Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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We’re slowing for a town, with a chance to buy breakfast-I’ll desist for the moment and come back to this later.

Afternoon-Bucarest

I’m down for what would be a siesta if my mind weren’t in such a state of unrest and excitement. It’s accursedly hot here-I thought this would be a land of cool mountains, but if it is I haven’t reached any yet. Nice hotel, Bucarest is a sort of tiny Paris of the East, grand and small and a little faded, all at the same time. It must have been dashing in the Eighties and Nineties. It took me forever to find a cab, and then a hotel, but my rooms are fairly comfortable and I can rest and wash and think about what to do. I’m half inclined not to set down here what I’m about, but you’ll be so very perplexed by my ravings if I don’t that I think I must. To make it short and shocking, I’m on a quest of sorts, an historian’s hunt for Dracula-not Count Dracula of the romantic stage, but a real Dracula-Drakulya-Vlad III, a fifteenth-century tyrant who lived in Transylvania and Wallachia and dedicated himself to keeping the Ottoman Empire out of his lands as long as possible. I stopped in Istanbul the better part of a week to see an archive there that contains some documents about him collected by the Turks, and while there I found a most remarkable set of maps that I believe to be clues to the whereabouts of his tomb. I’ll explain to you at greater length when I’m home what sent me on this chase, and I simply have to beg your indulgence in the meantime. You can chalk it up to youth, you old sage, my setting out on this chase at all.

In any case, my stay in Istanbul turned dark at the end and has rather frightened me, although that will surely sound foolish at a distance. But I’m not easily put off a quest once I’ve begun, as you know, and I couldn’t help coming on here with copies I’ve made of those maps, to look for more information about Drakulya’s tomb. I should explain to you, at the very least, that he is supposed to have been buried in an island monastery in Lake Snagov, in western Roumania- Wallachia, the region is called. The maps I found in Istanbul, with his tomb clearly marked on them, show no island, no lake, and nothing that looks like western Roumania, as far as I can tell. It always seems to me a good idea to check the obvious first, since the obvious is sometimes the right answer. I’ve resolved, therefore-but here I’m sure you’re shaking your head over what you will call foolish stubbornness-to make my way to Lake Snagov with the maps and ascertain for myself that the tomb is not there. How I will go about that, I don’t yet know, but I can’t begin to be satisfied hunting elsewhere until I have ruled out this possibility. And, perhaps, after all, my maps are some kind of ancient hoax and I will find ample proof that the tyrant sleeps there and always has.

I must be in Greece by the fifth, so I have precious little time for this whole excursion. I only want to know if my maps fit anything at the site of the tomb. Why I need to know this, I cannot tell even you, dear man-I wish I knew, myself. I intend to conclude my Roumanian journey by visiting as much as I can of Wallachia and Transylvania. What comes to your mind when you think of the wordTransylvania,if you ponder it at all? Yes, as I thought-wisely, you don’t. But what comes tomymind are mountains of savage beauty, ancient castles, werewolves, and witches-a land of magical obscurity. How, in short, am I to believe I will still be in Europe, on entering such a realm? I shall let you know if it’s Europe or fairyland when I get there. First, Snagov-I set out tomorrow.

Your devoted friend,

Bartholomew Rossi

June 22

Lake Snagov

My dear friend,

I haven’t yet seen any place to post my first letter-to post it with the confidence, that is, that it will ever reach your hands-but I’ll go hopefully on here despite that, since a great deal has happened. I spent all day yesterday in Bucarest trying to locate good maps-I now have at least some road maps of Wallachia and Transylvania-and talking with everyone I could find at the university who might have some interest in the history of Vlad Tepes. No one here seems to want to discuss the subject, and I have the sense of their inwardly, if not outwardly, crossing themselves when I mention Dracula’s name. After my experiences in Istanbul, this makes me a little nervous, I confess, but I will press on for now.

In any case, yesterday I found a young professor of archaeology at the university who was kind enough to inform me that one of his colleagues, a Mr. Georgescu, has made a speciality of the history of Snagov and is digging out there this summer. Of course, I was tremendously excited to learn this and have decided to put myself, maps and bags and all, into the hands of a driver who can take me out there today; it is only some hours’ drive from Bucarest, he says, and we leave at one o’clock. I must go now to lunch somewhere-the little restaurants here are uncommonly nice, with glimpses of an Oriental luxury in their cuisine-before we depart.

Evening

My dear friend,

I can’t help continuing this spurious correspondence of ours-may it unfold itself under your eyes eventually-because it’s been such a remarkable day that I simply must talk with someone. I left Bucarest in a neat little taxicab of sorts, driven by an equally neat little man with whom I could barely exchange two words (Snagovbeing one of them). After a brief session with my road maps, and many reassuring pats on the shoulder (my shoulder, that is), we set off. It took us all of the afternoon. We puttered along roads mainly paved but very dusty, and through a lovely landscape mainly agrarian but occasionally forested, to reach Lake Snagov.

My first intimation of the place was the driver’s waving an excited hand, on which I looked out and saw only forest. This was just an introduction, however. I don’t quite know what I’d expected; I suppose I’d been so wrapped up in my historian’s curiosity that I hadn’t stopped to expect anything in particular. I was jolted out of my obsession by the first sight of the lake. It is an exceptionally lovely place, my friend, bucolic and otherworldly. Imagine, if you will, a sparkling long water, which you catch glimpses of from the road between dense groves of trees. Nestled here and there in the woods are fine villas-often you can see only an elegant chimney, or a curving wall-many of which appear to date from early in the last century, or earlier.

When you get to an opening in the forest-we parked near a little restaurant of sorts with three boats drawn up behind it-you look out across the lake to the island where the monastery lies, and there-there at last-you get a panorama that has surely changed little over centuries. The island is a short boat ride from shore and is wooded like the banks of the lake. Above its trees rise the splendid Byzantine cupolas of the monastery church, and across the water comes the sound of bells-struck (I later learned) by a monk’s wooden mallet. That sound of bells floating across the water made my heart turn over; it seemed to me exactly one of those messages from the past that cry out to be read, even if one cannot be sure what they say. My driver and I, standing there in the late-afternoon light reflected off the water, might have been spies for the Turkish army, peering out at this bastion of an alien faith, instead of two rather dusty modern men leaning against an automobile.

I could have stood looking and listening far longer without growing restless, but my determination to find the archaeologist before nightfall sent me into the restaurant. I used a little sign language and my best pidgin Latin to get us a boat to the island. Yes, yes, there was a man from Bucarest digging with a shovel over there, the owner managed to convey to me-and twenty minutes later we were disembarking on the shore of the island. The monastery was even lovelier up close, and rather forbidding, with its ancient walls and high cupolas, each crowned with an ornate seven-pointed cross. The boatman led us up steep steps to it, and I would have entered the great wooden doors at once, but the fellow pointed us around the back.

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