Christopher Smith - Adobe Creative Cloud All-in-One For Dummies

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Fly higher in your Creative Cloud Adobe Creative Cloud makes the most popular tools used by designers, photographers, and other creative professionals accessible in a single place.
is the ultimate one-stop reference guide for how to use them all. Whatever gets your creative juices flowing, you'll find the in-depth guidance required to deliver the results you want, from polishing-up photos and images to creating illustrations and designs. And once your assets are just how you want them, you can pick up best practices for managing and publishing via the amazing Adobe Bridge.
Written by pro designers for those getting started with this powerful set of tools, this book gives you an overview of Creative Cloud and step-by-step coverage of the major applications—InDesign, Illustrator, Photoshop, Acrobat Pro, and Adobe XD, and Adobe Bridge—in seven mini-books that take you from the basics to more advanced topics. You'll also discover how to get your work noticed by building personal galleries and displaying your creative wares.
Find the essentials on the top tools in Adobe Creative Cloud Build and enhance your design skills Protect your documents with Acrobat Pro Get the most out of each program with insider tips Whatever your skill level and project needs, you'll find the essentials you need to demystify these complex programs and the knowledge to make your work shine even more brightly through the Cloud!

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27 Book 5 Chapter 2FIGURE 2-1: Select an object and then change the Fill color.FIGURE 2-2: The Selection tool selects the entire object; the Direct Selection ...FIGURE 2-3: All anchor points selected, and one anchor point is selected.FIGURE 2-4: Increase the size of your anchor points if you are having a hard ti...FIGURE 2-5: The Essential Classic workspace. To edit the visible tools, click t...FIGURE 2-6: Select only one anchor point and click and drag it.FIGURE 2-7: Select an entire object.FIGURE 2-8: Select individual anchor points.FIGURE 2-9: By double-clicking on an object you enter In Isolation mode. This h...FIGURE 2-10: Drag the double arrow to clone an object.FIGURE 2-11: Using the Transform Again command.FIGURE 2-12: Define the similarities you want your selections based on.

28 Book 5 Chapter 3FIGURE 3-1: Basic shape tools.FIGURE 3-2: Click and drag diagonally to create a shape.FIGURE 3-3: Click and release to enter exact dimensions for your shape.FIGURE 3-4: Use corner widgets to round corners of your shapes. Use the Direct ...FIGURE 3-5: Making precision changes to your rounded corners.FIGURE 3-6: Click once on the artboard to enter exact dimensions for your polyg...FIGURE 3-7: Radius 1 and Radius 2 are closer to each other in the star on the b...FIGURE 3-8: Precisely set the size of a shape using the Properties and Transfor...FIGURE 3-9: Use the Shift key to constrain a shape while you create it. In this...FIGURE 3-10: Use the Pie widget to create pies and wedges from your selected El...FIGURE 3-11: Combine objects into new shapes.FIGURE 3-12: Create several shapes to use with the Shape Builder tool.FIGURE 3-13: Alt/Option and drag to subtract one shape from another shape. Simp...

29 Book 5 Chapter 4FIGURE 4-1: Bézier curves are controlled by direction lines.FIGURE 4-2: A path connected by two anchor points.FIGURE 4-3: Click and drag with the Pen tool to create a curved path. You can t...FIGURE 4-4: Adding anchor points to create a shape. Click when the close circle...FIGURE 4-5: Creating a controlled Bézier curve.FIGURE 4-6: Smooth versus corner points.FIGURE 4-7: Converting from smooth to corner.FIGURE 4-8: Properties panel tools for easy editing.FIGURE 4-9: The Eraser tool deletes sections of a path.FIGURE 4-10: Double-click the Eraser tool to set various tool options.FIGURE 4-11: Select a preset that best fits your placed image.FIGURE 4-12: The image on the left has a low path tolerance of 0%. The image on...FIGURE 4-13: On the left, a traced image with the corner setting at 0%. On the ...FIGURE 4-14: You can unembed an embedded image by using the Links panel options...FIGURE 4-15: Collect images and fonts and create a report using the Package fea...

30 Book 5 Chapter 5FIGURE 5-1: The Type tools.FIGURE 5-2: The plus icon indicates that text is overflowing.FIGURE 5-3: The Area Type Options dialog box lets you create columns of text.FIGURE 5-4: One column of text flows into the next.FIGURE 5-5: Threaded text areas flow from one area to another.FIGURE 5-6: The graphic is forcing the text to wrap around it.FIGURE 5-7: Adjust the distance of the text wrap from the object.FIGURE 5-8: Letters converted to outlines.FIGURE 5-9: Use the Selection tool to drag the I-bar to adjust the text.FIGURE 5-10: Position the type cursor over a shape, when you see the bloated cu...FIGURE 5-11: Holding down the Alt or Option key flows text around a closed shap...FIGURE 5-12: Components of type.FIGURE 5-13: Before kerning (left) and after (right).FIGURE 5-14: Tracking set at 0 (top) and 300 (bottom).FIGURE 5-15: Adjust the baseline for superscript.FIGURE 5-16: The Character panel shows additional options.FIGURE 5-17: Use this panel to open typographic controls that apply to paragrap...FIGURE 5-18: Customizing hyphenation settings.FIGURE 5-19: Use the Find Font dialog box to find and replace typefaces.FIGURE 5-20: Single-Line Composer (left) and Every-Line Composer (right).FIGURE 5-21: Updating a paragraph style.FIGURE 5-22: Original text (left), updated text (center), and text object copie...

