Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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I shook my head.

“The peasants who live around here tell a story about her that I think is probably true. We know that in the fall of 1462, Dracula was chased from this fortress by the Turks, and he did not return to the place when he reigned Wallachia again in 1476, just before he was killed. The songs from these villages up here say that the night the Turkish army reached the opposite cliff there”-he pointed into the dark velvet of the forest-“they camped at the auld fortress of Poenari, and tried to bring Dracula’s castle down by firing their cannons across the river. They were not successful, so their commander gave oorders for a grand assault on the castle the next morning.”

Georgescu paused to poke the fire into a brighter blaze; the light danced on his swarthy face and gold teeth, and his dark curls took on a look of horns. “During the night, a slave in the Turkish camp who was a relative of Dracula secretly shot an arrow into the opening in the tower of this castle where he knew Dracula’s private rooms lay. Bound to the arrow was a warning to the Draculas to flee the castle before he and his family were taken prisoner. The slave could see the figure of Dracula’s wife reading the message by candlelight. The peasants say in their auld songs that she told her husband she would be eaten by the fish of the Arges before she would be a slave to the Turks. The Turks weren’t very nice to their prisoners, you know.‘ Georgescu smiled devilishly at me over his stew. ”Then she ran up the steps of the tower-probably that one there-and threw herself off the top. And Dracula, of course, went on to escape through the secret passageway.“ He nodded matter-of-factly. ”This part of the Arges is still called Riul Doamnei, which means the Princess’s River.“

I shivered, as you can imagine-I had looked that afternoon over the precipice. The drop to the river below is almost unimaginably far.

“Did Dracula have children by this wife?”

“Oh, yes.” Georgescu scooped up a little more stew for me. “Their son was Mihnea the Bad, who ruled Wallachia at the beginning of the sixteenth century. Another charming fellow. His line led to a whole series of Mihneas and Mirceas, all unpleasant. And Dracula married again, the second time to a Hungarian woman who was a relative of Matthias Corvinus, the king of Hungary. They produced a lot of Draculas.”

“Are there still any in Wallachia or Transylvania?”

“I doon’t think so. I would have found them if there were.” He tore off a chunk of bread and handed it to me. “That second line had land in the Szekler region and they were all mixed up with Hungarians. The last of them married into the nooble Getzi family and they vanished, too.”

I wrote all this down in my notebook, between mouthfuls, although I didn’t believe it would lead me to any tomb. This made me think of a last question, which I didn’t quite like to ask in that enormous and deepening darkness.

“Isn’t it possible that Dracula was buried here, or that his body was moved here from Snagov, for safekeeping?”

Georgescu chuckled. “Still hoopeful, are you? No, the auld fellow’s in Snagov somewhere, mark my words. Of course, that chapel over there had a crypt-there’s a sunken area, with a couple of steps down. I doog it up years ago, when I first came here.” He gave me a broad grin. “The villagers wouldn’t speak to me for weeks. But it was empty. Not even a few boones.”

Soon after this he began to yawn enormously. We pulled our supplies close to the fire, rolled up in our sleeping rugs, and lay quiet. The night was chilly and I was glad I’d worn my warmest clothing. I looked up at the stars for a time-they seemed wonderfully close to that dark precipice-and listened to Georgescu’s snores.

Eventually I must have slept, too, because when I woke the fire was low and a wisp of cloud covered the mountaintop. I shivered and was about to get up to throw more wood on the fire when a rustling close by made my blood freeze. We were not alone in the ruin, and whatever shared that dark uneven hall with us was very near. I got slowly to my feet, thinking to rouse Georgescu if I needed to and wondering if he carried any weapons in his Gypsy bag with the cook pots. Dead silence had fallen, but after a few seconds the suspense was too much for me. I pushed a branch from our pile of kindling into the fire, and when it caught I had a torch, which I held cautiously aloft.

Suddenly, in the depths of the overgrown area of the chapel, my torchlight caught the red gleam of eyes. I would be lying, my friend, if I said my hair didn’t all stand on end. The eyes moved a little nearer and I couldn’t tell how close to the ground they were. For a long moment they regarded me, and I felt, irrationally, that they were full of a kind of recognition, that they knew who I was and were taking my measure. Then, with a scuffling in the underbrush, a great beast came half into view, turned its gaze this way and that, and trotted away into the darkness. It was a wolf of startling size; in the dim light I could see its shaggy fur and massive head for just a second before it slipped out of the ruin and vanished.

I lay down again, unwilling to wake Georgescu now that the danger seemed past, but I could not sleep. Again and again-in my mind, at least-I saw those keen, knowing eyes. I suppose I would have dozed off eventually, but as I lay there I became aware of a distant sound, which seemed to drift up to us out of the darkness of the forest. At last I felt too uneasy to stay in my blankets, and I rose again and crept across the brushy courtyard to look over the wall. The sheerest drop over the precipice was to the Arges, as I’ve described, but there was to my left an area where the forests sloped more gently, and from down there I heard a murmur of many voices and saw a glimmering that might have been campfires. I wondered if Gypsies camped in these woods; I’d have to ask Georgescu about that in the morning. As if this thought had conjured him, my new friend suddenly appeared, shadowy, at my side, shuffling with sleep.

“Soomething amiss?” He peered over the wall.

I pointed. “Could it be a Gypsy camp?”

He laughed. “Noo, not so far from civilization.” He followed this with a yawn, but his eyes in the glow of our dying fire showed bright and alert. “It’s peculiar, though. Let’s go have a look.”

I didn’t like this idea in the least, but a few minutes later we had our boots on and were creeping quietly down the path towards the sound. It grew steadily louder, a rising and falling, an eerie cadence-not wolves, I thought, but men’s voices. I tried not to step on any branches. Once I observed Georgescu reach into his jacket-he did have a gun, I thought with satisfaction. Soon we could see firelight flickering through the trees, and he motioned to me to creep low, and then to squat next to him in the underbrush.

We had reached a clearing in the woods, and it was, astoundingly, full of men. They stood two rings deep around a bright bonfire, facing it and chanting. One, apparently their leader, stood near the fire, and whenever their chant rose to a crescendo each of them lifted a stiff arm in a salute, putting his other hand on the shoulder of the next man. Their faces, weirdly orange in the firelight, were stiff and unsmiling, and their eyes glittered. They wore a uniform of some sort, dark jackets over green shirts and black ties. “What is this?” I murmured to Georgescu. “What are they saying?”

“All for the Fatherland!” he hissed in my ear. “Stay very quiet or we are dead. I think this is the Legion of the Archangel Michael.”

“What is that?” I tried to just move my lips. It would have been difficult to imagine anything less angelic than those stony faces and rigid outstretched arms. Georgescu beckoned me away and we crept back into the woods. But before we turned I noticed a movement on the other side of the clearing, and to my increasing astonishment I saw a tall man in a cloak, his dark hair and sallow face caught for a second by the light from the fire. He stood outside the rings of uniformed men, his face joyful; in fact, he seemed to be laughing. After a second I couldn’t see him anymore and thought he must have slipped into the trees, and then Georgescu pulled me along up the slope.

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