Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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The thought came to him — inappropriately, perhaps, considering the tender conjugal act that he was now engaged in; but he was who he was, he was Gary Lambert, he had inappropriate thoughts and he was sick of apologizing! — that he could now safely ask Caroline to buy him 4,500 shares of Axon and that she would gladly do it.

She rose and dipped like a top on a tiny point of contact, her entire, sexual being almost weightless on the moistened tip of his middle finger.

He spent himself gloriously. Spent and spent and spent.

They were still lying naked at the hooky-playing hour of nine-thirty on a Tuesday when the phone on Caroline’s nightstand rang. Gary, answering, was shocked to hear his mother’s voice. He was shocked by the reality of her existence.

“I’m calling from the ship,” Enid said.

For one guilty instant, before it registered with him that phoning from a ship was expensive and that his mother’s news could therefore not be good, Gary believed that she was calling because she knew that he’d betrayed her.

AT SEA

Two hundred hours , darkness, the Gunnar Myrdal : all around the old man, running water sang mysteriously in metal pipes. As the ship sliced open the black sea east of Nova Scotia, the horizontal faintly pitched, bow to stern, as if despite its great steel competence the ship were uneasy and could solve the problem of a liquid hill only by cutting through it quickly; as if its stability depended on such a glossing over of flotation’s terrors. There was another world below — this was the problem. Another world below that had volume but no form. By day the sea was blue surface and whitecaps, a realistic navigational challenge, and the problem could be overlooked. By night, though, the mind went forth and dove down through the yielding — the violently lonely — nothingness on which the heavy steel ship traveled, and in every moving swell you saw a travesty of grids, you saw how truly and forever lost a man would be six fathoms under. Dry land lacked this z-axis. Dry land was like being awake. Even in chartless desert you could drop to your knees and pound land with your fist and land didn’t give. Of course the ocean, too, had a skin of wakefulness. But every point on this skin was a point where you could sink and by sinking disappear.

As things pitched, so they trembled. There was a shivering in the Gunnar Myrdal ’s framework, an endless shudder in the floor and bed and birch-paneled walls. A syncopated tremor so fundamental to the ship, and so similar to Parkinson’s in the way it constantly waxed without seeming ever to wane, that Alfred had located the problem within himself until he overheard younger, healthier passengers remarking on it.

He lay approximately awake in Stateroom B11. Awake in a metal box that pitched and trembled, a dark metal box moving somewhere in the night.

There was no porthole. A room with a view would have cost hundreds of dollars more, and Enid had reasoned that since a stateroom was mainly used for sleeping who needed a porthole, at that price? She might look through it six times on the voyage. That was fifty dollars a look.

She was sleeping now, silently, like a person feigning sleep. Alfred asleep was a symphony of snoring and whistling and choking, an epic of Z’s. Enid was a haiku. She lay still for hours and then blinked awake like a light switched on. Sometimes at dawn in St. Jude, in the long minute it took the clock-radio to flip a digit, the only moving thing in the house was the eye of Enid.

On the morning of Chip’s conception she’d merely looked like she was shamming sleep, but on the morning of Denise’s, seven years later, she really was pretending. Alfred in middle age had invited such venial deceptions. A decade-plus of marriage had turned him into one of the overly civilized predators you hear about in zoos, the Bengal tiger that forgets how to kill, the lion lazy with depression. To exert attraction, Enid had to be a still, unbloody carcass. If she actively reached out, actively threw a thigh over his, he braced himself against her and withheld his face; if she so much as stepped from the bathroom naked he averted his eyes, as the Golden Rule enjoined the man who hated to be seen himself. Only early in the morning, waking to the sight of her small white shoulder, did he venture from his lair. Her stillness and self-containment, the slow sips of air she took, her purely vulnerable objecthood, made him pounce. And feeling his padded paw on her ribs and his meat-seeking breath on her neck she went limp, as if with prey’s instinctive resignation (“Let’s get this dying over with”), although in truth her passivity was calculated, because she knew passivity inflamed him. He had her, and to some extent she wanted to be had, like an animal: in a mute mutual privacy of violence. She, too, kept her eyes shut. Often didn’t even roll from the side she’d been lying on but simply flared her hip, brought her knee up in a vaguely proctologic reflex. Then without showing her his face he departed for the bathroom, where he washed and shaved and emerged to see the bed already made and to hear, downstairs, the percolator gulping. From Enid’s perspective in the kitchen maybe a lion, not her husband, had voluptuously mauled her, or maybe one of the men in uniform she ought to have married had slipped into her bed. It wasn’t a wonderful life, but a woman could subsist on self-deceptions like these and on her memories (which also now curiously seemed like self-deceptions) of the early years when he’d been mad for her and had looked into her eyes. The important thing was to keep it all tacit. If the act was never spoken of, there would be no reason to discontinue it until she was definitely pregnant again, and even after pregnancy no reason not to resume it, as long as it was never mentioned.

She’d always wanted three children. The longer nature denied her a third, the less fulfilled she felt in comparison to her neighbors. Bea Meisner, though fatter and dumber than Enid, publicly smooched with her husband, Chuck; twice a month the Meisners hired a sitter and went dancing. Every October without fail Dale Driblett took his wife, Honey, someplace extravagant and out of state for their anniversary, and the many young Dribletts all had birthdays in July. Even Esther and Kirby Root could be seen at barbecues patting each other’s well-marbled bottoms. It frightened and shamed Enid, the loving-kindness of other couples. She was a bright girl with good business skills who had gone directly from ironing sheets and tablecloths at her mother’s boardinghouse to ironing sheets and shirts chez Lambert. In every neighbor woman’s eyes she saw the tacit question: Did Al at least make her feel super-special in that special way?

As soon as she was visibly pregnant again, she had a tacit answer. The changes in her body were incontrovertible, and she imagined so vividly the flattering inferences about her love life that Bea and Esther and Honey might draw from these changes that soon enough she drew the inferences herself.

Made happy in this way by pregnancy, she got sloppy and talked about the wrong thing to Alfred. Not, needless to say, about sex or fulfillment or fairness. But there were other topics scarcely less forbidden, and Enid in her giddiness one morning overstepped. She suggested he buy shares of a certain stock. Alfred said the stock market was a lot of dangerous nonsense best left to wealthy men and idle speculators. Enid suggested he nonetheless buy shares of a certain stock. Alfred said he remembered Black Tuesday as if it were yesterday. Enid suggested he nonetheless buy shares of a certain stock. Alfred said it would be highly improper to buy that stock. Enid suggested he nonetheless buy it. Alfred said they had no money to spare and now a third child coming. Enid suggested that money could be borrowed. Alfred said no. He said no in a much louder voice and stood up from the breakfast table. He said no so loudly that a decorative copper-plate bowl on the kitchen wall briefly hummed, and without kissing her goodbye he left the house for eleven days and ten nights.

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