William Yeats - The Collected Works in Verse and Prose of William Butler Yeats. Volume 3 of 8. The Countess Cathleen. The Land of Heart's Desire. The Unicorn from the Stars

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    The Collected Works in Verse and Prose of William Butler Yeats. Volume 3 of 8. The Countess Cathleen. The Land of Heart's Desire. The Unicorn from the Stars
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    http://www.gutenberg.org/ebooks/49610
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William Butler Yeats

The Collected Works in Verse and Prose of William Butler Yeats, Vol. 3 (of 8) / The Countess Cathleen. The Land of Heart's Desire. The / Unicorn from the Stars

THE COUNTESS CATHLEEN

The sorrowful are dumb for thee.

Lament of Morion Shehone for Miss Mary Bourke.

To Maud Gonne.

PERSONS IN THE PLAY

Shemus Rua, a peasant

Teig, his son

Aleel, a young bard

Maurteen, a gardener

The Countess Cathleen

Oona, her foster-mother

Maire, wife of Shemus Rua

Two Demons disguised as merchants

Musicians

Peasants, Servants, &c.

Angelical Beings, Spirits, and Faeries

The scene is laid in Ireland, and in old times

THE COUNTESS CATHLEEN

ACT I

The cottage of SHEMUS REA . The door into the open air is at right side of room. There is a window at one side of the door, and a little shrine of the Virgin Mother at the other. At the back is a door opening into a bedroom, and at the left side of the room a pantry door. A wood of oak, beech, hazel, and quicken is seen through the window half hidden in vapour and twilight. MAIRE watches TEIG , who fills a pot with water. He stops as if to listen, and spills some of the water.

MAIRE

You are all thumbs.

TEIG

Hear how the dog bays, mother,
And how the gray hen flutters in the coop.
Strange things are going up and down the land,
These famine times: by Tubber-vanach crossroads
A woman met a man with ears spread out,
And they moved up and down like wings of bats.

MAIRE

Shemus stays late.

TEIG

By Carrick-orus churchyard,
A herdsman met a man who had no mouth,
Nor ears, nor eyes: his face a wall of flesh;
He saw him plainly by the moon.

MAIRE
[Going over to the little shrine.]

White Mary,
Bring Shemus home out of the wicked woods;
Save Shemus from the wolves; Shemus is daring;
And save him from the demons of the woods,
Who have crept out and wander on the roads,
Deluding dim-eyed souls now newly dead,
And those alive who have gone crazed with famine.
Save him, White Mary Virgin.

TEIG

And but now
I thought I heard far-off tympans and harps.

[Knocking at the door.
MAIRE

Shemus has come.

TEIG

May he bring better food
Than the lean crow he brought us yesterday.

[MAIRE opens the door, and SHEMUS comes in with a dead wolf on his shoulder.

MAIRE

Shemus, you are late home: you have been lounging
And chattering with some one: you know well
How the dreams trouble me, and how I pray,
Yet you lie sweating on the hill from morn,
Or linger at the crossways with all comers,
Telling or gathering up calamity.

SHEMUS

You would rail my head off. Here is a good dinner.

[He throws the wolf on the table.

A wolf is better than a carrion crow.
I searched all day: the mice and rats and hedgehogs
Seemed to be dead, and I could hardly hear
A wing moving in all the famished woods,
Though the dead leaves and clauber of four forests
Cling to my footsole. I turned home but now,
And saw, sniffing the floor in a bare cow-house,
This young wolf here: the crossbow brought him down.

MAIRE

Praise be the saints![ After a pause.
Why did the house dog bay?

SHEMUS

He heard me coming and smelt food – what else?

TEIG

We will not starve awhile.

SHEMUS

What food is within?

TEIG

There is a bag half full of meal, a pan
Half full of milk.

SHEMUS

And we have one old hen.

TEIG

The bogwood were less hard.

MAIRE

Before you came
She made a great noise in the hencoop, Shemus.
What fluttered in the window?

TEIG

Two horned owls
Have blinked and fluttered on the window sill
From when the dog began to bay.

SHEMUS

Hush, hush.

[He fits an arrow to the crossbow, and goes towards the door. A sudden burst of music without.

They are off again: ladies or gentlemen
Travel in the woods with tympan and with harp.
Teig, put the wolf upon the biggest hook
And shut the door.

[TEIG goes into the cupboard with the wolf: returns and fastens the door behind him.

Sit on the creepy stool
And call up a whey face and a crying voice,
And let your head be bowed upon your knees.

[He opens the door of the cabin.

Come in, your honours: a full score of evenings
This threshold worn away by many a foot
Has been passed only by the snails and birds
And by our own poor hunger-shaken feet.

[ The COUNTESS CATHLEEN, ALEEL , who carries a small square harp, OONA , and a little group of fantastically dressed musicians come in.

CATHLEEN

Are you so hungry?

TEIG
[From beside the fire.]

Lady, I fell but now,
And lay upon the threshold like a log.
I have not tasted a crust for these four days.

[ The COUNTESS CATHLEEN empties her purse on to the table.

CATHLEEN

Had I more money I would give it you,
But we have passed by many cabins to-day;
And if you come to-morrow to my house
You shall have twice the sum. I am the owner
Of a long empty castle in these woods.

MAIRE

Then you are Countess Cathleen: you and yours
Are ever welcome under my poor thatch.
Will you sit down and warm you by the sods?

CATHLEEN

We must find out this castle in the wood
Before the chill o’ the night.

[The musicians begin to tune their instruments.

Do not blame me,
Good woman, for the tympan and the harp:
I was bid fly the terror of the times
And wrap me round with music and sweet song
Or else pine to my grave. I have lost my way;
Aleel, the poet, who should know these woods,
Because we met him on their border but now
Wandering and singing like the foam of the sea,
Is so wrapped up in dreams of terrors to come
That he can give no help.

MAIRE
[Going to the door with her.]

You’re almost there.
There is a trodden way among the hazels
That brings your servants to their marketing.

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