Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘All that evening, at my father’s table, and washing and drying the dishes with my mother, I thought about the stranger. I thought about his foreign clothes, his polite bow, his expression that was absentminded and alert at the same time, his beautifully bright eyes. I thought about him all the next day as I spun and wove with my sisters, made our dinner, drew water, and worked in the fields. Several times my mother scolded me for not paying attention to what I was doing. At evening, I stayed behind to finish my weeding alone, and I felt relieved when my brothers and father disappeared toward the village.

“‘As soon as they were gone, I hurried to the edge of the wood. The stranger was sitting there against a tree, and when he saw me he jumped up and offered me a seat on a log near the path. But I was afraid someone from the village might pass by, and I led him deeper into the woods, my heart beating hard. There we sat on two rocks. The woods were full of the evening sounds of the birds-it was early summer and very green and warm.

“‘The stranger took the coin I had given him out of his pocket and set it carefully on the ground. Then he pulled a couple of books from his knapsack and began to turn through them. I understood later that these were dictionaries in Romanian and some language he could understand. Very slowly, looking often at his books, he asked me if I had seen any other coins like the one I had given him. I said I had not. He said the creature on the coin was a dragon, and he asked me if I had ever seen this dragon anywhere else, on a building or a book. I said I had one on my shoulder.

“‘At first, he could not understand what I was saying at all. I was proud of the fact that I could write our alphabet and read a little-we had a village school for a while when I was a child, and a priest had come to teach us there. The stranger’s dictionary was very confusing to me, but together we found the wordshoulder. He looked puzzled and asked again,”Drakul?“ He held up the coin. I touched the shoulder of my blouse and nodded. He looked at the ground, his face reddening, and suddenly I felt that I was the brave one. I opened my wool vest and took it off, then untied the neck of my blouse. My heart was pounding, but something had come over me and I could not stop myself. He looked away, but I pulled my blouse off my shoulder and pointed.

“‘I could not remember a time when I had not had a small dark green dragon imprinted on my skin there. My mother said it was put on one child in every generation of my father’s family and that he had chosen me because he thought I might grow up to be the ugliest. He said that his grandfather had told him this was necessary to keep evil spirits away from our family. I heard about it only once or twice, because usually my father did not like to talk about it, and I did not even know which relative of his generation had the mark, whether it was on his own body somewhere or on one of his brothers or sisters. My dragon looked very different from the little dragon on the coin, so that until the stranger had asked me if I owned anything else with a dragon on it, I had never connected the two.

“‘The stranger looked carefully at the dragon on my skin, holding the coin up next to it, but without touching me or even leaning closer. The red flush stayed in his face and he seemed relieved when I tied my blouse again and put on my vest. He looked through his dictionaries and asked me who had put the dragon there. When I said my father had done it, with the help of an old woman in the village, a healer, he asked if he could talk with my father about this. I shook my head so hard that he blushed deeply again. Then he told me, with great difficulty, that my family came from the line of an evil prince who had built the castle above the river. This prince had been called ”the son of the dragon,“ and he had killed many people. He said the prince had become apricolic, a vampire. I crossed myself and asked Mary for her protection. He asked me if I knew this story and I said I did not. He asked me how old I was and if I had brothers and sisters, and if there were other people in the village with our name.

“‘At last I pointed to the sun, which had nearly set, to show him that I had to go home, and he stood up quickly, looking serious. Then he gave me his hand and helped me to my feet. When I grasped his hand, my heart leaped into my fingers. I was confused and I turned away quickly. But suddenly I thought to myself that he was too much interested in evil spirits and might put himself in danger. Perhaps I could give him something that would protect him. I pointed to the ground and the sun. ”Come tomorrow,“ I said. He hesitated for a moment, and finally he smiled. He put his hat on and touched the brim. Then he disappeared into the woods.

“‘The next morning when I went to the well, he was sitting at the tavern with the old men, again writing something. I thought I saw his gaze on me, but he showed no sign of recognizing me. I was very happy inside, because I understood that he had kept our secret. In the afternoon, when my father and mother and brothers and sisters were out of the house, I did a wicked thing. I opened my parents’ wooden chest and I took from it a little silver dagger I had seen there several times before. My mother had once said it was for killing vampires if they came to trouble the people or the herds. I also took a handful of garlic flowers from my mother’s garden. I hid these items in my kerchief when I went to the fields.

“‘This time, my brothers worked a long time beside me and I could not shake them off, but finally they said they would go back to the village, and they told me to come with them. I said I would gather some herbs from the wood and come in a few minutes. I was very nervous by the time I reached the stranger, whom I found deep in the woods on our ledge of rocks. He was smoking his pipe, but when I came toward him he put it down and jumped to his feet. I sat down with him and showed him what I had brought. He looked startled when he saw the knife, and very interested when I explained to him that he could use it to killpricolici. He wanted to refuse it, but I begged him so earnestly to take it that he stopped smiling and put it thoughtfully into his knapsack, wrapping it first in my kerchief. Then I gave him the garlic flowers and showed him that he should keep some in his jacket pocket.

“‘I asked him how long he would be staying in our village, and he showed me five fingers-five more days. He made me understand that he would travel to several villages nearby, walking to each from our village, to talk with people about the castle. I asked him where he would go when he left our village at the end of five days. He said that he was going to a country called Greece, which I had heard of before, and then back to his own village in his own country. Drawing in the forest earth, he showed me that his country, called England, was an island far away from our country. He showed me where his university was-I did not know what he meant-and wrote the name of it in the dirt. I still remember those letters: OXFORD. Afterward I wrote them down sometimes, to look at them again. It was the strangest word I had ever seen.

“‘Suddenly, I understood that he would leave soon and that I would never see him again, or anyone like him, and my eyes filled with tears. I had not meant to cry-I never cried over the annoying young men in the village-but my tears would not obey me and they ran down my cheeks. He looked very distressed and pulled a white handkerchief out of his jacket pocket and gave it to me. What was the problem? I shook my head. He rose slowly and gave me his hand to help me up, as he had the night before. While I was getting up, I stumbled and fell against him without meaning to, and when he caught me we kissed each other. Then I turned and ran through the woods. At the path, I looked back. He was standing there, as still as a tree, looking after me. I ran all the way to the village and lay awake during the night with his handkerchief hidden in my hand.

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