Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“There was static on the line again, and I had to shout. ‘Did you say 1477? What language is it in?’

“‘I cannot hear you, dear boy!’ Turgut bellowed, far away. ‘There was a rainstorm here. I will call you tomorrow night.’ A Babel of voices-I couldn’t tell whether they were Hungarian or Turkish-broke in on us and swallowed his next words. More clicking followed, and then the line went dead. I hung up slowly, wondering if I should call back, but the clerk was already taking the phone from me with a worried expression and adding up my bill on a scrap of paper. I paid glumly and stood there for a moment, not liking to go up to my bare new room, to which I’d been allowed to take only my shaving instruments and a clean shirt. My spirits were sinking rapidly-it had already been a very long day, after all, and the clock in the lobby said nearly eleven.

“They would have sunk lower still if a taxi hadn’t pulled up at that moment. Helen got out and paid the driver, then came through the great door. She hadn’t noticed me by the desk yet, and her face was grave and reticent, with the melancholy intensity I’d sometimes noticed in it. She had wrapped herself in a shawl of downy black-and-red wool that I had never seen before, perhaps a gift from her aunt. It muted the harsh lines of her suit and shoulders and made her skin glow white and luminous even under the crude lighting of the lobby. She looked like a princess, and I stared unabashedly at her for a moment before she saw me. It was not only her beauty, thrown into relief by the soft wool and the regal angle of her chin, that kept me riveted. I was remembering again, with an uneasy quiver inside, the portrait in Turgut’s room-the proud head, the long straight nose, the great dark eyes with their heavy, hooded lids above and below. Perhaps I was just very tired, I told myself, and when Helen saw me and smiled, the image vanished again from my inner sight.”

Chapter 43

If I hadn’t shaken Barley awake, or if he had been alone, he would have passed in slumber across the border into Spain, I think, to be rudely awakened by the Spanish customs officers. As it was, he stumbled onto the platform at Perpignan half asleep, so that I was the one who asked the way to the bus station. The blue-coated conductor frowned, as if he thought we should be at home in the nursery by this hour, but he was kind enough to find our orphaned bags behind the station counter. Where were we going? I told him we wanted a bus to Les Bains, and he shook his head. For that we would have to wait till morning-didn’t I know it was almost midnight? There was a clean hotel up the street where I and my-“Brother,” I supplied quickly-could find a room. The conductor looked us over, observing my darkness and extreme youth, I supposed, and Barley’s lanky blondness, but he only made a clicking sound with his tongue and walked on.

“The next morning dawned even fairer and more beautiful than the one before, and when I met Helen in the hotel dining room for breakfast, my forebodings of the previous night were already a distant dream. Sun came through the dusty windows and lit the white tablecloths and heavy coffee cups. Helen was making some notes in a little notebook at the table. ‘Good morning,’ she said affably as I sat down and poured myself coffee. ‘Are you ready to meet my mother?’

“‘I haven’t thought about anything else since we reached Budapest,’ I confessed. ‘How are we going to get there?’

“‘Her village is on a bus route that is north of the city. There is only one bus there on Sunday mornings, so we must be sure we do not miss it. The ride is about an hour through very boring suburbs.’

“I doubted anything about this excursion could bore me, but I held my peace. One thing still troubled me, however. ‘Helen, are you sure you want me to come along? You could go talk with her alone. Maybe that would be less embarrassing to her than your showing up with a total stranger-an American, to boot. And what if my presence got her in trouble?’

“‘It is exactly your presence that will make it easier for her to talk,’ Helen said firmly. ‘She is very reserved around me, you know. You will charm her.’

“‘Well, I’ve certainly never been accused of being charming before.’ I helped myself to three slices of bread and a plate of butter.

“‘Don’t worry-you are not.’ Helen gave me her most sardonic smile, but I thought I saw a glint of affection in her eyes. ‘It is just that my mother is easy to charm.’

“She did not add,Rossi charmed her, so why not you? I thought it better to leave the subject there.

“‘I hope you let her know we’re coming.’ I wondered, looking at her across the table, if she would tell her mother about the librarian’s attack on her. The little scarf was wound firmly around her neck, and I tried hard not to glance at it.

“‘Aunt Éva sent a message to her last night,’ Helen said calmly, and passed me the preserves.

“The bus, when we caught it at the northern edge of the city, wound slowly in and out of suburbs, as Helen had predicted-first old outlying neighborhoods much damaged by the war, and then a host of newer buildings, rising high and white like tombstones for giants. This was the communist progress that was often elaborated upon with hostility in the Western press, I thought-the herding of millions of people all over Eastern Europe into sterile high-rise apartments. The bus stopped at several of these complexes, and I found myself wondering how sterile they really were; around the base of each lay homely gardens full of vegetables and herbs, bright flowers and butterflies. On a bench outside one building, close to the bus stop, two old men in white shirts and dark vests were playing a board game-what, I couldn’t make out at a distance. Several women got on the bus in brightly embroidered blouses-a Sunday costume?-and one carried a cage with a live hen inside it. The driver waved the hen in with everyone else, and her owner settled in the back of the bus with some knitting.

“When we had left the suburbs behind, the bus lumbered out onto a country road, and here I saw fertile fields and wide, dusty roads. Sometimes we passed a horse-drawn wagon-the wagon made like a simple basket of wooden boughs-driven by a farmer in a black fedora and vest. Now and then we caught up with an automobile that would have been in a museum in the United States. The land was beautifully green and fresh, and yellow-leaved willows hung over the little streams that wound through it. From time to time we rode into a village; sometimes I could pick out the onion cupolas of an Orthodox church among the other church towers. Helen leaned across me for a view, too. ‘If we kept on this road, we’d reach Esztergom, the first capital of the Hungarian kings. That’s certainly worth seeing, if only we had the time.’

“‘Next time,’ I lied. ‘Why did your mother choose to live out here?’

“‘Oh, she moved here when I was still in high school, to be close to the mountains. I did not want to go with her-I stayed in Budapest with Éva. She has never liked the city, and she said the Börzsöny Mountains, north of here, remind her of Transylvania. She goes there with a hiking club every Sunday, except when the snows are heavy.’

“This added another little piece to the mosaic portrait of Helen’s mother that I was constructing in my mind. ‘Why didn’t she move to the mountains themselves?’

“‘There is no work there-it is mostly a national park. Besides, my aunt would have forbidden it, and she can be very stern. She thinks my mother has isolated herself too much already.’

“‘Where does your mother work?’ I peered out at a village bus stop; the only person standing there was an old woman dressed completely in black, with a black kerchief on her head and a bunch of red and pink flowers in one hand. She didn’t get on the bus when we pulled up, nor did she greet anyone who got off. As we drove away I could see her staring after us, holding up her nosegay.

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