FIONA GIBSON
The Great Escape
Avon
An imprint of HarperCollins Publishers Ltd
1 London Bridge Street,
London, SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollins Publishers 2012
Copyright © Fiona Gibson 2012
Cover design © Debbie Clement
Cover illustration © Lucy Truman
Fiona Gibson asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © February 2012 ISBN: 9780007461714
Version: 2018-05-11
For the fabulous Dolphinton writers
Contents
Cover
Title Page FIONA GIBSON The Great Escape
Copyright Copyright Avon An imprint of HarperCollins Publishers Ltd 1 London Bridge Street, London, SE1 9GF www.harpercollins.co.uk First published in Great Britain by HarperCollins Publishers 2012 Copyright © Fiona Gibson 2012 Cover design © Debbie Clement Cover illustration © Lucy Truman Fiona Gibson asserts the moral right to be identified as the author of this work. A catalogue record for this book is available from the British Library. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Ebook Edition © February 2012 ISBN: 9780007461714 Version: 2018-05-11
Dedication Dedication For the fabulous Dolphinton writers
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Chapter Fifty-Three
Chapter Fifty-Four
Chapter Fifty-Five
Chapter Fifty-Six
Chapter Fifty-Seven
Chapter Fifty-Eight
Chapter Fifty-Nine
Chapter Sixty
Chapter Sixty-One
Chapter Sixty-Two
Chapter Sixty-Three
Chapter Sixty-Four
Chapter Sixty-Five
Chapter Sixty-Six
Chapter Sixty-Seven
Chapter Sixty-Eight
Chapter Sixty-Nine
Chapter Seventy
Chapter Seventy-One
Chapter Seventy-Two
Chapter Seventy-Three
Chapter Seventy-Four
Keep Reading
Fiona’s perfect girlie weekends away
Always wanted to write a novel?
Acknowledgements
About the Author
By the Same Author
About the Publisher
ONE
Garnet Street, Glasgow, 1998
‘ Tadaaa ! All hail the party buffet …’ With a flourish, despite the fact that she’s alone in the kitchen, Hannah sets out three bowls on the worktop. She’s wearing an outsized white T-shirt, sipping beer from a bottle and pretending to be hosting a TV cookery show. ‘Here on the left, we have sumptuous tortilla chips, chilli flavour, the ones with red dust on … moving along, we have dry-roasted peanuts and this, the pièce de résistance , is my very own dip, which you can whip together in just a few minutes with some beans, garlic and, er …’ She swigs her beer, and detecting a garlicky whiff on her fingers, tries to remember what the other stuff was.
‘Ugh, has someone been sick?’
Hannah’s flatmate, Lou, has appeared at her shoulder, her freshly washed hair dripping rivulets down her cheeks.
‘It’s our buffet,’ Hannah explains with exaggerated patience. ‘Come on, you’re supposed to be impressed. I’ve finally managed to cook something before I leave. You should be in awe .’
‘I don’t think that counts as cooking.’ Lou winces as if Hannah might have scraped the stuff in the bowl off the pavement.
‘Well, I was going to make hummus but we didn’t have chickpeas, so I mashed up those butter beans instead.’
‘It looks ill. Kind of … beige.’
‘It’ll be fine once everyone’s had a few drinks,’ Hannah insists, mopping up a smear from the worktop.
Lou smirks. ‘Han, those butter beans have been in the cupboard since we moved in. Three years they’ve been sitting there. Your parents brought them in your emergency rations box, remember?’
‘Isn’t that the whole point of canning? They find tins at the bottom of the sea that have rolled out of shipwrecks, and when they open them they’re perfectly fine. These things just don’t go off.’
Now Sadie appears, swathed in a silky robe, dark hair pinned up with an assortment of clips. She peers at the dip from a safe distance. ‘Is that all we’ve got to eat?’
‘Well,’ Hannah says, ‘I was thinking of knocking up a banquet, wild boar on a spit, ice sculptures and all that, but …’ She checks her watch. ‘I kind of ran out of time.’
‘How late is it?’ Sadie asks.
‘Just gone seven …’
‘Hell …’ In a flash of red silk, Sadie flies out of the kitchen to the bathroom where she turns on the juddering tap (the tank only holds a bath-and-a-half’s worth of hot water, so the three girls are accustomed to a water-sharing system that requires a frequently flaunted no-clipping-of-toenails rule). Hannah glances down at the dip. Oh well, she thinks as Lou drifts back to her room, it’ll do for filling in that crack in the bathroom wall . It can be her parting gift to the flat.
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