Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“At first we sat in silence at the table, the three of us, but after a moment Helen turned to me, gesturing helplessly toward the package of letters that lay before us on the table. I understood; I’d been thinking the same thing. ‘Why didn’t she send some of these to Rossi to prove he had been with her in Romania?’

“She looked at her mother-with a profound hesitation in her eyes, I thought-and then apparently put this question to her. Her mother’s answer, when she translated it for me, brought a lump to my throat, a pain that was partly for her and partly for my perfidious mentor. ‘I thought about doing that, but from his letter I understood that he had changed his mind completely. I decided it would make no difference for me to send him these letters, except to bring me more pain, and then I would have lost some of the few pieces of him that I could keep.’ She extended her hand as if to touch his handwriting, then withdrew it. ‘I only regretted not returning to him what was really his. But he had kept so much of me-perhaps it was not wrong for me to keep these for myself?’ She glanced from Helen to me, her eyes suddenly a little less tranquil. It was not defiance I saw there, I thought, but the flare of some old, old devotion. I looked away.

“Helen was defiant, even if her mother was not. ‘Then why didn’t she at least give these letters to me long ago?’ Her question was fierce, and she turned it on her mother the next second. The older woman shook her head. ‘She says,’ Helen reported, her face hardening, ‘that she knew I hated my father and she was waiting for someone who loved him.’ As she still does herself, I could have added, for my own heart was so full that it seemed to give me an extra perception of the love buried for years in this bare little house.

“My feelings were not for Rossi alone. Sitting there at the table, I took Helen’s hand in one of mine, and her mother’s work-worn hand in the other, and held them tightly. At that moment, the world in which I had grown up, its reserve and silences, its mores and manners, the world in which I had studied and achieved and occasionally attempted to love, seemed as far off as the Milky Way. I couldn’t have spoken if I’d wanted to, but if my throat had cleared I might have found some way to tell these two women, with their so different but equally intense attachments to Rossi, that I felt his presence among us.

“After a moment Helen quietly withdrew her hand from my grasp, but her mother held on to me as she had before, asking something in her gentle voice. ‘She wants to know how she can help you find Rossi.’

“‘Tell her she has helped me already, and that I will read these letters as soon as we leave to see if they can guide us further. Tell her we will let her know when we find him.’

“Helen’s mother inclined her head humbly at this, and rose to check the stew in the oven. A wonderful smell drifted from it and even Helen smiled, as if this return to a home not her own had its compensations. The peace of the moment emboldened me. ‘Please ask her if she knows anything about vampires that might help us in our search.’

“When Helen translated this, I saw I had shattered our fragile calm. Her mother looked away and crossed herself, but after a moment she seemed to muster her forces to speak. Helen listened intently and nodded. ‘She says you must remember that the vampire can change his shape. He can come to you in many forms.’

“I wanted to know what this meant exactly, but Helen’s mother had already begun to dish up our meal with a hand that trembled. The warmth of the oven and the smell of meat and bread filled the small house, and we all ate heartily, if in silence. Now and then Helen’s mother gave me more bread, patting my arm, or poured out fresh tea for me. The food was simple but delicious and abundant, and sunlight came in the front windows to ornament our meal.

“When it was done Helen went outside with a cigarette, and her mother beckoned to me to follow her around the side of the house. In the back there was a shed with a few chickens scratching around it, and a hutch with two long-eared rabbits. Helen’s mother took one of the rabbits out, and we stood together in a companionable dumb show, scratching its soft head while it blinked and struggled a little. I could hear Helen through one of the windows now, washing up the dishes inside. The sun was warm on my head, and beyond the house the green fields hummed and wavered with an inexhaustible optimism.

“Then it was time for us to leave, to walk back to the bus, and I put Rossi’s letters into my briefcase. As we went out again, Helen’s mother stopped in the doorway; she seemed to have no thought of walking through the village to see us onto the bus. She took both my hands in hers and shook them warmly, looking into my face. ‘She says she wishes only safe journeys for you, and that you will find what you are longing for,’ Helen explained. I looked into the darkness in the older woman’s eyes and thanked her with all my heart. She embraced Helen, holding her face sadly between her hands for a moment, and then let us go.

“At the edge of the road, I turned back to see her again. She was standing in the doorway, one hand against the frame, as if our visit had weakened her. I put my briefcase down in the dust and went back to her so quickly that I didn’t know for a moment I had moved at all. Then, remembering Rossi, I took her in my arms and kissed her soft, lined cheek. She clung to me, a head shorter than I, and buried her face in my shoulder. Suddenly she pulled away and vanished into the house. I thought she wanted to be alone with her emotions and I turned away, too, but in a second she was back. To my astonishment, she grasped my hand and closed it over something small and hard.

“When I opened my fingers I saw a silver ring with a tiny coat of arms on it. I understood at once that it was Rossi’s, which she was returning to him through me. Her face shone above it; her eyes glowed lustrously dark. I bent and kissed her again, but this time on the mouth. Her lips were warm and sweet. As I released her, turning swiftly back to my briefcase and to Helen, I saw on the older woman’s face the gleam of a single tear. I’ve read there is no such thing as a single tear, that old poetic trope. And perhaps there isn’t, since hers was simply companion to my own.

“As soon as we were settled in the bus, I got out Rossi’s letters and carefully opened the first one. In recording it here, I will honor Rossi’s desire to protect his friend’s privacy with a nom de plume-a nom de guerre, he’d called it. It was very strange to see Rossi’s handwriting again-that same younger, less cramped version of it-on the yellowing pages.

“‘You’re going to read them here?’ Helen, leaning almost against my shoulder, looked startled.

“‘What, can you wait?’

“‘No,’ she said.”

Chapter 45

June 20, 1930

My dear friend,

I haven’t a soul in the world to talk to at this moment, and I find myself with pen in hand wishing for your company, in particular-you would be full of your usual mild amazement at the scene I’m enjoying just now. I’ve been in a state of disbelief myself today-as you would be if you could see where I am-on a train, although that’s hardly a clue in itself. But the train is puffing towards Bucarest. Good God, man, I hear you say through its whistle. But it is true. I hadn’t planned to come here, but something quite remarkable has brought me. I was in Istanbul until just a few days ago, on a bit of research I’ve been keeping under my hat, and I found something there that made me want to come here. Not want to, actually; it would be more accurate to say I’m terrified to, and yet feel compelled. You are such an old rationalist-you aren’t going to care for all this a bit, but I wish like the devil I had your brains along on my jaunt; I’m going to need every scrap of mine and more to find what I’m looking for.

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