Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“I guess I should just never say anything.”

“Just say things that are true,” Denise said.

“Well, I think he should be in law,” Enid said. “I think the law would be perfect for Chip. He needs the stability of a profession. He needs structure in his life. Dad always thought he’d make an excellent lawyer. I used to think doctor, because he was interested in science, but Dad always saw him as a lawyer. Didn’t you, Al? Didn’t you think Chip could be an excellent lawyer? He’s so quick with words.”

“Enid, it’s too late.”

“I thought maybe working for the firm he’d get interested and go back to school.”

“Far too late.”

“The thing is, Denise, there are so many things you can do with law. You can be a company president. You can be a judge! You can teach. You can be a journalist. There are so many directions Chip could go in.”

“Chip will do what he wants to do,” Alfred said. “I’ve never understood it, but he is not going to change now.”

He marched two blocks in the rain before he found a dial tone. At the first twin phone bank he came to, one instrument was castrated, with colored tassels at the end of its cord, and all that remained of the other was four bolt holes. The phone at the next intersection had chewing gum in its coin slot, and the line of its companion was completely dead. The standard way for a man in Chip’s position to vent his rage was to smash the handset on the box and leave the plastic shards in the gutter, but Chip was in too much of a hurry for this. At the corner of Fifth Avenue, he tried a phone that had a dial tone but did not respond when he touched the keypad and did not return his quarter when he hung up nicely or when he picked the handset up and slammed it down. The other phone had a dial tone and took his money, but a Baby Bell voice claimed not to understand what he’d dialed and did not return the money. He tried a second time and lost his last quarter.

He smiled at the SUVs crawling by in ready-to-brake bad-weather automotive postures. The doormen in this neighborhood hosed the sidewalks twice a day, and sanitation trucks with brushes like the mustaches of city cops scoured the streets three times a week, but in New York City you never had to go far to find filth and rage. A nearby street sign seemed to read Filth Avenue . Things cellular were killing public phones. But unlike Denise, who considered cell phones the vulgar accessories of vulgar people, and unlike Gary, who not only didn’t hate them but had bought one for each of his three boys, Chip hated cell phones mainly because he didn’t have one.

Under the scant protection of Denise’s umbrella, he crossed back to a deli on University Place. Brown cardboard had been laid over the scuff rug at the door for traction, but the cardboard was soaked and trampled, its shreds resembling washed-up kelp. Headlines in wire baskets by the door reported yesterday’s tanking of two more economies in South America and fresh plunges in key Far Eastern markets. Behind the cash register was a lottery poster: It’s not about winning. It’s about fun .™

With two of the four dollars in his wallet Chip bought some of the all-natural licorice that he liked. For his third dollar the deli clerk gave him four quarters in change. “I’ll take a Lucky Leprechaun, too,” Chip said.

The three-leaf clover, wooden harp, and pot of gold that he uncovered weren’t a winning, or fun, combination.

“Is there a pay phone around here that works?”

“No pay phone,” the clerk said.

“I’m saying, is there one close to here that works?”

“No pay phone!” The clerk reached under the counter and held up a cell phone. “This phone!”

“Can I make one quick call with that?”

“Too late for broker now. Should have call yesterday. Should have buy American.”

The clerk laughed in a way that was the more insulting for being good-humored. But then, Chip had reason to be sensitive. Since D — College had fired him, the market capitalization of publicly traded U.S. companies had increased by thirty-five percent. In these same twenty-two months, Chip had liquidated a retirement fund, sold a good car, worked half-time at an eightieth-percentile wage, and still ended up on the brink of Chapter 11. These were years in America when it was nearly impossible not to make money, years when receptionists wrote MasterCard checks to their brokers at 13.9 % APR and still cleared a profit, years of Buy, years of Call, and Chip had missed the boat. In his bones he knew that if he ever did sell “The Academy Purple,” the markets would all have peaked the week before and any money he invested he would lose.

Judging from Julia’s negative response to his script, the American economy was safe for a while yet.

Up the street, at the Cedar Tavern, he found a working pay phone. Years seemed to have passed since he’d had two drinks here the night before. He dialed Eden Procuro’s office and hung up when her voice mail kicked in, but the quarter had already dropped. Directory assistance had a residential listing for Doug O’Brien, and Doug actually answered, but he was changing a diaper. Several minutes passed before Chip was able to ask him if Eden had read the script yet.

“Phenomenal. Phenomenal-sounding project,” Doug said. “I think she had it with her when she went out.”

“Do you know where she went?”

“Chip, you know I can’t tell people where she is. You know that.”

“I think the situation qualifies as urgent.”

Please deposit — eighty cents — for the next — two minutes—

“My God, a pay phone,” Doug said. “Is that a pay phone?”

Chip fed the phone his last two quarters. “I need to get the script back before she reads it. There’s a correction I—”

“This isn’t about tits, is it? Eden said Julia had a problem with too many tits. I wouldn’t worry about that. Generally there’s no such thing as too many. Julia’s having a really intense week.”

Please deposit — an additional — thirty cents — now—

“you what,” Doug said.

for the next — two minutes — now—

“most obvious place you—”

or your call will be terminated — now—

“Doug?” Chip said. “Doug? I missed that.”

We’re sorry—

“Yeah, I’m here. I’m saying, why don’t you—”

Goodbye , the company voice said, and the phone went dead, the wasted quarters clanking in its gut. The text on its faceplate had Baby Bell coloration, but it read: ORFIC TELECOM, 3 MINUTES 25¢, EACH ADD’L MIN. 40¢.

The most obvious place to look for Eden was at her office in Tribeca. Chip stepped up to the bar wondering if the new bartender, a streaky blonde who looked like she might front the kind of band that played at proms, remembered him well enough from the night before to take his driver’s license as surety on a twenty-buck loan. She and two unrelated drinkers were watching murky football somewhere, Nittany Lion action, brown squiggling figures in a chalky pond. And near Chip’s arm, oh, not six inches away, was a nest of singles. Just lying there. He considered how a tacit transaction (pocketing the cash, never showing his face in here again, anonymously mailing reimbursement to the woman later) might be safer than asking for a loan: might be, indeed, the transgression that saved his sanity. He crumpled the cash into a ball and moved closer to the really rather pretty bartender, but the struggling brown round-headed men continued to hold her gaze, and so he turned and left the tavern.

In the back of a cab, watching the wet businesses drift by, he stuffed licorice into his mouth. If he couldn’t get Julia back, he wanted in the worst way to have sex with the bartender. Who looked about thirty-nine herself. He wanted to fill his hands with her smoky hair. He imagined that she lived in a rehabbed tenement on East Fifth, he imagined that she drank a beer at bedtime and slept in faded sleeveless tops and gym shorts, that her posture was weary, her navel unassumingly pierced, her pussy like a seasoned baseball glove, her toenails painted the plainest basic red. He wanted to feel her legs across his back, he wanted to hear the story of her forty-odd years. He wondered if she really might sing rock and roll at weddings and bar mitzvahs.

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