Two sisters. Two very different lives…
Megsimply doesn’t have time for men in her life. Instead, she has a strictly one-date rule, survives on caffeine and runs one of the biggest model agencies from her smart office in London. That is, until she collapses one day at work and the doctor orders her to take some R&R in the country…
Sarahis used to being stuck behind tractors and the slow pace of her cosy village life. But now her children are all grown-up (and her ex-husband long forgotten) she’s ready to change things up a bit – starting with taking back her old job in the city!
After a devastating falling out, the sisters haven’t spoken in years. Swapping houses, cars, everything is the only option – surely they’ll be able to avoid bumping into each other?
FIONA COLLINS
lives in the Essex countryside with her husband, three children and the noisiest cat in England. She likes to write feisty, funny novels about proper, grown-up women.
Fiona studied Film & Literature at Warwick University and has had many former careers including TV presenting in Hong Kong, radio traffic presenter and film & television extra. She has kissed Gerard Butler and once had her hand delightfully close to George Clooney’s bum.
You can follow Fiona’s witterings on Twitter @FionaJaneBooksor find her swanning around on Facebook at facebook.com/fionacollinsauthor
Also by Fiona Collins
A Year of Being Single
Cloudy with a Chance of Love
Four Bridesmaids and a White Wedding
The Sister Swap
Fiona Collins
ONE PLACE. MANY STORIES
Copyright
An imprint of HarperCollins Publishers Ltd.
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2018
Copyright © Fiona Collins 2018
Fiona Collins asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
E-book Edition © June 2018 ISBN: 978-0-00-822156-0
Version: 2018-10-26
Contents
Cover
Blurb
Author Bio
Booklist
Title Page
Copyright
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Acknowledgements
Excerpt
Endpages
About the Publisher
Chapter One
Meg
‘Oi, oi! Had a good night, darlin’?’
Meg tried unsuccessfully to yank her dress in the vicinity of her knees. It didn’t want to cooperate and sprang back up. This showstopper of a dress – claret red, tight, sleeveless – wouldn’t be dragged down, unlike its owner, clearly. It was a dress for midnight. A dress for a bar or club or fancy restaurant. A dress for peeling off and throwing with abandon on the bedroom floor of a man you probably (no, definitely ) wouldn’t be seeing again. Not a dress for skulking up a London street at 5 a.m. on a Friday in early June, your shoes in your hand.
‘Walk of shame, is it?’
Meg tried to ignore the muscle-bound builder with the large expanse of over-tanned man cleavage and the orange hard hat – an unfortunate throwback to the Village People if ever she’d seen one – who was shouting at her from across the street.
‘Sod off,’ she muttered under her breath. Meg tugged at her dress again and put her head down. She was hungover; it hurt. She pulled her phone from the gold clutch bag under her arm and pretended to examine it intently whilst Village Person and the rest of his crew – the only bloody builders in London who started at five in the morning, it seemed – laughed. Why, oh why did she get a night bus that dropped her at the end of the road, rather than a cab? Why, oh why had she gone back to Mikey (Matty?)’s flat in the first place? She navigated a broken beer bottle and a fag butt, her bare feet protesting at every step.
‘Looking fiiine, lady,’ catcalled another builder, sporting a leer and a Bart Simpson T-shirt. Meg had got the night bus because it stopped directly outside Matty’s? Mikey’s? flat. Mikey, that was it. She’d put his number in her phone last night, after six gin and tonics and some extensive work, on his part, to chat her up – not long before she’d gone home with him. As if on cue, his name flashed up on her phone now. She ignored it. She’d text him later. Tell him it was fun but it wouldn’t be going anywhere. It never did. Meg was a firm believer in never getting emotionally involved.
‘ Mighty fine!’ echoed a fat Daniel Craig lookalike in a high-vis waistcoat and he gave a long, loud wolf whistle, which she wouldn’t have minded, during the day – she was thirty-eight; she took what she could get. As it was silly o’clock and she was highly inappropriately dressed, it really wasn’t that welcome. She really must stop having one-night stands with men she didn’t particularly like.
Meg allowed a woman in a suit on a Boris bike to overtake her. A car beeped and Meg resisted the temptation to give it the finger. She was home. She ran up the three steps to her dark-blue front door, turned her key in the lock and stepped inside with relief, before throwing her keys on the table and her sandals on the floor and padding on sore feet over to the kitchen – which she barely used apart from uncorking Prosecco over the sink and storing perfume in the fridge – and pouring herself a large glass of water.
She was supposed to be at work in precisely ninety minutes.
*
‘Morning, Julianna, can you call Mimi and check she’s OK for the 22.55 flight to Milan, and tell her she’s got to be sober this time? Thank you. Frank – nice jacket – can you ring Nigel at Balmuccia regarding the New York Fashion Week shoot and tell them, as politely as you can, they strictly only have Rose-Leigh for Tuesday until Thursday, then she’s got to be back in London for another job –I’ve just had an email from them about it, trying to extend again. They’re driving me mad ! Julia, glad to see you back – do you have that fee negotiation document, please – the latest one? On my desk in five, please.’
Meg was marching through the office, heels clacking, cherry-red lippy on, hair in a messy blonde and caramel chignon, her phone in one hand and an emergency caramelized pecan latte in the other. Her walk of shame forgotten, she was now on her usual power walk into the office, the walk on which lots of things got done. ‘Good morning, Frances, did you hear back from Cassie re. the Miami job – is she available? How about that girl we scouted – Poppy – when are she and her mother coming in? Can you please let me know as soon as?’
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