Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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Around eight o’clock he ended up outside the new Nightmare of Consumption (“Everything — for a Price!”) on Grand Street. A humidity had stolen over the sky, a sulfurous uneasy wind from Rahway and Bayonne. The supergentry of SoHo and Tribeca were streaming through the Nightmare’s brushed-steel portals. The men came in various shapes and sizes, but all the women were slim and thirty-six; many were both slim and pregnant. Chip had a collar rash from his haircut and felt unready to be seen by so many perfect women. But right inside the Nightmare’s door he glimpsed a box of greens marked SORREL from Belize $0.99 .

He entered the Nightmare, snagged a basket, and put one bunch of sorrel in it. Ninety-nine cents. Installed above the Nightmare’s coffee bar was a screen that gave running ironic tallies of TODAY’S GROSS RECEIPTS and TODAY’S PROFIT AND PROJECTED QUARTERLY PER-SHARE DIVIDEND (Unofficial Non-Binding Estimate Based on Past Quarterly Performances / This Information Provided for Entertainment Purposes Only), and COFFEE SALES THIS STATION. Chip wove among strollers and cell phone antennae to the fish counter, where, as in a dream, he found wild NORWEGIAN SALMON, LINE CAUGHT on sale at a reasonable price. He pointed at a midsize filet, and to the fishman’s question, “What else?” he replied in a crisp tone, almost a smug tone, “That’ll do it.”

The price on the beautiful paper-wrapped filet that he was handed was $78.40. Luckily, this discovery knocked the wind out of him, otherwise he might have lodged a protest before realizing, as he did now, that the prices at the Nightmare were per quarter pound. Two years ago, two months ago, he would not have made a mistake like this.

“Ha, ha!” he said, palming the seventy-eight-dollar filet like a catcher’s mitt. He dropped to one knee and touched his bootlaces and took the salmon right up inside his leather jacket and underneath his sweater and tucked the sweater into his pants and stood up again.

“Daddy, I want swordfish,” a little voice behind him said.

Chip took two steps, and the salmon, which was quite heavy, escaped from his sweater and covered his groin, for one unstable moment, like a codpiece.

Daddy! Swordfish!

Chip put his hand to his crotch. The dangling filet felt like a cool, loaded diaper. He repositioned it against his abs and tucked in the sweater more securely, zipped his jacket to the neck, and strode purposefully toward the whatever. Toward the dairy wall. Here he found a selection of French crèmes fraîches at prices implying transport via SST. The less un-affordable domestic crème fraîche was blocked by a man in a Yankees cap who was shouting into his cell phone while a child, apparently his, peeled back the foil tops of half-liters of French yogurt. She’d peeled back five or six already. Chip leaned to reach behind the man, but his fish belly sagged. “Excuse me,” he said.

Like a sleepwalker the man on the phone shuffled aside. “I said fuck him. Fuck him! Fuck that asshole! We never closed. There’s no ink on the line. I’ll take that asshole down another thirty, you watch me. Honey, don’t tear those, if we tear those we have to pay for them. I said it is a fucking buyer’s ball as of yesterday. We close on nuffin till this thing bottoms out. Nuffin! Nuffin! Nuffin! Nuffin!”

Chip was approaching the checkout lanes with four plausible items in his basket when he caught sight of a head of hair so new-penny bright it could only belong to Eden Procuro. Who was, herself, slim and thirty-six and hectic. Eden’s little son, Anthony, was seated on the upper level of a shopping cart with his back to a four-figure avalanche of shellfish, cheeses, meats, and caviars. Eden was leaning over Anthony and letting him pull on the taupe lapels of her Italian suit and suck on her blouse while, behind his back, she turned the pages of a script that Chip could only pray was not his own. The line-caught Norwegian salmon was soaking through its wrapping, his body heat melting the fats that had given the filet a degree of rigidity. He wanted to escape the Nightmare, but he wasn’t prepared to discuss “The Academy Purple” under the current circumstances. He veered down a frosty aisle where the gelati came in plain white cartons with small black lettering. A man in a suit was crouching beside a little girl with hair like copper in sunshine. The girl was Eden’s daughter, April. The man was Eden’s husband, Doug O’Brien.

“Chip Lambert, what’s happening?” Doug said.

There seemed to be no ways but girly ways for Chip to hold his grocery basket while he shook Doug’s square hand.

“April’s picking out her treat for after dinner,” Doug said.

“Three treats,” April said.

“Her three treats, right.”

“What’s that one?” April said, pointing.

“That is a grenadine-nasturtium sorbetto, sugar bunny.”

“Do I like it?”

“That I can’t tell you.”

Doug, who was younger and shorter than Chip, so persistently claimed to be in awe of Chip’s intellect and so consistently tested free of any irony or condescension that Chip had finally accepted that Doug really did admire him. This admiration was more grueling than belittlement.

“Eden tells me you finished the script,” Doug said, restacking some gelati that April had upset. “Man, I am psyched. This project sounds phenomenal .”

April was cradling three rimed cartons against her corduroy jumper.

“What kind did you get?” Chip asked her.

April shrugged extremely, a beginner’s shrug.

“Sugar bunny, run those up to Mommy. I’m going to talk to Chip.”

As April ran back up the aisle Chip wondered what it would be like to father a child, to always be needed instead of always needing.

“Something I wanted to ask you,” Doug said. “Do you have a second? Say somebody offered you a new personality: would you take it? Say somebody said to you, I will permanently rewire your mental hardware in whatever way you want . Would you pay to have that done?”

The salmon paper was sweat-bonded to Chip’s skin and tearing open at the bottom. This was not the ideal time to be providing Doug with the intellectual companionship he seemed to crave, but Chip wanted Doug to keep thinking highly of him and encourage Eden to buy his script. He asked why Doug asked.

“A lot of crazy stuff crosses my desk,” Doug said. “Especially now with all the money coming home from overseas. All the dot-com issues, of course. We’re still trying our very hardest to persuade the average American to happily engineer his own financial ruin. But the biotech is fascinating. I’ve been reading whole prospectuses about genetically altered squash. Apparently people in this country are eating a lot more squash than I was aware of, and squashes are prone to more diseases than you’d infer from their robust exterior. Either that or … Southern Cucumtech is seriously overvalued at thirty-five a share. Whatever. But Chip, this brain thing, man, it caught my eye. Bizarre fact number one is that I’m allowed to talk about it. It’s all public knowledge. Is this bizarre?”

Chip was trying to keep his eyes focused on Doug in an interested manner, but his eyes were like children, they wanted to skip up and down the aisles. He was ready, basically, to jump out of his skin. “Yeah. Bizarre.”

“The idea,” Doug said, “is your basic gut cerebral rehab. Leave the shell and roof, replace the walls and plumbing. Design away that useless dining nook. Put a modern circuit breaker in.”

“Uh huh.”

“You get to keep your handsome façade,” Doug said. “You still look serious and intellectual, a little Nordic, on the outside. Sober, bookish. But inside you’re more livable. A big family room with an entertainment console. A kitchen that’s roomier and handier. You’ve got your In-Sink-Erator, your convection oven. An ice-cube dispenser on the refrigerator door.”

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