Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Perhaps it was the turmoil of imagination into which the poem and its illustration had thrown me, or perhaps I was more tired than I’d realized from travel, staying up late at Aunt Éva’s restaurant, and lecturing to a crowd of strangers. When I entered my room, it took me a long moment to register what I saw there, and a longer one to conclude that Helen might be seeing the same sight in her own quarters two floors above. Then I suddenly feared for her safety and took flight for the stairs without stopping to examine anything. My room had been searched, nook and cranny, drawer and closet and bedclothes, and every article I possessed had been tossed about, damaged, even torn by hands not merely hasty but malicious.”

Chapter 42

“But can’t you get the police to help? This place is overflowing with them, it seems.‘ Hugh James broke a piece of bread in half and took a hearty bite. ’What a dreadful thing to have happen in a foreign hotel.‘

“‘We’ve called the police,’ I assured him. ‘At least I think we have, because the hotel clerk did it for us. He said no one could come until late tonight or early tomorrow morning, and not to touch anything. He’s put us in new rooms.’

“‘What? Do you mean Miss Rossi’s room was ransacked, too?’ Hugh’s great eyes grew rounder. ‘Was anyone else in the hotel hit?’

“‘I doubt it,’ I said grimly.

“We were seated at an outdoor restaurant in Buda, not far from Castle Hill, where we could look out over the Danube toward the Parliament House on the Pest side. It was still very light and the evening sky had set up a blue-and-rose shimmer on the water. Hugh had picked out the spot-it was one of his favorites, he said. Budapestians of all ages strolled the street in front of us, many of them pausing at the balustrades above the river to look at the lovely scene, as if they, too, could never get enough of it. Hugh had ordered several national dishes for me to try, and we had just settled in with the ubiquitous golden-crusted bread and a bottle of Tokay, a famous wine from the northeastern corner of Hungary, as he explained. We’d already dispensed with the preliminaries-our universities, my erstwhile dissertation (he chuckled when I told him the scope of Professor Sándor’s misconceptions about my work), Hugh’s research on Balkan history and his forthcoming book on Ottoman cities in Europe.

“‘Was anything stolen?’ Hugh filled my glass.

“‘Nothing,’ I said glumly. ‘Of course, I hadn’t left my money there, or any of my-valuables-and the passports are at the front desk, or maybe at the police station, for all I know.’

“‘What were they looking for, then?’ Hugh toasted me briefly and took a sip.

“‘It’s a very, very long story.’ I sighed. ‘But it fits in pretty nicely with some other things we need to talk about.’

“He nodded. ‘All right. Unto the breach, then.’

“‘If you’ll take your turn, as well.’

“‘Of course.’

“I drank half my glass for fortification and began at the beginning. I wouldn’t have needed the wine to erase any doubts about telling Hugh James all of Rossi’s story; if I didn’t tell him everything, I might not learn everything he knew himself. He listened in silence, with obvious absorption, except when I mentioned Rossi’s decision to conduct research in Istanbul, when he jumped. ‘By Jove,’ he said. ‘I’d thought of going there myself. Going back, I mean-I’ve been there twice, but never to look for Dracula.’

“‘Let me save you some trouble.’ I refilled his glass this time and told him about Rossi’s adventures in Istanbul and then about his disappearance, at which Hugh’s eyes bulged, although he said nothing. Finally I described my meeting with Helen, leaving out nothing about her claim to Rossi, and all of our travels and research to date, including our encounters with Turgut. ‘You see,’ I concluded, ‘at this point it hardly surprises me to have my hotel room turned upside down.’

“‘Yes, exactly.’ He seemed to brood for a moment. We had made our way through a multitude of stews and pickles by this time, and he put his fork down rather sadly, as if regretting to see the last of them. ‘It’s most remarkable, our meeting like this. But I’m distressed to hear about Professor Rossi’s disappearance-very distressed. That’s dreadfully strange. I wouldn’t have sworn before hearing your story that there was more involved in researching Dracula than the usual stuff. Except that I have had an odd feeling, you know, about my own book, this whole time. One doesn’t want to go just on odd feelings, but there it is.’

“‘I can see I haven’t stretched your credulity as much as I feared I might.’

“‘And these books,’ he mused. ‘I count four of them-mine, yours, Professor Rossi’s, and the one belonging to that professor in Istanbul. It’s damned strange that there should be four such alike.’

“‘Have you ever met Turgut Bora?’ I asked. ‘You said you’ve been to Istanbul a few times.’

“He shook his head. ‘No, I’ve never even heard the name. But then he’s in literature, and I wouldn’t have come across him in the history department there, or at any conferences. I’d appreciate your helping me get in touch with him someday, if you would. I’ve never been to the archive you describe, but I read about it in England and was thinking of giving it a try. You’ve saved me the trouble, though, as you say. You know, I’d never thought of the thing as a map-the dragon in my book. That’s an extraordinary idea.’

“‘Yes, and possibly a matter of life or death for Rossi,’ I said. ‘But now it’s your turn. How did you come across your book?’

“He looked grave. ‘As you’ve described in your case-and the other two-I didn’t so much come across my book as receive it, although from where or from whom I couldn’t tell you. Perhaps I should give you a little background.’ He was silent a moment, and I had the sense that this was a difficult subject for him. ‘You see, I took my degree at Oxford nine years ago, and then went to teach at the University of London. My family lives in Cumbria, in the Lake District, and they are not wealthy. They struggled-and I did, too-so that I could have the best of educations. I always felt a bit on the outside, you know, particularly at my public school-my uncle helped put me through there. I suppose I studied harder than most, trying to excel. History was my great love, from the beginning.’

“Hugh patted his lips with his napkin and shook his head, as if remembering youthful folly. ‘I knew by the end of my second year of university that I was going to do rather well, and this goaded me further. Then the war came and interrupted everything. I’d finished almost three years at Oxford. I first heard of Rossi there, by the way, although I never met him. He must have left for America several years before I came to the university.’

“He stroked his chin with a large, rather chapped hand. ‘I couldn’t have loved my studies more, but I loved my country, too, and I enlisted right away, in the navy. I was shipped out to Italy and then home again a year later with wounds in my arms and legs.’

“He touched his white cotton shirtsleeve gingerly, just above the cuff, as if feeling the surprise of blood there again. ‘I recovered rather quickly and wanted to go back out, but they wouldn’t take me-one eye had been affected when the ship blew up. So I returned to Oxford and tried to ignore the sirens, and I finished my degree just after the war ended. The last weeks I was there were some of the happiest of my life, I think, in spite of all the shortages-this terrible curse had been lifted from the world, I was almost done with my delayed studies, and a girl back home I’d loved most of my life had finally agreed to marry me. I had no money, and there was no food anyway, but I ate sardines in my room and wrote love letters home-I guess you don’t mind my telling you all this-and I studied like a demon for my examinations. I got myself into a great state of fatigue, of course.’

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