Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“He picked up the bottle of Tokay, which was empty, and set it down again with a sigh. ‘I was nearly done with the whole ordeal, and we’d set a wedding date for the end of June. The night before my last examination, I stayed up until the wee hours looking over my notes. I knew I’d covered everything I needed to already, but I simply couldn’t stop myself. I was working in a corner of the library in my college, sort of tucked away behind some bookshelves where I didn’t have to watch the other few madmen in there looking through their own notes.

“‘There are some awfully nice books in those little libraries, and I let myself get distracted for a moment or two by a volume of Dryden’s sonnets just a hand’s reach away. Then I made myself put it back, thinking I’d better go out and have a cigarette and try to concentrate again afterward. I tucked the book back into the shelf and went to the courtyard. It was a lovely spring night, and I stood there thinking about Elspeth and the cottage she was fixing up for us, and about my best friend-would have been my best man-who’d died over the Ploiesti oil fields with the Americans, and then I went back up to the library. To my surprise, Dryden was lying there on my desk as if I’d never put it away, and I thought I must be getting pretty noddleheaded with all the work. So I turned to put it up, but I saw there was no space for it. It had been right next to Dante, I was sure, but now there was a different book there, a book that had a very old-looking spine with a little creature engraved on it. I pulled it out and it fell open in my hands to-well, you know.’

“His friendly face was pale now, and he searched first his shirt and then his pants pockets until he found a package of cigarettes. ‘You don’t smoke?’ He lit one and drew heavily on it. ‘I was caught by the appearance of the book, its apparent age, the menacing look of the dragon-everything that struck you, too, about yours. There were no librarians there at three in the morning, so I went down to the catalog and dug around a bit by myself, but I learned only Vlad Tepes’s name and lineage. Since there was no library stamp in the book, I took it home with me.

“‘I slept poorly and couldn’t concentrate in the least on my examination the next morning; all I could think of was getting to the other libraries and perhaps to London to see what I could find out. But I didn’t have time, and when I went up for my wedding, I took the little book and kept looking at it at odd moments. Elspeth caught me with it, and when I explained she didn’t like it, not a bit. That was five days to our wedding and yet I couldn’t stop thinking about the book, and talking to her about it, too, until she told me not to.

“‘Then one morning-it was two days to the wedding-I had a sudden inspiration. You see, there’s a great house not too far from my parents’ village, a Jacobean pile people come to see on bus tours. I’d always thought it sort of a bore on our school trips, but I remembered that the nobleman who’d built it had been a book collector and had things from all over the world. Since I couldn’t go to London until after the wedding, I thought I’d get myself into the house library, which is famous, and poke around, perhaps even find something on Transylvania. I told my parents I was going for a walk, and I knew they’d assume I was going to see Elsie.

“‘It was a rainy morning-foggy, too, and cold. The housekeeper at the great house said they weren’t open for tours that day, but she let me come in to look at the library. She’d heard about the wedding in the village, knew my grandmother, and brewed me a cup of tea. By the time I had my mackintosh off and had found twenty shelves of books from that old Jacobean’s Grand Tour, which had reached rather farther east than most, I’d forgotten everything else.

“‘I turned through all these wonders, and others he had collected in England, perhaps after his tour, until I came across a history of Hungary and Transylvania, and in it I found a mention of Vlad Tepes, and then another, and finally, to my joy and astonishment, I came across an account of Vlad’s burial at Lake Snagov, before the altar of a church he had refurbished there. This account was a legend taken down by an English adventurer to the region-he called himself simply ”A Traveller“ on the title page, and he was a contemporary of the Jacobean collector. This would have been about 130 years after Vlad’s death, you see.

“‘”A Traveller“ had visited the monastery in Snagov in 1605. He had talked a good deal with the monks there, and they had told him that according to legend a great book, a treasure of the monastery, had been placed on the altar during Vlad’s funeral, and the monks present at the ceremony had signed their names in it, and those who could not write had drawn a dragon in honor of the Order of the Dragon. No mention, unfortunately, of what had happened to the book after that. But I found this most remarkable. Then the Traveller said that he asked to look at the tomb, and the monks showed him a flat stone in the floor before the altar. It had a portrait of Vlad Drakulya painted on it, and Latin words across it-perhaps painted also, since the Traveller didn’t mention engraving and was struck by the lack of the usual cross to mark the gravestone. The epitaph, which I copied down with care-out of what instinct I didn’t know-was in Latin.’ Hugh dropped his voice, glanced behind him, and stubbed out his cigarette in the ashtray on our table.

“‘After I’d written it down and struggled with it a while, I read my translation aloud: ”Reader, unbury him with a -“ You know how it goes. The rain was still coming down hard outside, and a window that had got loose somewhere in the library slammed open and shut, so I felt a breath of damp air nearby. I must have been jumpy, because I knocked over my teacup and a drop of tea spilled on the book. While I was wiping this up and feeling dreadful about my clumsiness, I noticed my watch-it was already one o’clock and I knew I ought to get home to dinner. There didn’t seem to be anything else relevant to look at there, so I put away the books, thanked the housekeeper, and went back down the lanes between all those June roses.

“‘When I got to my parents’ house, expecting to see them and perhaps Elsie gathering at the table, I found things in an uproar. Several friends and neighbors were there, and my mother was weeping. My father looked very upset.’ Here Hugh lit another cigarette, and the match shook in the gathering darkness. ‘He put a hand on my shoulder and told me there had been an automobile accident on the main road as Elsie was driving a borrowed car back from some shopping in a nearby town. It had been raining hard, and they thought she’d seen something and swerved. She was not dead, thank the Lord, but badly injured. Her parents had gone at once to the hospital and mine had been waiting at home for me, to tell me.

“‘I found a car and drove there so fast I almost had an accident myself. You don’t want to hear all this, I’m sure, but-she was lying with her head bandaged and her eyes wide-open. That’s how she looked. She lives at a sort of home now, where she’s very well treated, but she doesn’t speak or understand much, or feed herself. The awful thing about this is…’ His voice began to tremble. ‘The awful thing is, I’ve always assumed it was an accident, really an accident, and now that I’ve heard your stories-Rossi’s friend Hedges, and your-your cat-I don’t know what to think.’ He smoked hard.

“I let out a deep breath. ‘I’m very, very sorry. I wish I knew what to say. What a terrible thing for you.’

“‘Thank you.’ He seemed to be trying to recover some of his usual demeanor. ‘It’s been some years now, you know, and time helps. It’s simply that -’

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