Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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The foods receded, or a new melancholy shadowed them. Chipper became less immediately disgusted; he ceased even to think about eating. Deeper sources of refusal were kicking in.

Soon the table was cleared of everything but his place mat and his plate. The light grew harsher. He heard Gary and his mother conversing on trivial topics as she washed and Gary dried. Then Gary’s footsteps on the basement stairs. Metronomic thock of Ping-Pong ball. More desolate peals of large pots being handled and submerged.

His mother reappeared. “Chipper, just eat that up. Be a big boy now.”

He had arrived in a place where she couldn’t touch him. He felt nearly cheerful, all head, no emotion. Even his butt was numb from pressing on the chair.

“Dad means for you to sit there till you eat that. Finish it up now. Then your whole evening’s free.”

If his evening had been truly free he might have spent it entirely at a window watching Cindy Meisner.

“Noun adjective,” his mother said, “contraction possessive noun. Conjunction conjunction stressed pronoun counter-factual verb pronoun I’d just gobble that up and temporal adverb pronoun conditional auxiliary infinitive—”

Peculiar how unconstrained he felt to understand the words that were spoken to him. Peculiar his sense of freedom from even that minimal burden of decoding spoken English.

She tormented him no further but went to the basement, where Alfred had shut himself inside his lab and Gary was amassing (“Thirty-seven, thirty — eight”) consecutive bounces on his paddle.

“Tock tock?” she said, wagging her head in invitation.

She was hampered by pregnancy or at least the idea of it, and Gary could have trounced her, but her pleasure at being played with was so extremely evident that he simply disengaged himself, mentally multiplying their scores or setting himself small challenges like returning the ball to alternating quadrants. Every night after dinner he honed this skill of enduring a dull thing that brought a parent pleasure. It seemed to him a lifesaving skill. He believed that terrible harm would come to him when he could no longer preserve his mother’s illusions.

And she looked so vulnerable tonight. The exertions of dinner and dishes had relaxed her hair’s rollered curls. Little blotches of sweat were blooming through the cotton bodice of her dress. Her hands had been in latex gloves and were as red as tongues.

He sliced a winner down the line and past her, the ball running all the way to the shut door of the metallurgy lab. It bounced up and knocked on this door before subsiding. Enid pursued it carefully. What silence, what darkness, there was behind that door. Al seemed not to have a light on.

There existed foods that even Gary hated — Brussels sprouts, boiled okra — and Chipper had watched his pragmatic sibling palm them and fling them into dense shrubbery from the back doorway, if it was summer, or secrete them on his person and dump them in the toilet, if it was winter. Now that Chipper was alone on the first floor he could easily have disappeared his liver and his beet greens. The difficulty: his father would think that he had eaten them, and eating them was exactly what he was refusing now to do. Food on the plate was necessary to prove refusal.

He minutely peeled and scraped the flour crust off the top of the liver and ate it. This took ten minutes. The denuded surface of the liver was a thing you didn’t want to see.

He unfolded the beet greens somewhat and rearranged them.

He examined the weave of the place mat.

He listened to the bouncing ball, his mother’s exaggerated groans and her nerve-grating cries of encouragement (“Ooo, good one, Gary!”). Worse than spanking or even liver was the sound of someone else’s Ping-Pong. Only silence was acceptable in its potential to be endless. The score in Ping-Pong bounced along toward twenty-one and then the game was over, and then two games were over, and then three were over, and to the people inside the game this was all right because fun had been had, but to the boy at the table upstairs it was not all right. He’d involved himself in the sounds of the game, investing them with hope to the extent of wishing they might never stop. But they did stop, and he was still at the table, only it was half an hour later. The evening devouring itself in futility. Even at the age of seven Chipper intuited that this feeling of futility would be a fixture of his life. A dull waiting and then a broken promise, a panicked realization of how late it was.

This futility had let’s call it a flavor.

After he scratched his head or rubbed his nose his fingers harbored something. The smell of self.

Or again, the taste of incipient tears.

Imagine the olfactory nerves sampling themselves, receptors registering their own configuration.

The taste of self-inflicted suffering, of an evening trashed in spite, brought curious satisfactions. Other people stopped being real enough to carry blame for how you felt. Only you and your refusal remained. And like self-pity, or like the blood that filled your mouth when a tooth was pulled — the salty ferric juices that you swallowed and allowed yourself to savor — refusal had a flavor for which a taste could be acquired.

In the lab below the dining room Alfred sat with his head bowed in the darkness and his eyes closed. Interesting how eager he’d been to be alone, how hatefully clear he’d made this to everyone around him; and now, having finally closeted himself, he sat hoping that someone would come and disturb him. He wanted this someone to see how much he hurt. Though he was cold to her it seemed unfair that she was cold in turn to him: unfair that she could happily play Ping-Pong, shuffle around outside his door, and never knock and ask how he was doing.

Three common measures of a material’s strength were its resistance to pressure, to tension, and to shearing.

Every time his wife’s footsteps approached the lab he braced himself to accept her comforts. Then he heard the game ending, and he thought surely she would take pity on him now. It was the one thing he asked of her, the one thing—

(Schopenhauer: Woman pays the debt of life not by what she does, but by what she suffers; by the pains of childbearing and care for the child, and by submission to her husband, to whom she should be a patient and cheering companion .)

But no rescue was forthcoming. Through the closed door he heard her retreat to the laundry room. He heard the mild buzz of a transformer, Gary playing with the O-gauge train beneath the Ping-Pong table.

A fourth measure of strength, important to manufacturers of rail stock and machine parts, was hardness.

With unspeakable expenditure of will Alfred turned on a light and opened his lab notebook.

Even the most extreme boredom had merciful limits. The dinner table, for example, possessed an underside that Chipper explored by resting his chin on the surface and stretching his arms out below. At his farthest reach were baffles pierced by taut wire leading to pullable rings. Complicated intersections of roughly finished blocks and angles were punctuated, here and there, by deeply countersunk screws, little cylindrical wells with scratchy turnings of wood fiber around their mouths, irresistible to the probing finger. Even more rewarding were the patches of booger he’d left behind during previous vigils. The dried patches had the texture of rice paper or fly wings. They were agreeably dislodgable and pulverizable.

The longer Chipper felt his little kingdom of the underside, the more reluctant he became to lay eyes on it. Instinctively he knew that the visible reality would be puny. He’d see crannies he hadn’t yet discovered with his fingers, and the mystery of the realms beyond his reach would be dispelled, the screw holes would lose their abstract sensuality and the boogers would shame him, and one evening, then, with nothing left to relish or discover, he just might die of boredom.

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