Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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I needed to speak to my driver, so we made our way back to the ruined prison. It devolved that the archaeologist kept a little boat below the church and could row us over, and that he would prevail upon the owner of the restaurant to find local rooms for us. Georgescu stowed away his gear and dismissed the assistants, and we returned to the church in time to see the abbot and his three monks, equally black garbed, processing into the church through the doors of the sanctuary. Two of the monks were elderly, but one was still brown of beard and stood firmly upright. They walked slowly around to face the altar, the abbot leading with a cross and orb in his hands. His bent shoulders carried a purple-and-gold mantle that caught the glow of the candle flames.

At the altar they bowed, the monks prostrating themselves full-length for a moment on the stone floor-just over the empty tomb, I noticed. For a moment, I had the horrifying sense that they were bowing not to the altar but to the grave of the Impaler.

Suddenly an eerie sound rose up; it seemed to come from the church itself, to curl out of the walls and dome like mist. They were chanting. The abbot went through the little doors behind the altar-I tried not to crane for a glimpse of the inner sanctum-and brought out a great book with an enamelled cover, tracing his blessing over it in the air. He laid it on the altar. One of the monks handed him a censer on a long chain; this he swung above the book, dusting it with an aromatic smoke. All around us, above and behind and below, rose the dissonant sacred music with its buzzing drone and wavering heights. My skin crawled, for I realized that at that moment I was closer to the heart of Byzantium than I’d ever been in Istanbul. The ancient music and the rite that accompanied it had probably changed little since they were performed for the emperor in Constantinople.

“The service is very long,” Georgescu whispered to me. “They woon’t mind if we slip away.” He took a candle from his pockets, lit it from a burning wick in the stand near the entrance, and set it in the sand below.

In the restaurant on the shore, a dingy little place, we ate heartily of stews and salads served up by a timid girl in village dress. There was a whole chicken and a bottle of heavy red wine, which Georgescu poured liberally. My driver had apparently made friends in the kitchen, so that we found ourselves utterly alone in the panelled room with its fading views of lake and island.

Once we had warded off the worst of our hunger, I asked the archaeologist about his wonderful command of English. He laughed with his mouth full. “I owe that to my mither and father, God rest their souls,” he said. “He was a Scottish archaeologist, a mediaevalist, and she was a Scottish Gypsy. I was raised from a bairn in Fort William and worked with my father until he died. Then some of my mother’s relatives asked her to travel with them to Roumania, where they came from. She’d been boorn and bred in a village in western Scotland, but when my father was gone she wanted only to leave. My father’s family hadn’t been kind about her, you see. So she brought me here, when I was just fifteen, and I’ve been here since. When we came here I took her family name. To blend in a bit better.”

This story left me speechless for a moment, and he grinned. “It’s an odd tale, I know. What’s yours?”

I told him, briefly, about my life and studies, and about the mysterious book that had come into my possession. He listened with brows knit together, and when I was done he nodded slowly. “A strange story, no doubt about it.”

I took the book from my bag and handed it to him. He looked through it carefully, pausing to gaze for long minutes at the woodcut in the center. “Yes,” he told me thoughtfully. “This is very much like many images associated with the Oorder. I’ve seen a similar dragon on pieces of jewellery-that little ring, for example. But I’ve never seen a book like this one before. No idea where it came from, then?”

“None,” I admitted. “I hope to have it examined by a specialist one day, perhaps in London.”

“It’s a remarkable piece of work.” Georgescu handed it gently back to me. “And now that you’ve seen Snagov, where do you intend to go? Back to Istanbul?”

“No.” I shuddered, but I didn’t want to tell him why. “I’ve got to return to Greece to attend a dig, actually, in a couple of weeks, but I thought I’d go for a glimpse of Târgoviste, since that was Vlad’s main capital. Have you been there?”

“Ah, yes, of coourse.” Georgescu scraped his plate clean like a hungry boy. “That’s an interesting place for any pursuer of Dracula. But the really interesting thing is his castle.”

“His castle? Does he really have a castle? I mean, does it still exist?”

“Well, it’s a ruin, but a rather nice one. A ruined fortress. It’s a few miles up the River Arges from Târgoviste, and you can get there rather easily by road, with a climb on foot to the very top. Dracula favored any place that could be easily defended from the Turks, and this one is a love of a site. I’ll tell you what -” He was fishing in his pockets and now he found a little clay pipe and began to fill it with fragrant tobacco. I passed him a light. “Thank you, lad. I’ll tell you what-I’ll go along with you. I can stay only a couple of days, but I could help you find the fortress. It’s a great deal easier if you have a guide. I haven’t been there in a wandering moon, and I’d like to see it again myself.”

I thanked him sincerely; the idea of striking out into the heart of Roumania without an interpreter had made me uneasy, I admit. We agreed to start tomorrow, if my driver will take us as far as Târgoviste. Georgescu knows a village near the Arges where we can stay for a few shillings; it isn’t the nearest to the fortress, but he doesn’t like going to that village anymore as he was once almost chased out of it. We parted with a hearty good night, and now, my friend, I must blow out my light to sleep for the next adventure, of which I shall keep you apprised.

Yours most affectionately,

Bartholomew

Chapter 46

My dear friend,

My driver was indeed able to take us north to Târgoviste today, after which he returned to his family in Bucarest, and we have settled for the night in an old inn. Georgescu is an excellent travelling companion; along the way he regaled me with the history of the countryside we were passing through. His knowledge is very broad and his interests extend to local architecture and botany, so that I was able to learn a tremendous amount today.

Târgoviste is a beautiful town, mediaeval still in character and containing at least this one good inn where a traveller can wash his face in clean water. We are now in the heart of Wallachia, in a hilly country between mountains and plain. Vlad Dracula ruled Wallachia several times during the 1450s and ‘60s; Târgoviste was his capital, and this afternoon we walked around the substantial ruins of his palace here, Georgescu pointing out to me the different chambers and describing their probable uses. Dracula was not born here but in Transylvania, in a town called Sighisoara. I won’t have time to see it, but Georgescu has been there several times, and he told me that the house in which Dracula’s father lived-Vlad’s birthplace-still stands.

The most remarkable of many remarkable sights we saw here today, as we prowled the old streets and ruins, was Dracula’s watchtower, or rather a handsome restoration of it done in the nineteenth century. Georgescu, like a good archaeologist, turns up his Scotch-Romany nose at restorations, explaining that in this case the crenellations around the top aren’t quite right; but what can you expect, he asked me tartly, when historians begin using their imaginations? Whether or not the restoration is quite accurate, what Georgescu told me about that tower gave me a shiver. It was used by Vlad Dracula not only as a lookout in that era of frequent Turkish invasions but also as a vantage point from which to view the impalements that were carried out in the court below.

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