Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“You want to see my jail I made with Popsicle sticks?” Gary said.

“A jail, well well,” Alfred said.

The provident young person neither ate his bacon immediately nor let it be soaked by the vegetable juices. The provident young person evacuated his bacon to the higher ground at the plate’s edge and stored it there as an incentive. The provident young person ate his bite of fried onions, which weren’t good but also weren’t bad, if he needed a preliminary treat.

“We had a den meeting yesterday,” Enid said. “Gary, honey, we can look at your jail after dinner.”

“He made an electric chair,” Chipper said. “To go in his jail. I helped.”

“Ah? Well well.”

“Mom got these huge boxes of Popsicle sticks,” Gary said.

“It’s the Pack,” Enid said. “The Pack gets a discount.”

Alfred didn’t think much of the Pack. A bunch of fathers taking it easy ran the Pack. Pack-sponsored activities were lightweight: contests involving airplanes of balsa, or cars of pinewood, or trains of paper whose boxcars were books read.

(Schopenhauer: If you want a safe compass to guide you through life … you cannot do better than accustom yourself to regard this world as a penitentiary, a sort of penal colony .)

“Gary, say again what you are,” said Chipper, for whom Gary was the glass of fashion. “Are you a Wolf?”

“One more Achievement and I’m a Bear.”

“What are you now, though, a Wolf?”

“I’m a Wolf but basically I’m a Bear. All’s I have to do now is Conversation.”

“Conservation,” Enid corrected. “All I have to do now is Conservation.”

“It’s not Conversation?”

“Steve Driblett made a gillateen but it didn’t work,” Chipper said.

“Driblett’s a Wolf.”

“Brent Person made a plane but it busted in half.”

“Person is a Bear.”

“Say broke, sweetie, not busted.”

“Gary, what’s the biggest firecracker?” Chipper said.

“M-80. Then cherry bombs.”

“Wouldn’t it be neat to get an M-80 and put it in your jail and blow it up?”

“Lad,” Alfred said, “I don’t see you eating your dinner.”

Chipper was growing emceeishly expansive; for the moment, the Dinner had no reality. “Or seven M-80s,” he said, “and you blew ‘em all at once, or one after another, wouldn’t it be neat?”

“I’d put a charge in every corner and then put extra fuse,” Gary said. “I’d wind the fuses together and detonate them all at once. That’s the best way to do it, isn’t it, Dad. Separate the charges and put an extra fuse, isn’t it. Dad?”

“Seven thousand hundred million M-80s,” Chipper cried. He made explosive noises to suggest the megatonnage he had in mind.

“Chipper,” Enid said with smooth deflection, “tell Dad where we’re all going next week.”

“The den’s going to the Museum of Transport and I get to come, too,” Chipper recited.

“Oh Enid.” Alfred made a sour face. “What are you taking them there for?”

“Bea says it’s very interesting and fun for kids.”

Alfred shook his head, disgusted. “What does Bea Meisner know about transportation?”

“It’s perfect for a den meeting,” Enid said. “There’s a real steam engine the boys can sit in.”

“What they have,” Alfred said, “is a thirty-year-old Mohawk from the New York Central. It’s not an antique. It’s not rare. It’s a piece of junk. If the boys want to see what a real railroad is—”

“Put a battery and two electrodes on the electric chair,” Gary said.

“Put an M-80!”

“Chipper, no, you run a current and the current kills the prisoner.”

“What’s a current?”

A current flowed when you stuck electrodes of zinc and copper in a lemon and connected them.

What a sour world Alfred lived in. When he caught himself in mirrors it shocked him how young he still looked. The set of mouth of hemorrhoidal schoolteachers, the bitter permanent lip-pursing of arthritic men, he could taste these expressions in his own mouth sometimes, though he was physically in his prime, the souring of life.

He did therefore enjoy a rich dessert. Pecan pie. Apple brown Betty. A little sweetness in the world.

“They have two locomotives and a real caboose!” Enid said.

Alfred believed that the real and the true were a minority that the world was bent on exterminating. It galled him that romantics like Enid could not distinguish the false from the authentic: a poor-quality, flimsily stocked, profit-making “museum” from a real, honest railroad—

“You have to at least be a Fish.”

“The boys are all excited.”

“I could be a Fish.”

The Mohawk that was the new museum’s pride was evidently a romantic symbol. People nowadays seemed to resent the railroads for abandoning romantic steam power in favor of diesel. People didn’t understand the first goddamned thing about running a railroad. A diesel locomotive was versatile, efficient, and low-maintenance. People thought the railroad owed them romantic favors, and then they bellyached if a train was slow. That was the way most people were — stupid.

(Schopenhauer: Amongst the evils of a penal colony is the company of those imprisoned in it .)

At the same time, Alfred himself hated to see the old steam engine pass into oblivion. It was a beautiful iron horse, and by putting the Mohawk on display the museum allowed the easygoing leisure-seekers of suburban St. Jude to dance on its grave. City people had no right to patronize the iron horse. They didn’t know it intimately, as Alfred did. They hadn’t fallen in love with it out in the northwest corner of Kansas where it was the only link to the greater world, as Alfred had. He despised the museum and its goers for everything they didn’t know.

“They have a model railroad that takes up a whole room!” Enid said relentlessly.

And the goddamned model railroaders, yes, the goddamned hobbyists. Enid knew perfectly well how he felt about these dilettantes and their pointless and implausible model layouts.

“A whole room?” Gary said with skepticism. “How big?”

“Wouldn’t it be neat to put some M-80s on, um, on, um, on a model railroad bridge? Ker-PERSSSCHT! P’kow, p’kow!”

“Chipper, eat your dinner now ,” Alfred said.

“Big big big,” Enid said. “The model is much much much much much bigger than the one your father bought you.”

Now ,” Alfred said. “Are you listening to me? Now.”

Two sides of the square table were happy and two were not. Gary told a pointless, genial story about this kid in his class who had three rabbits while Chipper and Alfred, twin studies in bleakness, lowered their eyes to their plates. Enid visited the kitchen for more rutabaga.

“I know who not to ask if they want seconds,” she said when she returned.

Alfred shot her a warning look. They had agreed for the sake of the boys’ welfare never to allude to his own dislike of vegetables and certain meats.

“I’ll take some,” Gary said.

Chipper had a lump in his throat, a desolation so obstructive that he couldn’t have swallowed much in any case. But when he saw his brother happily devouring seconds of Revenge, he became angry and for a moment understood how his entire dinner might be scarfable in no time, his duties discharged and his freedom regained, and he actually picked up his fork and made a pass at the craggy wad of rutabaga, tangling a morsel of it in his tines and bringing it near his mouth. But the rutabaga smelled carious and was already cold — it had the texture and temperature of wet dog crap on a cool morning — and his guts convulsed in a spine-bending gag reflex.

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