Robert Wilson - A Small Death in Lisbon

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The real star of this gripping and beautifully written mystery which won the British Crime Writers' Golden Dagger Award for Best Crime Novel last year is Portugal, whose history and people come to life on every page. Wilson tells two stories: the investigation into the brutal sex murder of a 15-year-girl in 1998, and the tangled, bloody saga of a financial enterprise that begins with the Nazis in 1941. Although the two stories seem unrelated, both are so strong and full of fascinating characters that readers' attention and their faith that they will eventually be connected should never waver. The author creates three compelling protagonists: middle-aged detective Jose Coelho, better known as Ze; Ze's late British wife, whom he met while exiled in London with his military officer father during the anti-Salazar political uprisings of the 1970s; and Ze's wise, talented and sexually active 16-year-old daughter. The first part of the WWII story focuses on an ambitious, rough-edged but likeable Swabian businessman, Klaus Felsen, convinced by the Gestapo to go to Portugal and seize the lion's share of that country's supply of tungsten, vital to the Nazi war effort. Later, we meet Manuel Abrantes, a much darker and more dangerous character, who turns out to be the main link between the past and the present. As Ze sifts through the sordid circumstances surrounding the murder of the promiscuous daughter of a powerful, vindictive lawyer, Wilson shines a harsh light on contemporary Portuguese society. Then, in alternating chapters, he shows how and why that society developed. All this and a suspenseful mystery who could ask for more?

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'Except football.'

'I bought you a present,' she said.

'What else did your mother tell you?'

'There,' she said, and laid out a razor, five blades and a can of shaving foam. I pulled her over and kissed her on the head.

What are these for?' I asked.

'Don't be difficult.'

'Go on.'

'What?'

We were talking about your mother.'

You were being nosey about our conversations… and if Mum didn't talk to you about what she talked about with me, then she probably thought it was none of your business. Or, more likely Dad, you wouldn't have been interested.'

Try me.'

She looked up into her head, smoked a bit and polished her teeth with her tongue.

'You first,' she said.

'Me?'

'Tell me something personal that you talked about with Mum to show me… good faith.'

'Like what?'

'Something personal,' she said, enjoying herself, 'like sex. Didn't you ever talk about sex?'

I looked into my aguardente glass for quite some time.

'She talked to me about what it was like having sex with you,' she said.

'Did she?' I said, astonished.

'She said, let me get this right: "It's a wonderful thing to have sex with a man you love. Once you've felt that tenderness, the deep intimacy of his total regard for you, the thrill of that mental connection, then there's no going back…" I think that was more or less it. She told me that after my first time when I complained that it wasn't all that it was cracked up to be.'

Olivia stopped. I was in trouble, unable to swallow, my eyeballs prickling, my stomach clenching. It was silent in the room. A single dog barked in the night, a long way off. My daughter put her hand on my back, rubbed me between the shoulders. I pulled back from the: precipice. She put her forehead on to my arm. I stroked her soft, black hair. More time passed. She kissed my wrist. The traffic reasserted itself in the room.

'Your first time?' I said, coming round.

Olivia sat up.

'She didn't tell you, did she? I didn't think she would.'

'Why?'

'I asked her not to. I thought you'd probably have arrested him.'

'When was this?'

'A while ago.'

'I'm not sure how long a while is in English? Sometimes it's short, sometimes it's long.'

'About eighteen months ago.'

'When exactly. I want to remember that time.'

'February last year, Carnival time.'

'You were only just fifteen.'

'That's right.'

'What happened?'

She stretched and shivered with nerves, not used to talking to me like this. Neither of us were.

'You know,' she said.

'Tell me.'

'It was at a party, he was eighteen…'

You think of these things, and then you find they've happened without you knowing. Why hadn't I seen it? Don't women get that look in their eye when they've eaten the forbidden fruit? I know boys don't-they're nerds before and afterwards they're just happy nerds.

