Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘Very good.’ He tucked it into his breast pocket. ‘And here’s my card for you. I do hope we’ll be running into each other again.’ We sat there in silence for a few seconds, his gaze lowered to the table with its empty cups and plates and flickering candle flame. ‘Look here,’ he said finally. ‘If all you’ve said is true-or all Rossi said, anyway-and there is a Count Dracula, or a Vlad the Impaler-extant-in some awful sense, then I’d like to help you -’

“‘Eradicate him?’ I finished quietly. ‘I’ll remember that.’

“There seemed to be nothing left for us to say just now, although I hoped we would talk again someday. We found a taxi to take us back to Pest, and he insisted on walking me into the hotel. We were saying a cordial good-bye at the front desk when the clerk I’d talked with earlier suddenly came out of his cubicle and grasped my arm. ‘Herr Paul!’ he said urgently.

“‘What is it?’ Hugh and I both turned to stare at the man. He was a tall, drooping man in a blue worker’s jacket, with mustaches that would have suited a Hun warrior. He pulled me close to speak in a low voice, and I managed to signal to Hugh not to leave us. There was no one else in sight, and I didn’t especially want to be alone with any new crisis.

“‘Herr Paul, I know who was in yourzimmer this afternoon.’

“‘What? Who?’ I said.

“‘Hmm, hmm.’ The clerk began almost to hum to himself and to glance around, searching his jacket pocket in what would have been a meaningful way if only I’d understood his meaning. I wondered if the man was some sort of idiot.

“‘He wants a bribe,’ Hugh translated in an undertone.

“‘Oh, for heaven’s sake,’ I said in exasperation, but the man’s eyes seemed to glaze over, brightening only when I fished out two large Hungarian bills. He took them secretively and hid them in his pocket, but said nothing to acknowledge my capitulation.

“‘Herr American,’ he whispered. ‘I know it was not onlyein man from this afternoon. It is two men. One comes in first, very important man. Then the other. I see him when I go up with a suitcase to anotherzimmer. Then I see them. They talk. They walk out together.’

“‘Didn’t anyone stop them?’ I snapped. ‘Who were they? Were they Hungarian?’ The man was glancing all around him again, and I suppressed the urge to throttle him. This atmosphere of censorship was taking a toll on my nerves. I must have looked angry, because Hugh put a restraining hand on my arm.

“‘Important man Hungarian. Other man not Hungarian.’

“‘How do you know?’

“He lowered his voice. ‘One man Hungarian, but they speaksAnglisch together.’ That was all he would say, despite my increasingly threatening questions. Since he had apparently decided he’d given me enough information for the number of forints I’d handed over, I might never have heard another word from him had it not been for something that seemed suddenly to catch his attention. He was looking past me, and after a second I turned, too, to follow his gaze through the great window by the hotel door. Through it, for a split second, I saw a hungry, hollow-eyed countenance I’d come to know much too well, a face that belonged in a grave, not on the street. The clerk was spluttering, clinging to my arm. ‘There he is, with his devil face-theAnglischer man!’

“With what must have been a howl, I shook off the clerk and ran for the door; Hugh, with great presence of mind (I later realized), plucked an umbrella from the stand by the desk and bolted after me. Even in my alarm, I kept a tight grip on my briefcase, and that slowed me down as I ran. We turned this way and that, dashed up the street and back, but it was no use. I hadn’t even heard the man’s footsteps, so I couldn’t tell which way he’d fled.

“Finally, I stopped to lean against the side of a building, trying to catch my breath. Hugh was panting hard. ‘What was it?’ he gasped.

“‘The librarian,’ I said when I could manage a few words. ‘The one who followed us to Istanbul. I’m sure it was him.’

“‘Good Lord.’ Hugh wiped his forehead with his sleeve. ‘What’s he doing here?’

“‘Trying to get the rest of my notes,’ I wheezed. ‘He’s a vampire, if you can believe that, and now we’ve led him to this beautiful city.’ Actually, I said more than that, and Hugh must have recognized from our common language all the American variants of infuriation. The thought of the curse I was trailing almost brought tears to my eyes.

“‘Come, now,’ Hugh said soothingly. ‘They’ve had vampires here before, as we know.’ But his face was white and he stared around him, gripping the umbrella.

“‘Blast it!’ I beat the side of the building with my fist.

“‘You’ve got to keep a close eye out,’ Hugh said soberly. ‘Is Miss Rossi back?’

“‘Helen!’ I hadn’t thought of her at once, and Hugh seemed on the verge of a smile at my exclamation. ‘I’ll go back now and check. I’m going to call Professor Bora, too. Look, Hugh-you keep a close eye out, too. Be careful, all right? He saw you with me, and that doesn’t seem to be good luck for anyone these days.’

“‘Don’t worry about me.’ Hugh was looking thoughtfully at the umbrella in his hand. ‘How much did you pay that clerk?’

“I laughed in spite of my breathlessness. ‘Yes, keep it on you.’ We shook hands heartily, and Hugh vanished up the street in the direction of his hotel, which wasn’t far. I didn’t like his going on his own, but there were people in the street now, strolling and talking. In any case, I knew he’d always go his own way; he was that sort of man.

“Back in the hotel lobby, there was no sign of the terrified clerk. Perhaps it was only that his shift had ended, for a clean-shaven young man had taken his place behind the counter. He showed me that the key to Helen’s new room was on its hook, so I knew she must still be with her aunt. The young man let me use the phone, after a careful arrangement for the cost, and then it took me a couple of tries to make Turgut’s number ring. It galled me to call from the hotel phone, which I knew could be bugged, but it was the only possibility at this hour. I would have to hope our conversation would be too peculiar to be understood. At last I heard a clicking on the line, and then Turgut’s voice, far away but jovial, answering in Turkish.

“‘Professor Bora!’ I shouted. ‘Turgut, it’s Paul, calling from Budapest.’

“‘Paul, my dear man!’ I thought I’d never heard anything sweeter than that rumbling, distant voice. ‘There’s some problem on the line-give me your number there in case we are cut asunder.’

“I got it from the hotel clerk and shouted it to him. He shouted back. ‘How are you? Have you found him?’

“‘No!’ I shouted. ‘We are fine, and I’ve learned a little more, but something awful has happened.’

“‘What is that?’ I could hear his consternation, faintly, over the line. ‘Have you been hurt? Miss Rossi?’

“‘No-we’re fine, but the librarian has followed us here.’ I heard a swell of words that could have been some Shakespearean curse but was impossible to distinguish from the static. ‘What do you think we should do?’

“‘I don’t know yet.’ Turgut’s voice was a little clearer now. ‘Do you carry all the time the kit I gave you?’

“‘Yes,’ I said. ‘But I can’t get close enough to this ghoul to do anything with it. I think he searched my room today while we were at the conference, and apparently someone helped him.’ Perhaps the police were listening in at this very moment. Who knew what they would make of all this anyway?

“‘Be very careful, Professor.’ Turgut sounded worried. ‘I do not have any wise advice for you, but I shall have some news soon, maybe even before you return to Istanbul. I am glad you called tonight. Mr. Aksoy and I have found a new document, one neither one of us has ever seen before. He found it in the archive of Mehmed. This document was written by a monk of the Eastern Orthodox Church in 1477, and it must be translated.’

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