Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘The next evening he was there in the same place, as if he had never moved from the spot where I had left him. I ran to him and he opened his arms to me and caught me. When we could not kiss each other anymore, he spread his jacket on the ground and we lay down together. In that hour, I learned about love, one moment at a time. Up close, his eyes were as blue as the sky. He put flowers in my braids and kissed my fingers. I was surprised by many things he did, and things I did, and I knew it was wrong, a sin, but I felt the joy of heaven opening around us.

“‘After that there were three nights until he left. We met earlier each evening. I told my mother and father any excuse I could think of, and I always came home with herbs from the woods as if I had gone there to gather them. Every night Bartolomeo told me he loved me and begged me to come with him when he left the village. I wanted to, but I was afraid of the large world he came from, and I could not imagine how I would escape my father. Every night I asked him why he couldn’t stay with me in the village, and he shook his head and said he had to return to his home and his work.

“‘On the last night before he left the village, I began to cry as soon as we touched each other. He held me and kissed my hair. I had never met any man so gentle and kind. When I had stopped crying, he drew from his finger a little silver ring with a seal on it. I don’t know for certain, but I think now it was the seal of his university. He wore it on the smallest finger of his left hand. He took it off and put it on my ring finger. Then he asked me to marry him. He must have been studying his dictionary, because I understood him right away.

“‘At first it seemed so impossible an idea that I simply began to cry again-I was very young-but then I agreed. He made me understand that he would return for me in four weeks. He would go to Greece to take care of something there-what, I could not understand. Then he would come back for me and would give my father some money to make him happy. I tried to explain that I had no dowry, but he would not listen. Smiling, he showed me the dagger and coin I had given him, and then made a circle of his hands around my face and kissed me.

“‘I should have felt happy, but I had a sense that evil spirits were present, and I was afraid something might happen to keep him from returning. Every moment we spent together that evening was very sweet, because I thought each was the last. He was so confident, so sure that we would see each other again soon. I could not say good-bye until it was almost dark in the woods, but I began to fear my father’s anger and at last I kissed Bartolomeo one more time, made sure the garlic flowers were in his pocket, and left him. I turned back again and again. Each time I looked back, I saw him standing in the woods, holding his hat in his hand. He looked very lonely.

“‘I cried as I walked along, and I took the little ring off my finger, kissing it, and knotted it in my kerchief. When I reached home my father was angry and wanted to know where I had been after dark without permission. I told him that my friend Maria had lost a goat and I had been helping her search for it. I went to bed with a heavy heart, feeling sometimes hopeful and then sad again.

“‘The next morning I heard that Bartolomeo had left the village, traveling with a farmer in his cart toward Târgoviste. The day was very long and sad for me, and in the evening I went to our meeting place in the woods, to be alone there. Seeing it made me weep again. I sat on our rocks and finally lay down where we had lain every evening. I put my face against the earth and sobbed. Then I felt my hand brush against something among the ferns, and to my surprise I found there a package of letters in envelopes. I could not read the handwriting on them, where they were addressed to someone, but on the flap of each his beautiful name was printed, as in a book. I opened some of them and kissed his writing, although I could see that they were not addressed to me. I wondered for a moment if they could have been written to another woman, but I put this thought out of my mind as soon as it came. I realized the letters must have fallen out of his knapsack when he had opened it to show me he had the dagger and coin I’d given him.

“‘I thought of trying to mail them to Oxford in the island of England, but I could not think of any way to send them unnoticed. Also, I didn’t know how I could pay to send something. It would cost money to mail a package to his faraway island, and I had never owned any money apart from the little coin I had given to Bartolomeo. I decided to save the letters to give him when he returned for me.

“‘Four weeks passed very, very slowly. I made notches on a tree near our secret place, so that I could keep track of the days. I worked in the field, helped my mother, spun and wove for our next winter’s clothing, went to church, and listened wherever I could for news of Bartolomeo. At first the old men talked about him a little, and shook their heads over his interest in vampires. ”No good can come of that,“ one of them would say, and the rest would agree. It gave me a terrible mixture of happiness and pain to hear this. I was glad to listen to someone else talking about him, since I could never speak a word to anyone, but it also sent a chill through me to think that he might be attracting the attention ofpricolici.

“‘I wondered constantly what would happen when he came back. Would he walk up to my father’s door, knock on it, and ask my father for my hand in marriage? I imagined how surprised my family would be. They would all gather at the door and stare while Bartolomeo gave them gifts and I kissed them good-bye. Then he would lead me away to a waiting wagon, maybe even to an automobile. We would ride out of the village and across lands I could not imagine, beyond the mountains, beyond the great city where my sister Éva lived. I hoped we would stop to see Éva, because I had always loved her best. Bartolomeo would love her, too, because she was strong and brave, a traveler like him.

“‘I passed four weeks in this way, and by end of the fourth week I was tired and could not eat or sleep very much. When I had cut almost four weeks of notches in my tree, I began to wait and watch for a sign of his return. Whenever a wagon came into the village, the sound of its wheels made my heart jump. I went for water three times a day, watching and listening for news. I told myself that he probably would not come after exactly four weeks, and that I should wait a week more. After the fifth week, I felt ill and I was certain that the prince of thepricolici had killed him. Once I even had the thought that my beloved might return to me in the form of a vampire himself. I ran to the church in the middle of the day and prayed in front of the icon of the blessed Virgin to take away this horrible idea.

“‘In the sixth and seventh weeks I began to give up hope. In the eighth week I knew suddenly by many signs I had heard about among the married women that I would have a child. Then I cried silently in my sisters’ bed at night and I felt the whole world, even God and the Holy Mother, had forgotten about me. I did not know what had happened to Bartolomeo, but I believed it must have been something terrible, because I knew he had truly loved me. In secret I gathered the herbs and roots that were said to prevent a child from coming into the world, but it was no use. My child was strong inside me, stronger than I was, and I began to love that strength in spite of myself. When I secretly placed my hand on my belly, I felt Bartolomeo’s love and I believed he could not have forgotten about me.

“‘I knew I had to leave the village before I brought shame on my family and my father’s anger on myself. I thought of trying to find the old woman who had given me the coin. Perhaps she would take me in and let me cook and clean for her. She had come from one of the villages above the Arges, near the castle of thepricolic, but I did not know which village, or whether she was still alive. There were bears and wolves in the mountains, and many evil spirits, and I did not dare wander through the forest all alone.

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