens after late-afternoon fever dreams. A time shortly after five which was a mockery of five. To the face of clocks the relief of order — two hands pointing squarely at whole numbers — came only once an hour. As every other moment failed to square, so every moment held the potential for fluish misery.

And to suffer like this for no reason. To know there was no moral order in the flu, no justice in the juices of pain his brain produced. The world nothing but a materialization of blind, eternal Will.

(Schopenhauer: No little part of the torment of existence is that Time is continually pressing upon us, never letting us catch our breath but always coming after us, like a taskmaster with a whip .)

“I guess you don’t want pineapple,” Enid said. “I guess you’re buying your own dessert.”

“Enid, drop it. I wish once in your life you would let something drop.”

Cradling the pineapple, she asked why Chuck had called.

“We will talk about it later,” Alfred said, returning to the dining room.

“Daddy?” Chipper began.

“Lad, I just did you a favor. Now you do me a favor and stop playing with your food and finish your dinner. Right now . Do you understand me? You will finish it right now, or there will be no dessert and no other privileges tonight or tomorrow night, and you will sit here until you do finish it.”

“Daddy, though, can you—?”

“RIGHT NOW. DO YOU UNDERSTAND ME, OR DO YOU NEED A SPANKING?”

Tonsils release an ammoniac mucus when serious tears gather behind them. Chipper’s mouth twisted this way and that. He saw the plate in front of him in a new light. It was as if the food were an unbearable companion whose company he had been sure that his connections higher up, the strings pullable on his behalf, would spare him. Now came the realization that he and the food were in it for the long haul.

Now he mourned the passing of his bacon, paltry though it had been, with a deep and true grief.

Curiously, though, he didn’t outright cry.

Alfred retired to the basement with stamping and a slam.

Gary sat very quietly multiplying small whole numbers in his head.

Enid plunged a knife into the pineapple’s jaundiced belly. She decided that Chipper was exactly like his father — at once hungry and impossible to feed. He turned food into shame. To prepare a square meal and then to see it greeted with elaborate disgust, to see the boy actually gag on his breakfast oatmeal: this stuck in a mother’s craw. All Chipper wanted was milk and cookies, milk and cookies. Pediatrician said: “Don’t give in. He’ll get hungry eventually and eat something else.” So Enid tried to be patient, but Chipper sat down to lunch and declared: “This smells like vomit!” You could slap his wrist for saying it, but then he said it with his face, and you could spank him for making faces, but then he said it with his eyes, and there were limits to correction — no way, in the end, to penetrate behind the blue irises and eradicate a boy’s disgust.

Lately she had taken to feeding him grilled cheese sandwiches all day long, holding back for dinner the yellow and leafy green vegetables required for a balanced diet and letting Alfred fight her battles.

There was something almost tasty and almost sexy in letting the annoying boy be punished by her husband. In standing blamelessly aside while the boy suffered for having hurt her.

What you discovered about yourself in raising children wasn’t always agreeable or attractive.

She carried two dishes of pineapple into the dining room. Chipper’s head was bowed, but the son who loved to eat reached eagerly for his dish.

Gary slurped and aerated, wordlessly consuming pineapple.

The dogshit-yellow field of rutabaga; the liver warped by frying and so unable to lie flush with the plate; the ball of woody beet leaves collapsed and contorted but still entire, like a wetly compressed bird in an eggshell, or an ancient corpse folded over in a bog: the spatial relations among these foods no longer seemed to Chipper haphazard but were approaching permanence, finality.

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