Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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I’m off now to walk in the woods a bit; I have so much to think about here that I feel I need to clear my head a bit.

My dear friend, my only confidant,

Two days have passed, and I hardly know how to write to you about them, or if I shall ever show this to anyone. These two days have made for me the difference of a lifetime. They have filled me with equal portions of hope and fear. I feel that in their course I have stepped across a line into a new life. What it will mean, ultimately, I cannot tell. I am both the happiest man in creation and the most anxious.

Two nights ago, after I last wrote to you, I met again the angelic young woman I have been describing, and our conversations this time led to a sudden change-a kiss, in fact-before she fled. I was sleepless all night, and when the morning came I left my room in the village and wandered into the woodland. There I walked a while, sitting down now and then on a rock or stump in the shifting, delicate green of the early morning, seeing her face among the trees or in the light itself. I wondered many times if I should leave the village immediately, as I might already have offended her.

The whole day passed in this way, as I walked here and there, returning to the village only for a midday meal, where I was afraid I would encounter her any second and yet hoped I would. But there was no sign of her, and in the evening I made my way back to our meeting place, thinking that if she came there again I would tell her as well as I could manage that I owed her an apology and would trouble her no more. Just as I was giving up the hope of seeing her, and was deciding that I had offended her deeply and should leave the village the next morning, she appeared among the trees. I saw her for a second in her heavy skirts and black vest, her bare head dark as polished wood, her braid hanging over her shoulder. Her eyes were dark, too, and frightened, but the radiant intelligence of her face leapt out at me.

I opened my mouth to speak to her, and at that moment she flew across the gap that separated us and threw herself into my arms. To my astonishment, she seemed to have given herself completely to me, and our feelings soon brought us to a full intimacy as tender and pure as it was unplanned. I found we could speak to each other freely-in which of our languages I am no longer sure-and I could read the world and perhaps all my own future in the darkness of her eyes, with their thick lashes and the delicate Asiatic fold at the inner corner.

When she had gone, and I was left alone with my trembling emotion, I tried to consider what I had done, what we had done, but my sense of completion and happiness interfered at every mental turn. Today I will go to wait for her again, because I cannot help it, because my whole being seems now to be bound up in the being of one so different from myself and yet so exquisitely familiar that I can scarcely understand what has happened.

My dear friend (if it is still you to whom I write),

I have lived four days in paradise now, and my love for the angel who presides over it seems to be exactly that-love. Never before have I felt for any woman what I feel now, in this alien place. With only a few more days to think, I have, of course, been considering this from every angle. The idea of leaving her and never seeing her again seems to me as impossible as that I should never see my home again. On the other hand, I have struggled with what bringing her with me would mean-how, in the first place, I could cruelly detach her from her own home and family, and what the consequences would be were she to come with me to Oxford. This last thought is complicated in the extreme, but the starkness of the situation is clear to me: if I departed without her it would break both our hearts, and it would also be an act of cowardice and villainy, after what I have taken from her.

I have now resolved to make her my wife as soon as possible. Our lives will no doubt be a strange path, but I am certain her natural grace and acuity of mind will carry her through whatever we encounter together. I cannot leave her here and wonder all my life what might have been, nor can I desert her in such a situation. I have all but decided that I will ask her tonight to marry me a month from now. I think I shall return first to Greece, where I can borrow from my colleagues-or have wired-enough money to present her father with compensation for taking her away; I have little left here, and I don’t dare undertake this otherwise. In addition, I feel I must attend the dig to which I’ve been invited there-a nobleman’s grave near Knossos. My future work may rest with these colleagues, and with it I shall support her and myself in the life we build together.

After this I will come back for her-and how long four weeks of separation will be! It is my wish to see if the priests at Snagov might marry us there, so that Georgescu could be our witness. Of course, if her parents insist that we marry before leaving the village, I am willing to do that instead. She shall travel with me as my wife, in any case. I shall send a telegram to my parents from Greece, I think, and then take her to them for a stay when we reach England. And you, dear friend, if you are reading this already, could you look a little into the matter of rooms outside the college-very discreetly-cost, of course, being of importance? I would also like for her to study English as soon as possible; I am certain she will excel in it. Perhaps autumn will find you at our fireside, my friend, and then you, too, will see the reason in my madness. Until then, you are the only one to whom I feel free to turn in this matter, as soon as I can send this to you, and I pray you will judge kindly of me, out of the largeness of your heart.

Yours in joy and anxiety,

Rossi

Chapter 48

“That was the last of Rossi’s letters, probably the last he had written his friend. Sitting beside Helen on the bus back to Budapest, I refolded the pages with care and took her hand for just a second. ‘Helen,’ I said hesitantly, because I felt one of us, at least, must say it aloud. ‘You are descended from Vlad Dracula.’ She looked at me, and then out the bus window, and I thought I saw on her face that she herself did not know how to feel about this, but that it made all the blood in her veins suddenly writhe and coil.”

“When Helen and I stepped off the bus in Budapest, it was nearly evening already, but I realized with a feeling of shock that we had left this bus station the same day, that very morning. I felt I had lived a couple of years since that moment. Rossi’s letters rested safely in my briefcase and their contents filled my head with poignant images; I could see a reflection of them in Helen’s eyes, too. She kept one hand tucked around my arm, as if the revelations of the day had shaken her confidence. I wanted to put my whole arm around her, to embrace and kiss her in the street, to tell her I would never leave her and that Rossi never should have-never should have left her mother, that is. I contented myself with pressing her hand firmly to my side, and letting her guide us back to the hotel.

“At the moment we reached the lobby, I had again the feeling that we’d been away a long time-how strange it was that these unfamiliar places were starting to seem familiar to me within a couple of days, I thought. There was a note for Helen from her aunt, which she read eagerly. ‘I thought so. She wants us to have dinner with her this evening, here in the hotel. She will tell us her good-byes then, I suppose.’

“‘Will you tell her?’

“‘About the letters? Probably. I always tell Éva everything, sooner or later.’ I wondered if she had told her anything about me that I did not know, and suppressed the idea.

“We had scant time to wash and dress in our rooms before supper-I changed into the cleaner of two dirty shirts and shaved over the elaborate basin-and when I came downstairs again Éva was already there, although Helen was not. Éva stood at the front window, her back to me, her face toward the street and the fading evening light. Seen this way she had less of the formidable alertness and intensity of her public demeanor; her back in its dark green jacket was relaxed, even a little stooped. Turning suddenly, she saved me the trouble of deciding whether or not to call out to her, and I saw worry in her face before her wonderful smile dawned in my direction. She hurried forward to shake my hand, I to kiss hers. We did not exchange a word, but for all that we could have been old friends meeting after a separation of months or years.

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