Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“Do I still recognize myself?”

“Do you want to? Everybody else still will — at least, the outside of you.”

The big glowing tally for TODAY’S GROSS RECEIPTS paused for a moment at $444,447.41 and then went higher.

“My furnishings are my personality,” Chip said.

“Say it’s a gradual rehab. Say the workmen are very tidy. The brain’s cleaned up every night when you get home from work, and nobody can bother you on the weekend, per local ordinance and the usual covenantal restrictions. The whole thing happens in stages — you grow into it. Or it grows into you, so to speak. Nobody’s making you buy new furniture.”

“You’re asking hypothetically.”

Doug raised a finger. “The only thing is there might be some metal involved. It’s possible you’d set off alarms at the airport. I’m imagining you might get some unwanted talk radio, too, on certain frequencies. Gatorade and other high-electrolyte drinks might be a problem. But what do you say?”

“You’re joking, right?”

“Check out the Web site. I’ll give you the address. ‘ The implications are disturbing, but there’s no stopping this powerful new technology .’ That could be the motto for our age, don’t you think?”

That a salmon filet was now spreading down into Chip’s underpants like a wide, warm slug did seem to have everything to do with his brain and with a number of poor decisions that this brain had made. Rationally Chip knew that Doug would let him go soon and that eventually he might even escape the Nightmare of Consumption and find a restaurant bathroom where he could take the filet out and regain his full critical faculties — that there would come a moment when he was no longer standing amid pricey gelati with lukewarm fish in his pants, and that this future moment would be a moment of extraordinary relief — but for now he still inhabited an earlier, much less pleasant moment from the vantage point of which a new brain looked like just the ticket.

“The desserts were a foot tall!” Enid said, her instincts having told her that Denise didn’t care about pyramids of shrimp. “It was elegant elegant. Have you ever seen anything like that?”

“I’m sure it was very nice,” Denise said.

“The Dribletts really do things super-deluxe. I’d never seen a dessert that tall. Have you?”

The subtle signs that Denise was exercising patience — the slightly deeper breaths she took, the soundless way she set her fork down on her plate and took a sip of wine and set the glass back down — were more hurtful to Enid than a violent explosion.

“I’ve seen tall desserts,” Denise said.

“Are they tremendously difficult to make?”

Denise folded her hands in her lap and exhaled slowly. “It sounds like a great party. I’m glad you had fun.”

Enid had, true enough, had fun at Dean and Trish’s party, and she’d wished that Denise had been there to see for herself how elegant it was. At the same time, she was afraid that Denise would not have found the party elegant at all, that Denise would have picked apart its specialness until there was nothing left but ordinariness. Her daughter’s taste was a dark spot in Enid’s vision, a hole in her experience through which her own pleasures were forever threatening to leak and dissipate.

“I guess there’s no accounting for tastes,” she said.

“That’s true,” Denise said. “Although some tastes are better than others.”

Alfred had bent low over his plate to ensure that any salmon or haricots verts that fell from his fork would land on china. But he was listening. He said, “Enough.”

“That’s what everybody thinks,” Enid said. “Everybody thinks their taste is the best.”

“But most people are wrong,” Denise said.

“Everybody’s entitled to their own taste,” Enid said. “Everybody gets one vote in this country.”

“Unfortunately!”

“Enough,” Alfred said to Denise. “You’ll never win.”

“You sound like a snob,” Enid said.

“Mother, you’re always telling me how much you like a good home-cooked meal. Well, that’s what I like, too. I think there’s a kind of Disney vulgarity in a foot-tall dessert. You are a better cook than—”

“Oh, no. No.” Enid shook her head. “I’m a nothing cook.”

“That’s not true at all! Where do you think I—”

“Not from me,” Enid interrupted. “I don’t know where my children got their talents. But not from me. I’m a nothing as a cook. A big nothing.” (How strangely good it felt to say this! It was like putting scalding water on a poison-ivy rash.)

Denise straightened her back and raised her glass. Enid, who all her life had been helpless not to observe the goings-on on other people’s plates, had watched Denise take a three-bite portion of salmon, a small helping of salad, and a crust of bread. The size of each was a reproach to the size of each of Enid’s. Now Denise’s plate was empty and she hadn’t taken seconds of anything.

“Is that all you’re going to eat?” Enid said.

“Yes. That was my lunch.”

“You’ve lost weight.”

“In fact not.”

“Well, don’t lose any more,” Enid said with the skimpy laugh with which she tried to hide large feelings.

Alfred was guiding a forkful of salmon and sorrel sauce to his mouth. The food dropped off his fork and broke into violently shaped pieces.

“I think Chip did a good job with this,” Enid said. “Don’t you think? The salmon is very tender and good.”

“Chip has always been a good cook,” Denise said.

“Al, are you enjoying this? Al?”

Alfred’s grip on his fork had slackened. There was a sag in his lower lip, a sullen suspicion in his eyes.

“Are you enjoying the lunch?” Enid said.

He took his left hand in his right and squeezed it. The mated hands continued their oscillation together while he stared at the sunflowers in the middle of the table. He seemed to swallow the sour set of his mouth, to choke back the paranoia.

“Chip made all this?” he said.

“Yes.”

He shook his head as though Chip’s having cooked, Chip’s absence now, overwhelmed him. “I am increasingly bothered by my affliction,” he said.

“What you have is very mild,” Enid said. “We just need to get the medication adjusted.”

He shook his head. “Hedgpeth said it’s unpredictable.”

“The important thing is to keep doing things,” Enid said, “to keep active, to always just go .”

“No. You were not listening. Hedgpeth was very careful not to promise anything.”

“According to what I read—”

“I don’t give a damn what your magazine article said. I am not well, and Hedgpeth admitted as much.”

Denise set her wine down with a stiff, fully extended arm.

“So what do you think about Chip’s new job?” Enid asked her brightly.

“His—?”

“Well, at the Wall Street Journal .”

Denise studied the tabletop. “I have no opinion about it.”

“It’s exciting, don’t you think?”

“I have no opinion about it.”

“Do you think he works there full-time?”

“No.”

“I don’t understand what kind of job it is.”

“Mother, I know nothing about it.”

“Is he still doing law?”

“You mean proofreading? Yes.”

“So he’s still at the firm.”

“He’s not a lawyer, Mother.”

“I know he’s not a lawyer.”

“Well, when you say, ‘doing law,’ or ‘at the firm’—is that what you tell your friends?”

“I say he works at a law firm. That’s all I say. A New York City law firm. And it’s the truth. He does work there.”

“It’s misleading and you know it,” Alfred said.

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