Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“When we were safely back at the ruin-weirdly, it did feel safe now, by contrast-Georgescu sat down by the fire and lit his pipe, as if for relief. ”Good God, man,“ he breathed. ”That could have been the end of us.“

“Who are they?”

He tossed his match into the fire. “Criminals,” he said shortly. “They are also called the Iron Guard. They are sweeping through the villages in this part of the country, picking up young men and converting them to hatred. They hate the Jews, in particular, and want to rid the warld of them.” He drew fiercely on his pipe. “We Gypsies know that where Jews are killed, Gypsies are always murthered, too. And then a lot of other people, usually.”

I described the strange figure I’d seen outside the circle.

“Oh, to be sure,” Georgescu muttered. “They attract all kinds of strange admirers. It won’t be long till every shepherd in the mountains is deciding to join them.”

It took us some time to settle to sleep again, but Georgescu assured me the Legion was unlikely to scale the mountain once they’d begun their rituals. I managed only an uncomfortable doze and was relieved to see that dawn came early to that eagle’s eyrie. It was quiet now, still rather foggy, and no wind moved the trees around us. As soon as the light was strong enough, I went cautiously to the crumbling vaults of the chapel and examined the wolf’s tracks. They could be clearly seen on the near side of the chapel, large and heavy, in the earth. The strange thing was that there was only one set of them, which led away from the chapel area, directly out of the sunken beds of the crypt, with no sign of how the wolf had made its way in there in the first place-or perhaps I simply couldn’t read its trail well enough in the undergrowth behind the chapel. I puzzled over this long after we had breakfasted, made some more sketches, and set off down the mountain.

Again, I must stop for the present, but my warmest regards go out to you from a faraway land-

Rossi

Chapter 47

My dear friend,

I can’t imagine what you’ll think of this weird and one-sided correspondence when it finally reaches you, but I’m compelled to continue, if only to make notes for myself. We returned yesterday afternoon to the village on the Arges from which we began our journey to Dracula’s fortress, and Georgescu has set off for Snagov, with a hearty embrace and a squeeze to my shoulders and the wish that we may be in touch again someday. He has been a most genial guide and I shall certainly miss him. At the last moment I felt a pang of guilt at not having told him everything I’d observed in Istanbul, and yet I couldn’t bring myself to breach my own silence. He wouldn’t have believed it anyway, and so I should not have been sparing him any mishaps by trying to persuade him of it. I could imagine all too well his hearty laugh, his scientific shake of the head, his dismissal of my fantastic imagination.

He urged me to travel back with him as far as Târgoviste, but I had already resolved to stay a few more days in this area to visit some of the local churches and monasteries, and to learn, perhaps, a little of the region that surrounded Vlad’s stronghold. This was the reason I gave to myself and Georgescu, in any case, and he recommended several sites Dracula would undoubtedly have visited in his lifetime. I think I had another motivation, my friend, which is the sense that I may never again come to such a place, so remote, so far from my usual researches, and so piercingly beautiful. Having resolved to use my last free days here rather than hurry to Greece ahead of schedule, I’ve been relaxing a bit at the tavern, trying to improve my bits of Roumanian by attempting with poor success to talk with the elders about the legends of the region. Today I walked the woodlands near the village, coming upon a shrine that stood alone beneath a tree. It was built of ancient stones with a roof of thatch, and I thought its original part might have been there long before Dracula’s troops galloped these roads. The fresh flowers inside had just wilted, and candle wax had pooled below the crucifix.

As I was returning towards the village, I met with an equally startling sight-a young village girl who stood motionless in my path in her peasant dress, for all the world like a figure of history. As she showed no sign of moving, I stopped to speak with her, and to my amazement she presented me with a coin. It was clearly very old-mediaeval-and showed on one side the figure of a dragon. I felt sure, although without proof, that it must have been coined for the Order of the Dragon. The girl of course spoke only Roumanian, but I managed to learn from her that she was given it by an old woman who came down to this village at some point from the river cliffs near Vlad’s castle. The girl also told me that her family name is Getzi, although she seemed to have no inkling of its significance. You can imagine my excitement at this: I was in all likelihood standing face-to-face with a descendant of Vlad Dracula. The thought was both astonishing and unnerving (although the girl’s purity of face and graceful demeanor were as far as possible from anything monstrous or cruel). When I tried to return the coin she seemed to insist I keep it, which I’ve done for now, though I shall certainly try again to give it back. We arranged to talk further tomorrow, and I must desist now to make a sketch of the coin, and to study my dictionary in the hope of being able to ask her more about her family and their origins.

My dear friend,

Last night I made a little further headway in speaking with the young woman I told you about-her name is indeed Getzi, and she spelled it for me with the same spelling Georgescu gave me for my notes. I was astonished by the quickness of her understanding, as we tried to converse, and found that in addition to great natural gifts of perception she can read and write and was able to help me look up words in my dictionary. I enjoyed watching her mobile face and bright, dark eyes fill with each new comprehension. She has never learned another language, of course, but I have no doubt she could do so with ease, had she the right instruction.

This struck me as a remarkable phenomenon, to find such intelligence in this remote and simple place; perhaps it is further proof that she is descended from noble, educated, clever people. Her father’s family came here so long ago that no one remembers it, but some of them were Hungarian, as far as I could make out. She said her father believes himself heir to the prince of the Castle Arges and that there is treasure buried there, something all the peasants here apparently think. With difficulty, I made out that they believe that on certain saints’ days a supernatural light illuminates the site of the buried treasure, but everyone in the villages is too much afraid to go looking for it. The girl’s gifts, so clearly superior to her surroundings, kept reminding me of those of Hardy’s beautiful Tess of the d’Urbervilles, the noble milkmaid. I know you don’t venture past 1800, my friend, but I reread the book last year and I recommend it to you as a detour from your usual strolls. I doubt there is any treasure, by the way, or Georgescu would have found it already.

She also explained to me the startling fact that one member of each generation of her family is stamped on the skin with a tiny dragon. This, as much as her name, and her father’s story about it, has convinced me that she is part of a living branch of the Order of the Dragon. I would like to talk with her father, but when I proposed this, she looked so distressed that I would have been a cad to pursue it. This culture is a traditional one, to an extreme, and I am wary of jeopardizing her reputation with her people-I’m certain she’s taken a risk even in speaking alone with me and am all the more grateful for her interest and assistance.

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