Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“A moment later Helen appeared, to my relief, and she translated us into the dining room, with its glossy white cloths and ugly china. Aunt Éva ordered for all of us, as before, and I sat back, tired, while they spoke together for a few minutes. They seemed at first to be exchanging affectionate jokes, but soon Éva’s face clouded and I saw her pick up her fork and twirl it somberly between thumb and forefinger. Then she whispered something to Helen that made Helen’s brow knit, too.

“‘What’s wrong?’ I asked uneasily. I had already had my fill of secrets and mysteries.

“‘My aunt has made a discovery.’ Helen lowered her voice, although few of the diners around us could have known English. ‘Something that may be unpleasant for us.’

“‘What?’

“Éva nodded and spoke again, again very quietly, and Helen’s brow furrowed deep. ‘This is bad,’ she said in a whisper. ‘My aunt has been questioned about you-about us. She told me she received a visit this afternoon from a police detective whom she has known for a long time. He apologized and said it was only their routine, but he interrogated her about your presence in Hungary, your interests, and our-our relationship. My aunt is very clever in these matters, and when she questioned him in return, he managed to reveal that he had been-how do you say?-put on the case by Géza József.’ Her voice dropped to an almost inaudible murmur.

“‘Géza!’ I stared at her.

“‘I told you he is a nuisance. He tried to question me at the conference, too, but I ignored him. Apparently that made him angrier than I had guessed.’ She paused. ‘My aunt says he is a member of the secret police and can be quite dangerous to us. They do not like the liberal reforms of the government and are trying to keep the old ways.’

“Something in her tone made me ask, ‘Did you already know this? What his position is?’

“She nodded guiltily. ‘I’ll tell you about it later.’

“I wasn’t sure how much I wanted to know, but the idea of our being pursued by the handsome giant was certainly distasteful to me. ‘What does he want?’

“‘He apparently feels you are involved in more than historical research. He believes you have come here looking for something else.’

“‘He’s right,’ I pointed out in a low voice.

“‘He is determined to find out what it is. I am sure he knows where we went today-I hope he will not question my mother, too. My aunt turned the detective away from the-the scent as well as she could, but now she is worried.’

“‘Does your aunt know what-whom-I’m looking for?’

“Helen was silent for a moment, and when she raised her eyes there was something like a plea in them.

“‘Yes. I thought she might be able to help us somehow.’

“‘Does she have any advice?’

“‘She only says it’s a good thing we are leaving Hungary tomorrow. She warned us not to talk with any strangers as we depart.’

“‘Of course,’ I said angrily. ‘Maybe József would like to study Dracula documents with us at the airport.’

“‘Please.’ Her voice was a bare whisper. ‘Don’t joke about this, Paul. It can be very serious. If I ever want to return here -’

“I subsided into a shamed silence. I hadn’t meant it as a joke, only as an expression of exasperation. The waiter was bringing dessert-pastries and coffee that Aunt Éva urged on us with motherly concern, as if by fattening us a little she could guard us from the world’s evils. While we ate, Helen told her aunt about Rossi’s letters, and Éva nodded slowly, attentive, but said nothing. When our cups were empty, she turned deliberately to me, and Helen translated with downcast eyes.

“‘My dear young man,’ Éva said, pressing my hand just as her sister had done earlier in the day. ‘I do not know if we will ever see each other again, but it is my hope that we will. In the meantime, look after my beloved niece, or at least let her look after you’-she gave Helen a sly glance, which Helen apparently pretended not to see-‘and be certain that you both return safely to your studies. Helen has told me about your mission, and it is a worthy one, but if you do not accomplish it soon, you must return home with the knowledge that you did everything that you could. Then you must go on with your life, my friend, because you are young and it is in front of you.’ She patted her lips with her napkin and rose. At the door to the hotel she silently embraced Helen and leaned forward to kiss me on each cheek. She was grave, and no tears glistened in her eyes, but I saw on her face a deep, still sorrow. The elegant car was waiting. My last glimpse of her was her sober wave from its back window.

“For a few seconds, Helen seemed unable to speak. She turned toward me, turned away. Then she rallied and looked at me decisively. ‘Come, Paul. This is our final hour of freedom in Budapest. Tomorrow we will have to hurry to the airport. I want to go for a walk.’

“‘A walk?’ I said. ‘What about the secret police and their interest in me?’

“‘They want to know what you know, not to stab you in a dark alley. And don’t be vain,’ she said, smiling. ‘They are just as interested in me as in you. We will stay in well-lit places, along the main street, but I wish you to see the city one more time.’

“I was glad enough to do this, knowing it might be my last view of it in a lifetime, and we went out again into the balmy night. We wandered toward the river, staying, as Helen had promised, on the main thoroughfares. At the great bridge we paused, and then she strolled onto it, running one hand thoughtfully along the railings. Above the vast water we paused again, looking back and forth at the two sides of Budapest, and I felt again its majesty and the explosion of war that had nearly destroyed it. The lights of the city shone everywhere, quivering in the black surface of the water. Helen stood for a while at the railing, then turned, as if reluctantly, to walk back toward Pest. She had taken off her jacket, and when she turned I saw a jagged shape on the back of her blouse. Leaning closer, I suddenly realized it was an enormous spider. It had spun a web all the way across her back; I could clearly see the glinting filaments. I remembered then that I’d seen cobwebs all along the bridge railing, where she’d been running her hand. ‘Helen,’ I said softly. ‘Don’t get upset-there’s something on your back.’

“‘What?’ She froze.

“‘I’m going to brush it off,’ I said gently. ‘It’s just a spider.’

“A shudder went through her, but she stood obediently motionless while I flicked the creature off her back. I admit that it gave me a shudder, too, because the spider was the largest I’d ever seen, almost half the width of my hand. It hit the railing next to us with an audible thwack and Helen screamed. I’d never heard her express fear before, and that little scream made me suddenly want to grab her and shake her, even hit her. ‘It’s all right,’ I said quickly, taking her by the arm, trying to stay calm. To my surprise, she gave a sob or two before she could steady herself. It astonished me that a woman who could shoot at vampires was so shaken by a spider, but this had been a long day and a strained one. She surprised me again by turning to look at the river and saying in a low voice, ‘I promised I would tell you about Géza.’

“‘You don’t have to tell me anything.’ I hoped I didn’t sound irritable.

“‘I don’t want to lie by silence.’ She walked a few feet away, as if to leave the spider completely behind, although it had vanished, probably into the Danube. ‘When I was a university student, I was in love with him for a little while, or thought I was, and in return he helped my aunt to get me my fellowship and passport to leave Hungary.’

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