31 Book 5 Chapter 6FIGURE 6-1: Turn selected paths and shapes into custom guides. In this example,...FIGURE 6-2: Click the ruler and drag out a guide.FIGURE 6-3: Changing the ruler’s origin.FIGURE 6-4: Objects in their original positions.FIGURE 6-5: Rearranging objects; compare to original art.FIGURE 6-6: The type insertion cursor on the edge of a shape.FIGURE 6-7: Type directly in the shape and then show the shape you hid earlier.FIGURE 6-8: A clipping mask around an image and another example that clips othe...FIGURE 6-9: A conventional film mask.FIGURE 6-10: Position the shape that you want to be the mask on top of the imag...FIGURE 6-11: Create a rectangle and clone it, making the second thinner than th...FIGURE 6-12: You can change the effect of the blend by changing the amount of s...FIGURE 6-13: Select artwork and copy or paste it.

32 Book 5 Chapter 7FIGURE 7-1: Create a rectangle to notice how the Layers panel indicates the sel...FIGURE 7-2: When you start a document you automatically have one layer. When yo...FIGURE 7-3: Alt/Option-click on the New Layer icon at the bottom of the Layers ...FIGURE 7-4: Create a new circle shape and change the color to be different than...FIGURE 7-5: Create a new layer named Star and add a star shape to it. Then over...FIGURE 7-6: Click the radio button to the right of the layer’s name to select a...FIGURE 7-7: If you can’t find your object in the Layers panel, use the Locate O...FIGURE 7-8: Drag the small square icon to move the selected object to another l...

33 Book 5 Chapter 8FIGURE 8-1: Use the New Document profiles to start in the right color mode, res...FIGURE 8-2: Use the Fill and Stroke controls in the Properties panel to quickly...FIGURE 8-3: Additional options for your colors including add a new color librar...FIGURE 8-4: The Stroke panel options.FIGURE 8-5: The Align Stroke options affect the placement of the stroke.FIGURE 8-6: After converting text to outlines you can move the stroke to the ce...FIGURE 8-7: Setting up a dashed stroke. In this example, the Caps were set to b...FIGURE 8-8: Arrowheads can be added using the Appearance, Stroke, or Properties...FIGURE 8-9: Different color models are available in the Color panel.FIGURE 8-10: An imported custom swatch library.FIGURE 8-11: The Color Guide panel identifies colors that are good combinations...FIGURE 8-12: Make a selection from the Harmony Rules drop-down list.FIGURE 8-13: Choose to recolor artwork all at once using the Edit or Apply colo...FIGURE 8-14: Use the Find text box to locate Pantone colors.FIGURE 8-15: Edit a color swatch by double-clicking it.FIGURE 8-16: A pattern created on the left with no bounding box and a pattern o...FIGURE 8-17: Choose to scale or rotate only the pattern, not the object that co...FIGURE 8-18: Click and drag the brick into the Swatches panel to turn it into a...FIGURE 8-19: Pattern options allow you to edit pattern art, change the offset, ...FIGURE 8-20: Change the Tile Type repeat to a Brick by Row.FIGURE 8-21: Change the size of the repeat by entering values into the width an...FIGURE 8-22: Add and edit artwork right in the pattern editing preview mode.FIGURE 8-23: You can apply a gradient to a selected object.FIGURE 8-24: The Gradient panel offers the ability to create gradients with cus...FIGURE 8-25: Add, remove, and reposition colors using the Gradient ramp.FIGURE 8-26: Use the Gradient tool to change the direction and length of your g...FIGURE 8-27: Use the Gradient tool to change the color stops.FIGURE 8-28: To edit a gradient on a stroke, you must use the Gradient panel.FIGURE 8-29: Choose how many rows and columns you want to start your mesh with.FIGURE 8-30: Using the Direct Selection tool, click on a node to generate the c...FIGURE 8-31: Using the Live Paint Bucket, click the selected objects, then pres...

34 Book 5 Chapter 9FIGURE 9-1: Use the bounding box to resize or rotate a selected object.FIGURE 9-2: Click once to create the axis point, and then drag to rotate, refle...FIGURE 9-3: Double-click a Transform tool to open its dialog box.FIGURE 9-4: You can enter exact amounts in the fields in either the Transform p...FIGURE 9-5: The completed reflection.FIGURE 9-6: Create perspective with the Shear tool.FIGURE 9-7: Use the Width tool.FIGURE 9-8: Double-click the stroke you are working on to open the Width tool o...FIGURE 9-9: Custom distortion using a mesh grid.FIGURE 9-10: Position the shape over the text. In this example an oval was used...FIGURE 9-11: Distort an object from the Free Distort dialog box.

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