John Locke - An Essay Concerning Human Understanding / Ein Versuch über den menschlichen Verstand. Auswahlausgabe

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Locke unternimmt in seinem 1689 erschienenen Werk den Versuch einer Kritik der menschlichen Erkenntnisfähigkeiten überhaupt. Der Essay ist zwar damit eines der wichtigsten philosophischen Bücher der Neuzeit, doch allein sein Umfang wirkt einschüchternd. Diese Auswahlausgabe macht den Text jetzt in einer neuen Übersetzung zugänglich (die letzte Übersetzung datiert aus dem Jahre 1911), indem sie ihn um etwa zwei Drittel kürzt, dabei am originalen Wortlaut nichts ändert und ihn auch nicht in thematischer Hinsicht verengt. Ein an modernen Erfordernissen orientierter Kommentar, ein entsprechendes Nachwort sowie ein Begriffsregister runden die Ausgabe ab. E-Book mit Seitenzählung der gedruckten Ausgabe: Buch und E-Book können parallel benutzt werden.

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[…]

§ 8. When Children have, by repeated Sensations, got Ideas fixed in their Memories, they begin, by degrees, to learn the use of Signs. And when they have got the skill to apply the Organs of Speech to the framing of articulate Sounds, they begin to make Use of Words , to signifie their Ideas to others: These verbal Signs they sometimes borrow from others, and sometimes make themselves, as one may observe among the new and unusual Names Children often give to things in their first use of Language.

§ 9. The use of Words then being to stand as outward Marks of our internal Ideas , and those Ideas being taken from particular things, if every particular Idea that we take in, should have a distinct Name, Names must be endless. To prevent this, the Mind makes the particular Ideas , received from particular Objects, to become general; which is done by considering them as they are in the Mind such Appearances, separate from all other Existences, and the circumstances of real Existence, as Time, Place, or any other concomitant Ideas . This is called ABSTRACTION , whereby Ideas taken from particular Beings, become general Representatives of all of the [170]same kind; and their Names general Names, applicable to whatever exists conformable to such abstract Ideas . Such precise, naked Appearances in the Mind, without considering, how, whence, or with what others they came there, the Understanding lays up (with Names commonly annexed to them) as the Standards to rank real Existences into sorts, as they agree with these Patterns, and to denominate them accordingly. Thus the same Colour being observed to day in Chalk or Snow, which the Mind yesterday received from milk, it considers that appearance alone, makes it a representative of all of that kind; and having given it the name Whiteness , it by that sound signifies the same quality wheresoever to be imagin’d or met with; and thus Universals, whether Ideas or Terms, are made.

§ 10. If it may be doubted, Whether Beasts compound and enlarge their Ideas that way, to any degree: This, I think, I may be positive in, That the power of Abstracting is not at all in them; and that the having of general Ideas , is that which puts a perfect distinction betwixt Man and Brutes; and is an Excellency which the Faculties of Brutes do by no means attain to. For it is evident, we observe no foot-steps in them, of making use of general signs for universal Ideas ; from which we have reason to imagine, that they have not the faculty of abstracting, or making general Ideas , since they have no use of Words, or any other general Signs.

[…]

[172]CHAPTER XII

O f Complex Ideas

§ 1. WE have hitherto considered those Ideas , in the reception whereof, the Mind is only passive, which are those simple ones received from Sensation and Reflection before-mentioned, whereof the Mind cannot make one to it self, nor have any Idea which does not wholly consist of them. But as the Mind is wholly Passive in the reception of all its simple Ideas , so it exerts several acts of its own, whereby out of its simple Ideas , as the Materials and Foundations of the rest, the other are framed. The Acts of the Mind wherein it exerts its Power over its simple Ideas are chiefly these three, 1. Combining several simple Ideas into one compound one, and thus all Complex Ideas are made. 2. The 2d . is bringing two Ideas , whether simple or complex, together; and setting them by one another, so as to take a view of them at once, without uniting them into one; by which way it gets all its Ideas of Relations. 3. The 3d . is separating them from all other Ideas that accompany them in their real existence; this is called Abstraction : And thus all its General Ideas are made. […] I shall here begin with the first of these in the consideration of Complex Ideas , and come to the other two in their due places. As simple Ideas are observed to exist in several Combinations united together; so the Mind has a Power to consider several of them united together, as one Idea ; and that not only as they are united in external Objects, [174]but as it self has join’d them. Ideas thus made up of several simple ones put together, I call Complex ; such as are Beauty , Gratitude , a Man , an Army , the Universe ; which though complicated of various simple Ideas , or complex Ideas made up of simple ones, yet are, when the Mind pleases, considered each by it self, as one entire thing, and signified by one name.

§ 2. In this faculty of repeating and joining together its Ideas , the Mind has great power in varying and multiplying the Objects of its Thoughts, infinitely beyond what Sensation or Reflection furnished it with: […]

§ 3. Complex Ideas , however compounded and decompounded, though their number be infinite, and the variety endless, wherewith they fill, and entertain the Thoughts of Men; yet, I think, they may be all reduced under these three Heads.

1. Modes .

2. Substances .

3. Relations .

§ 4. First, Modes I call such complex Ideas , which however compounded, contain not in them the supposition of subsisting by themselves, but are considered as Dependences on, or Affections of Substances; such are the Ideas signified by the Words Triangle , Gratitude , Murther , etc . […]

§ 5. Of these Modes , there are two sorts, which deserve distinct consideration. First, There are some which are only [176]variations, or different combinations of the same simple Idea , without the mixture of any other, as a dozen, or score; which are nothing but the Ideas of so many distinct Unites added together, and these I call simple Modes , as being contained within the bounds of one simple Idea . Secondly, There are others compounded of simple Ideas of several kinds, put together to make one complex one; v. g. Beauty , consisting of a certain composition of Colour and Figure, causing delight to the Beholder; Theft, which being the concealed change of the possession of any thing, without the consent of the Proprietor, contains, as is visible, a combination of several Ideas of several kinds; and these I call mixed Modes .

§ 6. Secondly, the Ideas of Substances are such combinations of simple Ideas , as are taken to represent distinct particular things subsisting by themselves; in which the supposed, or confused Idea of Substance, such as it is, is always the first and chief. Thus if to Substance be joined the simple Idea of a certain dull whitish colour, with certain degrees of Weight, Hardness, Ductility, and Fusibility, we have the Idea of Lead ; and a combination of the Ideas of a certain sort of Figure, with the powers of Motion, Thought, and Reasoning, joined to Substance, make the ordinary Idea of a Man . Now of Substances also, there are two sorts of Ideas ; one of single Substances, as they exist separately, as of a Man , or a Sheep ; the other of several of those put together, as an Army of Men, or Flock of Sheep: which collective Ideas of several Substances thus put together, [178]are as much each of them one single Idea , as that of a Man, or an Unite.

§ 7. Thirdly, The last sort of complex Ideas , is that we call Relation , which consists in the consideration and comparing one Idea with another: Of these several kinds we shall treat in their order.

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