Confucius - The Five Classics

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The Five Classics are five pre-Qin Chinese books that form part of the traditional Confucian canon. During the Western Han dynasty, which adopted Confucianism as its official ideology, these texts became part of the state-sponsored curriculum. It was during this period that the texts first began to be considered together as a set collection, and to be called collectively the «Five Classics».
I Ching – The book contains a divination system comparable to Western geomancy or the West African Ifá system. In Western cultures and modern East Asia, it is still widely used for this purpose.
Shu King – A collection of documents and speeches alleged to have been written by rulers and officials of the early Zhou period and before. It is possibly the oldest Chinese narrative, and may date from the 6th century BC. It includes examples of early Chinese prose.
The Shih King – A collection of 305 poems divided into 160 folk songs, 105 festal songs sung at court ceremonies, and 40 hymns and eulogies sung at sacrifices to heroes and ancestral spirits of the royal house.
The Li Ki – Describes ancient rites, social forms and court ceremonies. The version studied today is a re-worked version compiled by scholars in the third century BC rather than the original text, which is said to have been edited by Confucius himself.
Spring and Autumn Annals – A historical record of the State of Lu, Confucius's native state, 722–481 BC.

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16.See the account of Pythagoras and his philosophy in Lewes' History of Philosophy, pp. 18-38 (1871).

17.See Section i, 24, 32, 35; Section ii, 28, 29, 30, 35.

18.As a specimen of what the ablest Sung scholars teach, I may give the remarks (from the I Collected Comments') of K û K ăn (of the same century as K û Hsî, rather earlier) on the 4th paragraph of Appendix V:--In the Yî there is the Great Extreme. When we speak of the yin and yang, we mean the air (or ether) collected in the Great Void. When we speak of the Hard and Soft, we mean that ether collected, and formed into substance. Benevolence and righteousness have their origin in the great void, are seen in the ether substantiated, and move under the influence of conscious intelligence. Looking at the one origin of all things we speak of their nature; looking at the endowments given to them, we speak of the ordinations appointed (for them). Looking at them as (divided into) heaven, earth, and men, we speak of their principle. The three are one and the same. The sages wishing that (their figures) should be in conformity with the principles underlying the natures (of men and things) and the ordinances appointed (for them), called them (now) yin and yang, (now) the hard and the soft, (now) benevolence and righteousness, in order thereby to exhibit the ways of heaven, earth, and men; it is a view of them as related together. The trigrams of the Yî contain the three Powers; and when they are doubled into hexagrams, there the three Powers unite and are one. But there are the changes and movements of their (several) ways, and therefore there are separate places for the yin and yang, and reciprocal uses of the hard and the soft.'

19.Dissertation on the Theology of the Chinese, pp. 111, 112.

20.Theology of the Chinese, p. 122.

21.Translation of the Yî King, p. 312.

22.Section i, 23, 32, 51, 58, 62, 64, 67, 68, 69, 73, 76, 81; Section ii, 11, 15, 33, 34, 41, 45.

23. K ung-yung xxxi, 4.

24.Section i, 34. This is the only paragraph where kwei-shăn occurs.

25.Section ii, 5.

26.This view seems to be in accordance with that of Wû Kh ăng (of the Yüan dynasty), as given in the 'Collected Comments' of the Khang-hsî edition. The editors express their approval of it in preference to the interpretation of K û Hsî, who understood the whole to refer to the formation of the lineal figures, the 'application' being 'the manipulation of the stalks to find the proper line.'

27.But the Chinese term Shăng The Five Classics - изображение 70, often rendered 'produced,' must not be pressed, so as to determine the method of production, or the way in which one thing comes from another.

28.The significance of the mythological paragraph is altogether lost in Canon McClatchie's version:--' Kh ien is Heaven, and hence he is called Father; Khwăn is Earth, and hence she is called Mother; K ăn is the first male, and hence he is called the eldest son,' &c. &c.

29.The reader will understand the difference in the two arrangements better by a reference to the circular representations of them on Plate III.

30.E. g. 1, 23, 24:--'Observant etiam philosophi (lib. 15 Sinicae philosophiae Sing-11) principem. Wăn-wang antiquum octo symbolorum, unde aliae figurae omnes pendent, ordinem invertisse; quo ipsa imperii suis temporibus subversio graphice exprimi poterat, mutatis e naturali loco, quem genesis dederat, iis quatuor figuris, quae rerum naturalium pugnis ac dissociationibus, quas posterior labentis anni pars afferre solet, velut in antecessum, repraesentandis idoneae videbantur; v. g. si symbolum картинка 71Lî, ignis, supponatur loco symboli картинка 72Khân, aquae, utriusque elementi inordinatio principi visa est non minus apta ad significandas ruinas et clades reipublicae male ordinatae, quam naturales ab hieme aut imminente aut saeviente rerum generatarum corruptiones.' See also pp. 67, 68.

PLATES I, II, III, EXHIBITING THE HEXAGRAMS AND TRIGRAMS

Table of Contents

PLATE I.

The HEXAGRAMS, in the order in which they appear in the Yî, and were arranged by Kin Wăn.

PLATE II Fig 1 The HEXAGRAMS exhibited circularly and in a square - фото 73

PLATE II.

Fig. 1.

The HEXAGRAMS, exhibited circularly and in a square, according to the natural process of development from the whole and divided lines, and the order ascribed to Fû-hsî.

PLATE II Fig 2 The Trigrams distinguished as Yin and Yang PLATE III Fig - фото 74

PLATE II.

Fig 2.

The Trigrams distinguished as Yin and Yang.

PLATE III Fig 1 Illustrating the tenth paragraph of Appendix V PLATE III - фото 75

PLATE III.

Fig 1.

Illustrating the tenth paragraph of Appendix V.

PLATE III Fig 2 ORDER OF THE TRIGRAMS with the cardinal and other points to - фото 76

PLATE III.

Fig 2.

ORDER OF THE TRIGRAMS, with the cardinal and other points to which they are severally referred.

THE TEXT Table of Contents SECTION I Table of Contents Hexagram I 1Khien - фото 77

THE TEXT

Table of Contents

SECTION I

Table of Contents

Hexagram I. 1Khien

Table of Contents

The Five Classics - изображение 78

Explanation of the entire figure by king Wăn

Kh ien (represents) what is great and originating, penetrating, advantageous, correct and firm.

Explanation of the separate lines by the duke of K âu.

1. In the first (or lowest) line, undivided, (we see its subject as) the dragon lying hid (in the deep). It is not the time for active doing.

2. In the second line, undivided, (we see its subject as) the dragon appearing in the field. It will be advantageous to meet with the great man.

3. In the third line, undivided, (we see its subject as) the superior man active and vigilant all the day, and in the evening still careful and apprehensive. (The position is) dangerous, but there will be no mistake.

4. In the fourth line, undivided, (we see its subject as the dragon looking) as if he were leaping up, but still in the deep. There will be no mistake.

5. In the fifth line, undivided, (we see its subject as) the dragon on the wing in the sky. It will be advantageous to meet with the great man.

6. In the sixth (or topmost) line, undivided, (we see its subject as) the dragon exceeding the proper limits. There will be occasion for repentance.

7. (The lines of this hexagram are all strong and undivided, as appears from) the use of the number line. If the host of dragons (thus) appearing were to divest themselves of their heads, there would be good fortune.

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