Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘She works at the village cultural center, filing papers and typing a little and making coffee for the mayors of the bigger towns when they drop by. I have told her it is degrading work for someone of her intelligence, but she always shrugs and goes on doing it. My mother has made a career of remaining simple.’ There was a note of bitterness in Helen’s voice, and I wondered if she thought this simplicity had harmed not only the mother’s career but also the daughter’s opportunities. Those had been provided abundantly by Aunt Éva, I reflected. Helen was smiling her upside-down smile, a chilling one. ‘You will see for yourself.’

“Helen’s mother’s village was identified by a sign on the outskirts, and in a few minutes our bus pulled into a square surrounded by dusty sycamores, with a boarded-up church at one side. An old woman, twin of that black-garbed grandmother I’d seen in the last village, waited alone under the bus shelter. I looked a question at Helen, but she shook her head, and, sure enough, the old lady embraced a soldier who got off ahead of us.

“Helen seemed to take our lonely arrival for granted, and she led me briskly down side streets past the quiet houses with flowers in their window boxes and shutters drawn against the bright sunlight. An elderly man sitting on a wooden chair outside one house nodded and touched his hat. Near the end of the street a gray horse was tied to a post, drinking water greedily from a bucket. Two women in housedresses and slippers talked outside a café, which seemed to be closed. From across the fields I could hear church bells, and closer by, the songs of birds in the linden trees. Everywhere there was a drowsy humming in the air; nature was only a step away, if you knew which direction to step.

“Then the street ended abruptly in a weedy field, and Helen knocked at the door of the last house. It was very small, a yellow stucco cottage with a red-tiled roof, and looked freshly painted outside. The roof overhung the front, making a natural porch, and the front door was dark wood with a big rusted handle. The house stood slightly apart from its neighbors, and with no colorful kitchen garden or newly laid sidewalk leading to it, as many of the other houses on the street had. Because of a heavy shadow from the eaves, for a minute I could not see the face of the woman who answered Helen’s summons. Then I saw her clearly, and a moment later she was embracing Helen and kissing her cheek, calmly and almost formally, and turning to shake my hand.

“I don’t know exactly what I had expected; perhaps the story of Rossi’s desertion and Helen’s birth had led me to imagine a sad-eyed, aging beauty, wistful or even helpless. The real woman before me had Helen’s upright carriage, although she was shorter and heavier than her daughter, and a firm, cheerful countenance, round cheeked and dark eyed. Her plain dark hair was drawn back in a knot. She had on a striped cotton dress and a flowered apron. Unlike Aunt Éva, she wore no makeup or jewelry, and her clothing was similar to that of the housewives I’d seen in the street outside. She had been doing some kind of housework, in fact, for her sleeves were rolled to the elbow. She shook my hand with a friendly grip, saying nothing but looking right into my eyes. Then, for just a moment, I saw the shy girl she must have been more than two decades before, hidden in the depths of those dark eyes with the crow’s-feet around them.

“She ushered us in and gestured for us to sit at the table, where she had set three chipped cups and a plate of rolls. I could smell coffee brewing. She had been cutting up vegetables, too, and a sharp aroma of raw onions and potatoes hung in the room.

“It was her only room, I now saw, trying not to look around too conspicuously-it served as her kitchen, bedroom, and sitting area. It was immaculately clean, the narrow bed in one corner made up with a white quilt and ornamented with several white pillows embroidered in bright colors. Next to the bed stood a table that held a book, a lamp with a glass chimney, and a pair of eyeglasses, and beside that a small chair. At the foot of the bed was a wooden chest, painted with flowers. The kitchen area, where we sat, consisted of a simple cookstove and a table and chairs. There was no electricity, nor was there a bathroom (I learned about the outhouse in the back garden only later in the visit). On one wall hung a calendar with a photograph of workers in a factory, and on another wall hung a piece of embroidery in red and white. There were flowers in a jar and white curtains at the windows. A tiny woodstove stood near the kitchen table, with sticks of wood piled next to it.

“Helen’s mother smiled at me, still a little shyly, and then I saw for the first time her resemblance to Aunt Éva, and perhaps also some of what might have attracted Rossi. She had a smile of exceptional warmth, which began slowly and then dawned on its recipient with complete openness, almost radiance. It faded only slowly, too, as she sat down to cut more vegetables. She glanced up at me again and said something in Hungarian to Helen.

“‘She wants me to give you your coffee.’ Helen busied herself at the stove and served up a cup, stirring in sugar from a tin. Helen’s mother put down her knife to push the plate of rolls toward me. I took one politely and thanked her in my awkward two words of Hungarian. That radiant, slow smile began to flicker again, and she looked from me to Helen, again telling her something I could not understand. Helen reddened and turned back to the coffee.

“‘What is it?’

“‘Nothing. Just my mother’s village ideas, that is all.’ She came to seat herself at the table, setting coffee before her mother and pouring some for herself. ‘Now, Paul, if you will excuse us, I’ll ask her for news of herself and what is happening in the village.’

“While they talked, Helen in her quick alto and her mother in murmured responses, I let my gaze wander over the room again. This woman lived not only in remarkable simplicity-perhaps her neighbors here did, too-but also in great solitude. There were only two or three books in sight, no animals, not even a potted plant. It was like the cell of a nun.

“Glancing back at her, I saw how young she was, far younger than my own mother. Her hair held a few gray threads where it was parted on top, and her face was lined with years, but there was something remarkably sound and healthy about her, an attractiveness completely apart from fashion or age. She could have married many times over, I reflected, and yet she chose to live in this conventual silence. She was smiling at me again and I smiled back; her face was so warm that I had to resist an urge to stretch out my hand and hold one of hers where it gently whittled a potato.

“‘My mother would like to know all about you,’ Helen told me, and with her help I answered every question as fully as I could, each put to me in quiet Hungarian, with a searching look from the interlocutor, as if she could make me understand by the power of her gaze. Where in America was I from? Why had I come here? Who were my parents? Did they mind my traveling far away? How had I met Helen? Here she inserted several other questions that Helen seemed disinclined to translate, one of them accompanied by a motherly hand smoothing Helen’s cheek. Helen looked indignant, and I didn’t press her to explain. Instead, we went on to my studies, my plans, my favorite foods.

“When Helen’s mother was satisfied, she got up and began putting vegetables and pieces of meat in a big dish, which she spiced with something red from a jar over the stove and slid into the oven. She wiped her hands on her apron and sat down again, looking from one of us to the other without speaking, as if we had all the time in the world. At last Helen stirred, and I guessed from the way she cleared her throat that she meant to broach the purpose of our visit. Her mother watched her quietly, with no change of expression until Helen gestured at me on the wordRossi. It took all my nerve, sitting at a village table far from everything familiar to me, to fix my eyes on that tranquil face without flinching. Helen’s mother blinked, once, almost as if someone had threatened to strike her, and for a second her eyes flew to my face. Then she nodded thoughtfully and posed some question to Helen. ‘She asks how long you have known Professor Rossi.’

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