It happened again. I thought I was relaxed, but I was coiled tighter than a metal spring. Where was all this… this rage coming from? For the second time that night my fist came down on the table and I roared against the bastard stranger who'd deflowered my daughter. I harangued my dead wife. I railed against my reflection in the window for being so blind. I castigated Olivia who kicked back her chair and volleyed her entire love-life straight back in my face. Yelling at the top of her voice, so that ship's crews heading out into the Atlantic that night would have lined up on the rails to listen. It didn't stop until she hit me, tears streaming down her face, she thundered her fists into my chest and stormed out, the doors crashing behind her, heels cracking the stairs, a final door slam and I could see her thumping face-down on the bed.

Then quiet, apart from the blood thundering in my ears, and the tick of a woodworm eating its way up the table leg.

After half an hour of circular thinking I went upstairs. Olivia's light was out under her door. I continued up the stairs to my attic room and the weakness I'd been indulging for the past six months.

I had a desk set up in the dormer window with a simple raffia-seated wooden chair. In the desk I had a photograph of my wife, a head shot taken by me at night on the terrace of a house we were staying in near Lagos in the Algarve. In the shot her face is luminous. It was a colour shot, but only black and white and a yellow aura had come out in the flash. She never liked having her photo taken. I'd surprised her, but she wasn't wide-eyed and shocked. She was actually staring intendy and with some intensity, at the moment just before evasive action would be taken.

I set the photograph up in a black frame on the desk facing the window. Her face came up in one of the panes of glass, as if she was outside looking in.

Also in the desk, in a locked drawer, was a bag of grass and a packet of Rizla+ papers. I used to smoke it as a kid in Africa. It was the poor man's booze and the gardeners used it all the time. I hadn't smoked since I left London, but when I had to stop drinking to lose the weight, I knew I wasn't going to get through the occasional hard, lonely moment without something to soften the edges.

I'd smoked maybe two or three joints a week for six months. When I smoked I talked to my wife in the window, and the strange part was, that after the dope had taken hold and I'd fallen into myself, she'd talk back.

I sat with the desk lamp on to give the reflection and smoked. It didn't take much. It was good stuff. Not local. I mean, I could have just walked out the front door and bought a deal in five minutes but that wouldn't do. My father's old driver from Guinea provided the gear for me. My black brother.

'It's been a day,' I said.

No answer, her gaze as steady as a ship's purpose through water.

'You like my new face?'

Her lips, slightly apart, dark against her white face, didn't move.

'I've lost my rag twice today. What does that mean? I've never lost control like that before, not even when I've been drinking. That stuff about my father… Carlos talking about my father like that. I couldn't stand it.'

'Maybe you feel guilty,' she said.

'What was that? I didn't catch that.'

'Maybe you feel guilty about your father.'

'Guilty?' I said. 'I was defending him.'

'But you were lefter than left when I first met you.'

'It was the way to rebel against the… against fascism.'

'Was it? Was it just that?'

Silence. I steeplechased a marathon around my head. I knew the answer to this, but how to get it out?

'You can just say it,' she said. 'It's only me and you.'

'It wasn't the right thing for him to have done,' I said.

'That's what you thought?'

'And I still think that now.'

'That's a hard thing for you to have to admit,' she said. 'I know how much you admired him.'

'But why did I go crazy like that? Banging my fists down on the table…'

'You always said that the Portuguese prefer to live in the past… perhaps you've decided to live in the present and the future,' she said. 'You're changing. You're lonely and you're changing. Maybe you don't want to be lonely any more.'

'I missed you tonight. Hearing Olivia say your words, I missed you.'

'You didn't mind me telling her that?'

'No, no. Not that.'

'What then?'

'I just had the thought that even when you were alive I was still a bit lonely.'

'Not lonely. A loner,' she said, correcting my English. 'It's what makes you the man you are, but it can break you, too.'

'In my job you mean?'

'You don't have to think of your job all the time, Ze.'

'You're right. I spent too much time thinking about that.'

'You were too inquisitive for the truth about everything and everybody. Nobody likes that. Not even policemen, and the ones closest to you don't always want to tell it or know it, either.'

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