Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“Dad?” came Jonah’s voice through an upstairs window. “I’m ready to play chess now.”

By the time Gary went inside, having left the hedge half-clipped and the ladder in an ivy bed, his blood had soaked through three layers of toweling and bloomed on the surface as a pinkish spot of plasma filtered of its corpuscles. He was afraid of meeting somebody in the hallway, Caleb or Caroline certainly, but especially Aaron, because Aaron had asked him if he was feeling all right, and Aaron had not been able to lie to him, and these small demonstrations of Aaron’s love were in a way the scariest part of the whole evening.

“Why is there a towel on your hand?” Jonah asked as he removed half of Gary’s forces from the chessboard.

“I cut myself, Jonah. I’m keeping some ice on the cut.”

“You smell like al-co-hol.” Jonah’s voice was lilting.

“Alcohol is a powerful disinfectant,” Gary said.

Jonah moved a pawn to K4. “I’m talking about the al-co-hol you drank, though.”

By ten o’clock Gary was in bed and thus arguably still in compliance with his original plan, arguably still on track to — what? Well, he didn’t exactly know. But if he got some sleep he might be able to see his way forward. In order not to bleed on the sheets he’d put his injured hand, towel and all, inside a Bran’nola bread bag. He turned out the nightstand light and faced the wall, his bagged hand cradled against his chest, the sheet and the summer blanket pulled up over his shoulder. He slept hard for a while and was awakened in the darkened room by the throbbing of his hand. The flesh on either side of the gash was twitching as if it had worms in it, pain fanning out along five carpi. Caroline breathed evenly, asleep. Gary got up to empty his bladder and take four Advils. When he returned to bed, his last, pathetic plan fell apart, because he could not get back to sleep. He had the sensation that blood was running out of the Bran’nola bag. He considered getting up and sneaking out to the garage and driving to the emergency room. He added up the hours this would take him and the amount of wakefulness he would have to burn off upon returning, and he subtracted the total from the hours of night remaining until he had to get up and go to work, and he concluded that he was better off just sleeping until six and then, if need be, stopping at the ER on his way to work; but this was all contingent on his ability to fall back asleep, and since he couldn’t do this, he reconsidered and recalculated, but now there were fewer minutes remaining of the night than when he’d first considered getting up and sneaking out. The calculus was cruel in its regression. He got up again to piss. The problem of Caleb’s surveillance lay, indigestible, in his gut. He was mad to wake up Caroline and fuck her. His hurt hand pulsed. It felt elephantine; he had a hand the size and weight of an armchair, each finger a soft log of exquisite sensitivity. And Denise kept looking at him with hatred. And his mother kept yearning for her Christmas. And he slipped briefly into a room in which his father had been strapped into an electric chair and fitted with a metal helmet, and Gary’s own hand was on the old-fashioned stirrup-like power switch, which he’d evidently already thrown, because Alfred came leaping from the chair fantastically galvanized, horribly smiling, a travesty of enthusiasm, dancing around with rigid jerking limbs and circling the room at double-speed and then falling hard, face down, wham, like a ladder with its legs together, and lying prone there on the execution-room floor with every muscle in his body galvanically twitching and boiling—

Gray light was in the windows when Gary got up to piss for the fourth or fifth time. The morning’s humidity and warmth felt more like July than October. A haze or fog on Seminole Street confused — or disembodied — or refracted — the cawing of crows as they worked their way up the Hill, over Navajo Road and Shawnee Street, like local teenagers heading to the Wawa Food Market parking lot (“Club Wa” they called it, according to Aaron) to smoke their cigarettes.

He lay down again and waited for sleep.

“—day the fifth of October, among the top news stories we’re following this morning, with his execution now less than twenty-four hours away, lawyers for Khellye—” said Caroline’s clock radio before she swatted it silent.

In the next hour, while he listened to the rising of his sons and the sound of their breakfasts and the blowing of a trumpet line by John Philip Sousa, courtesy of Aaron, a radical new plan took shape in Gary’s brain. He lay fetally on his side, very still, facing the wall, with his Bran’nola-bagged hand against his chest. His radical new plan was to do absolutely nothing.

“Gary, are you awake?” Caroline said from a medium distance, the doorway presumably. “Gary?”

He did nothing; didn’t answer.

“Gary?”

He wondered if she might be curious about why he was doing nothing, but already her footsteps were receding up the hall and she was calling, “Jonah, come on, you’re going to be late.”

“Where’s Dad?” Jonah said.

“He’s still in bed, let’s go.”

There was a patter of little feet, and now came the first real challenge to Gary’s radical new plan. From somewhere closer than the doorway Jonah spoke. “Dad? We’re leaving now. Dad?” And Gary had to do nothing. He had to pretend he couldn’t hear or wouldn’t hear, he had to inflict his general strike, his clinical depression, on the one creature he wished he could have spared. If Jonah came any closer — if, for example, he came and gave him a hug — Gary doubted he would be able to stay silent and unmoving. But Caroline was calling from downstairs again, and Jonah hurried out.

Distantly Gary heard the beeping of his anniversary date being entered to arm the perimeter. Then the toast-smelling house was silent and he shaped his face into the expression of bottomless suffering and self-pity that Caroline wore when her back was hurting. He understood, as he never had before, how much comfort this expression yielded.

He thought about getting up, but he didn’t need anything. He didn’t know when Caroline was coming back; if she was working at the CDF today, she might not return until three. It didn’t matter. He would be here.

As it happened, Caroline came back in half an hour. The sounds of her departure were reversed. He heard the approaching Stomper, the disarming code, the footsteps on the stairs. He sensed his wife in the doorway, silent, watching him.

“Gary?” she said in a lower, more tender voice.

He did nothing. He lay. She came over to him and knelt by the bed. “What is it? Are you sick?”

He didn’t answer.

“What is this bag for? My God. What did you do?”

He said nothing.

“Gary, say something. Are you depressed?”

“Yes.”

She sighed then. Weeks of accumulated tension were draining from the room.

“I surrender,” Gary said.

“What do you mean?”

“You don’t have to go to St. Jude,” he said. “Nobody who doesn’t want to go has to go.”

It cost him a lot to say this, but there was a reward. He felt Caroline’s warmth approaching, its radiance, before she touched him. The sun rising, the first brush of her hair on his neck as she leaned over him, the approach of her breath, the gentle touching-down of her lips on his cheek. She said, “Thank you.”

“I may have to go for Christmas Eve but I’ll come back for Christmas.”

“Thank you.”

“I’m extremely depressed.”

“Thank you.”

“I surrender,” Gary said.

An irony, of course, was that as soon as he’d surrendered — possibly as soon as he’d confessed to his depression, almost certainly by the time he showed her his hand and she put a proper bandage on it, and absolutely no later than the moment at which, with a locomotive as long and hard and heavy as an O-gauge model railroad engine, he tunneled up into wet and gently corrugated recesses that even after twenty years of traveling through them still felt unexplored (his approach was spoon-style, from behind, so that Caroline could keep her lower back arched outward and he could harmlessly drape his bandaged hand across her flank; the screwing wounded, the two of them were) — he not only no longer felt depressed, he felt euphoric.

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