Fiona Harper - The Memory Collector - The emotional and uplifting new novel from the bestselling author of The Other Us

As a child, FIONAwas constantly teased for two things: having her nose in a book and living in a dream world. Things haven’t changed much since then, but at least she’s found a career that puts her runaway imagination to use.

Fiona’s first book was published in 2006 and she now has twenty-six published books under her belt. She started her career writing heartfelt but humorous romances for Mills & Boon, but now writes romantic comedies and feel-good women’s fiction for HQ, including The Little Shop of Hopes and Dreams , which was a Kindle bestseller in 2015. She is a previous winner of the Joan Hessayon New Writers’ Award, has had five books shortlisted for a RoNA Award and won the ‘Best Short Romance’ at the Festival of Romance for three consecutive years.

Fiona lives in London with her husband and two daughters (oh, the drama in her house!), and she loves good books, good films and anything cinnamon-flavoured. She also can’t help herself if a good tune comes on and she’s near a dance floor – you have been warned!

Copyright

An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2018

Copyright © Fiona Harper 2018

Fiona Harper asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © September 2018 ISBN: 9780008216962

For Siân and Rose

Contents

Cover

About the Author

Title Page

Copyright

Dedication

PROLOGUE

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

CHAPTER SIXTEEN

CHAPTER SEVENTEEN

CHAPTER EIGHTEEN

CHAPTER NINETEEN

CHAPTER TWENTY

CHAPTER TWENTY-ONE

CHAPTER TWENTY-TWO

CHAPTER TWENTY-THREE

CHAPTER TWENTY-FOUR

CHAPTER TWENTY-FIVE

CHAPTER TWENTY-SIX

CHAPTER TWENTY-SEVEN

CHAPTER TWENTY-EIGHT

CHAPTER TWENTY-NINE

CHAPTER THIRTY

CHAPTER THIRTY-ONE

CHAPTER THIRTY-TWO

CHAPTER THIRTY-THREE

CHAPTER THIRTY-FOUR

CHAPTER THIRTY-FIVE

CHAPTER THIRTY-SIX

CHAPTER THIRTY-SEVEN

CHAPTER THIRTY-EIGHT

CHAPTER THIRTY-NINE

CHAPTER FORTY

CHAPTER FORTY-ONE

CHAPTER FORTY-TWO

CHAPTER FORTY-THREE

CHAPTER FORTY-FOUR

CHAPTER FORTY-FIVE

CHAPTER FORTY-SIX

CHAPTER FORTY-SEVEN

CHAPTER FORTY-EIGHT

CHAPTER FORTY-NINE

CHAPTER FIFTY

CHAPTER FIFTY-ONE

CHAPTER FIFTY-TWO

CHAPTER FIFTY-THREE

CHAPTER FIFTY-FOUR

CHAPTER FIFTY-FIVE

CHAPTER FIFTY-SIX

CHAPTER FIFTY-SEVEN

CHAPTER FIFTY-EIGHT

CHAPTER FIFTY-NINE

CHAPTER SIXTY

Acknowledgements

About the Publisher

PROLOGUE

RED COAT

The coat isn’t the orangey-red of postboxes, but the crimson of a film star’s lipstick. It has boxy shoulders and it nips in at the waist then flares out again, ending just above a pair of shapely calves. Even after all these years, every time I go to the seaside I look for a red coat. I don’t think I’ve ever seen another one like it.

THEN

The lady in the red coat is laughing. She smiles down at the little girl standing beside her. It’s windy today and hardly anyone is at the beach but neither of them cares. They race each other along the pier, and their shrieks of mirth blow over the railings and get lost in the vastness of the sea beyond. When they can’t run any further, when the sturdy railings stop them leaping onto the flinty waves and sprinting into the horizon, they stand there, panting. Then the woman goes and gets them both an ice cream.

The girl thinks this might be the best ice cream she’s ever had, but she doesn’t say that out loud, just in case she’s wrong. Her mummy has a really bad memory, and sometimes she wonders if hers is the same. There are so many things to keep in her head, you see. So many secrets. It’s hard to store all the memories and things for school in there, too. Maybe mint choc chip isn’t her favourite after all. Maybe she likes something else better. She really can’t remember.

They eat the cones, leaning against the railings and looking out to sea, hair flapping behind them like ribbons.

‘I think this is my favourite place in the whole wide world,’ the little girl says.

The woman nods. ‘Mine too. Whenever I come to the seaside, the first thing I do is walk to the end of the pier. It’s a place where land and sea blur into one, a place where you feel anything might be possible.’

‘Even flying?’ the little girl says, her voice full of awe.

‘Even flying,’ the woman says, smiling softly at her. ‘But maybe not today, eh? I think it’s a bit too blustery for that.’

‘Can we come back tomorrow, then?’

‘Of course,’ the woman says, turning to stare out to sea again. ‘We’ve come here every day so far and we can come back every day after if you’d like.’

The little girl thinks about this for a while as she eats her ice cream. Where could they fly to? France or Spain, maybe even Africa? She’s not sure she’s got the right clothes for hot weather, though, so she turns to ask the woman what she should wear and discovers her companion is no longer smiling.

She’s so still, her eyes so empty, that for a moment the little girl is reminded of the dummies in the window of C&A.

‘What’s the matter, Aunty?’ the little girl asks. ‘Are you sad?’

For a long time the lady doesn’t move, but then she turns to look at the girl. Her mouth bends upwards but her eyes still have the same faraway look they did when she was staring out across the grey, choppy waves.

‘A little,’ she says and her eyeballs get all shiny.

The girl takes an extra-big slurp of her ice cream and then she reaches out for the woman’s free hand. They’re very pretty hands. They’re clean and she always has such shiny nail polish. Today, it’s red to match her coat. ‘Why are you sad?’

The woman kneels down so she’s at eye level with the girl. ‘Only because I know this lovely holiday will have to end soon,’ she says, ‘but I’m having so much fun with you I don’t want it to.’