Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘For three years,’ I said.

“‘Now,’ Helen said, ‘I will explain to her about his disappearance.’ Gently and deliberately, not so much as if talking to a child but as if urging herself on against her own will, Helen spoke to her mother, sometimes gesturing at me and sometimes forming a picture in the air with her hands. At last I caught the wordDracula, and at that sound I saw Helen’s mother blanch and catch the edge of the table. Helen and I both jumped to our feet, and Helen quickly poured a cup of water from the pitcher on the stove. Her mother said something quick and harsh. Helen turned to me. ‘She says she always knew this would happen.’

“I stood by helplessly, but when Helen’s mother had taken a few sips of water, she seemed partly recovered. She looked up, and then, to my surprise, took my hand as I had wanted to take hers a few minutes before and drew me back down to my chair. She held my hand fondly, simply, caressing it as if soothing a child. I couldn’t imagine any woman in my own culture doing this on first meeting a man, and yet nothing could have seemed more natural to me. I understood then what Helen had meant when she’d said that of the two older women in her family, her mother was the one I would like best.

“‘My mother wants to know if you honestly believe that Professor Rossi was taken by Dracula.’

“I inhaled deeply. ‘I do.’

“‘And she wishes to know if you love Professor Rossi.’ Helen’s voice was faintly disdainful, but her face was earnest. If I could safely have taken her hand in my free one, I would have.

“‘I would die for him,’ I said.

“She repeated this to her mother, who suddenly squeezed my fingers in a grip of iron; I realized later that hers was a hand strengthened by endless work. I could feel the roughness of her fingers, the calluses on her palms, the swollen knuckles. Looking down at that powerful small hand, I saw that it was years older than the woman it belonged to.

“After a moment, Helen’s mother released me and went to the chest at the foot of her bed. She opened it slowly, moved several items inside, and took out what I immediately saw was a packet of letters. Helen’s eyes widened and she spoke a sharp question; her mother said nothing, only returning in silence to the table and putting the package into my hand.

“The letters were in envelopes, without stamps, yellowing with age and bound together by a frayed red cord. As she gave them to me, Helen’s mother closed my fingers over the cord with both her hands, as if urging me to cherish them. It took me only a second’s glance at the handwriting on the first envelope to see that it was Rossi’s, and to read the name to which they were addressed. That name I already knew, in the recesses of my memory, and the address was Trinity College, Oxford University, England.”

Chapter 44

“Iwas deeply moved when I held Rossi’s letters in my hands, but before I could think about them, I had an obligation to fulfill. ‘Helen,’ I said, turning to her, ‘I know you have sometimes felt I didn’t believe the story of your birth. I did doubt it, at moments. Please forgive me.’

“‘I am as surprised as you are,’ Helen responded in a low voice. ‘My mother never told me she had any of Rossi’s letters. But they were not written to her, were they? At least, not this one on top.’

“‘No,’ I said. ‘But I recognize this name. He was a great English literary historian-he wrote about the eighteenth century. I read one of his books in college, and Rossi described him in the letters he gave me.’

“Helen looked puzzled. ‘What does this have to do with Rossi and my mother?’

“‘Everything, maybe. Don’t you see? He must have been Rossi’s friend Hedges-that was the name Rossi used for him, remember? Rossi must have written to him from Romania, although that doesn’t explain why these letters are in your mother’s possession.’

“Helen’s mother sat with folded hands, looking from one of us to the other with an expression of great patience, but I thought I detected a flush of excitement in her face. Then she spoke, and Helen translated for me. ‘She says she will tell you her whole story.’ Helen’s voice was choked, and I caught my breath.

“It was a halting business, the older woman speaking slowly and Helen acting as her interpreter and occasionally pausing to express to me her own surprise. Apparently, Helen herself had heard only the outlines of this tale before, and it shocked her. When I got back to the hotel that night, I wrote it down from memory, to the very best of my ability; it took me much of the night, I remember. By then many other strange things had happened, and I should have been tired, but I can still recall that I recorded it with a kind of elated meticulousness.

“‘When I was a girl, I lived in the tiny village of P – in Transylvania, very close to the Arges River. I had many brothers and sisters, most of whom still live in that region. My father always said that we were descended from old and noble families, but my ancestors had fallen on hard times, and I grew up without shoes or warm blankets. It was a poor region, and the only people there who lived well were a few Hungarian families, in their big villas downriver. My father was terribly strict and we all feared his whip. My mother was often sick. I worked in our field outside the village from the time I was small. Sometimes the priest brought us food or supplies, but usually we had to manage as well as we could alone.

“‘When I was about eighteen, an old woman came to our village from a village higher up in the mountains, above the river. She was avraca, a healer, and one with special powers to look into the future. She told my father she had a present for him and his children, that she had heard about our family and wanted to give him something magical that was rightfully his. My father was an impatient man, with no time for superstitious old women, although he himself always rubbed all the openings of our cottage with garlic-the chimney and door frame, the keyhole and the windows-to keep out vampires. He sent the old woman rudely away, saying he had no money to give her for whatever she was peddling. Later, when I went to the village well for water, I saw her standing there and I gave her a drink and some bread. She blessed me and told me I was kinder than my father and that she would reward my generosity. Then she took from a bag at her waist a tiny coin, and she put it in my hand, telling me to hide it and keep it safe because it belonged to our family. She said also that it came from a castle above the Arges.

“‘I knew I should show the coin to my father, but I did not, because I thought he would be angry at my talking with the old witch. Instead, I hid it under my corner of the bed I shared with my sisters and I told no one about it. Sometimes I would get it out when I thought nobody was looking. I would hold it in my hand and wonder what the old woman had meant by giving it to me. On one side of the coin was a strange creature with a looped tail, and on the other a bird and a tiny cross.

“‘A couple of years passed and I continued to work my father’s land and help my mother in the house. My father was in despair about having several daughters. He said we would never get married because he was too poor to give anything for a dowry, and that we would always be a trouble to him. But my mother told us that everyone in the village said we were so beautiful that someone would marry us anyway. I tried to keep my clothes clean and my hair combed and neatly braided, so that I might be chosen someday. I did not like any of the young men who asked me to dance at the holidays, but I knew I would soon have to marry one of them so that I would not be a burden to my parents. My sister Éva had long since gone to Budapest with the Hungarian family she worked for, and sometimes she sent us a little money. She even sent me some good shoes once, a pair of leather city shoes of which I was very proud.

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