Robert Wilson - A Small Death in Lisbon

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The real star of this gripping and beautifully written mystery which won the British Crime Writers' Golden Dagger Award for Best Crime Novel last year is Portugal, whose history and people come to life on every page. Wilson tells two stories: the investigation into the brutal sex murder of a 15-year-girl in 1998, and the tangled, bloody saga of a financial enterprise that begins with the Nazis in 1941. Although the two stories seem unrelated, both are so strong and full of fascinating characters that readers' attention and their faith that they will eventually be connected should never waver. The author creates three compelling protagonists: middle-aged detective Jose Coelho, better known as Ze; Ze's late British wife, whom he met while exiled in London with his military officer father during the anti-Salazar political uprisings of the 1970s; and Ze's wise, talented and sexually active 16-year-old daughter. The first part of the WWII story focuses on an ambitious, rough-edged but likeable Swabian businessman, Klaus Felsen, convinced by the Gestapo to go to Portugal and seize the lion's share of that country's supply of tungsten, vital to the Nazi war effort. Later, we meet Manuel Abrantes, a much darker and more dangerous character, who turns out to be the main link between the past and the present. As Ze sifts through the sordid circumstances surrounding the murder of the promiscuous daughter of a powerful, vindictive lawyer, Wilson shines a harsh light on contemporary Portuguese society. Then, in alternating chapters, he shows how and why that society developed. All this and a suspenseful mystery who could ask for more?

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On the day of the flight Felsen woke with a teak-hard erection and his head full of the future. He pressed himself against Susana and felt her stiffen. She rolled. He grinned over the monolith. She flicked the tip. The menhir toppled.

'I came on in the night,' she said. 'We're going to be late.'

The luggage was enough to make the bellhop straighten his cap. Felsen went down to pay the bill, which was enormous and came on several pages. He wrote a cheque with his mind on other things.

They sent the luggage in one taxi and followed in another. It was a bright, clear, blustery day and the sea, by the Marginal, was deep blue and white-capped. They didn't speak. Susana looked out of the window. Felsen drummed the upholstery, still smarting slightly from the morning's rejection.

At the airport Felsen organized a porter for the luggage. Susana paced around in tight geometry, her heels nervous on the pavement. They joined the queue at the check-in desk. Susana gave Felsen her passport and went to find the ladies' room. Felsen flicked through her passport, checked her photo, one taken a few years ago, the hair longer, the eyebrows denser, unplucked. He riffled the pages. A paper fell out which he picked up. It was a ticket stub for a return internal flight Frankfurt/Munich/Frankfurt dated 28th March 1955, just over three weeks earlier. Felsen turned over the stub. There was a telephone number written on the back, not a local one.

He went back to the passport and found the German visa and an entry stamp for the 24th March in Frankfurt. There was an exit stamp from Lisbon next to it and below it the stamps for the return dated 13 th April. On another page were the exit and entry stamps out: of'são Paulo and into Lisbon dated 20th March. There were no other stamps. There was no French visa. He looked at the telephone number again, thinking quicker than he had done for a month. He took out the hotel bill and noticed, this time, the colossal amount of the telephone bill. He turned the pages. Seven calls had been made to a number which matched the one on the ticket stub.

He went to one of the airline offices and asked to use the telephone. He called the operator and gave her the number and asked where it came from. She told him immediately that it was a Brazilian number and after a minute that it came from a town called Curitiba. His chest suddenly felt as a cold as a cathedral.

Susana appeared next to the luggage looking around for him. He crossed the highly polished floor on stiff legs, his thigh muscles feeling weak and cold. Susana asked if anything was the matter. He shook his head. They checked in. The flight was delayed until three in the afternoon. Susana fumed silently as she reclaimed her passport and boarding card. They went to the restaurant and sat opposite each other. The place was as crowded as Felsen's head. He ordered wine and looked out of the window as the four propeller engines of a cargo plane started up with a clatter followed by a long, unending howl.

The wine was poured into the palpable silence between them. Susana looked around, aware that the presence in front of her was not where she wanted her eyes to rest. Felsen relaxed his shoulders down from around his ears, leaned back.

'Saúde!' he said, raising his glass, forcing some lightness.

She matched him.

'I never asked,' he said, lighting a cigarette, 'how you found me.'

'By accident,' she said. 'I was looking for the number of a friend of mine whose surname is Felizardo, yours was underneath. I didn't think it would be you but I called anyway. There was no answer. The next day I was in Lisbon I went to the address and found your apartment above the bank. My friend's father knew who you were. When I came back to Lisbon after my trip, with my extra week, I called again-this time the bank. They put me through to your partner.'

He nodded through the plausibility. The lengthy, well-thought-out, plausibility.

'But you didn't go to Paris, did you?'

'Is this…' she paused, '…an interrogation?'

He laid the ticket stub out in front of her.

'I was in Germany,' she said, coolly, eyes sliding to the right.

'That number on the back,' said Felsen, 'comes from Curitiba in Brazil. You've called that number every day since we've been in the Palácio. Whose is it? Your friends?'

'My family…'

'A different one to your mother and children in'são Paulo?'

The waiter came and reared away from Felsen who'd shown him the back of his hand.

'Yes,' she said, defiant now, teeth gritted behind her lips.

'You never showed me any photographs of your children,' he said, and lunged at her purse.

She snatched it away from him.

'You didn't ask.'

'I'm asking now.'

She tore out two photographs and held them to his face for a fraction of a second. The boy was dark, Brazilian-looking, but the girl, although dark-skinned, had blonde hair and blue eyes. Susana's mouth was bent into a sneer.

'I've heard of Curitiba,' said Felsen. 'There's a very large German community there. I know what they'd have been doing… just three days ago, in fact. The 20th of April every year. The Führer's birthday. They raise the flag. Who sent you, Susana?'

She didn't answer.

'I can't think of anybody who would know about me, except perhaps ODESSA. They might have have had the resources, the information. The Organisation der SS-Angehörigen. … was it them, Susana?'

'The most important thing I learnt from Eva,' she said, sitting back, chin up, the contempt radiating out of her, 'was that Klaus Felsen only ever thinks with his big, stupid, Swabian cock.'

That cut him, right through, and he hit her for saying it. He slapped her across her face with his big open hand. It went off like a tyre blow-out and everybody looked out of the window. Susana wheeled out of her chair and came up with the mark of his hand on her cheek. Her eyes were fixed and dark, flashing with anger, an intensity of hate. She muttered something at him. He'd have liked to smack her again, so raw was his humiliation, but the eyes of the restaurant were on them now. He turned and went to retrieve his luggage.

1st July 1955, Abrantes" apartment,
Rua do Ouro, Baixa, Lisbon, Portugal

Maria Abrantes sat at the arm end of the chaise longue in a blue pencil skirt and a white blouse with the suit jacket open. She had a tight string of pearls at her throat which was red with anger, right up to her earlobes and had infected her cheeks too. She smoked and listened as she had been doing for the last three-quarters of an hour, crossing, uncrossing and recrossing her legs once every three or four minutes, waiting for what was going on in the next room to come to an end.

She'd thought that it was over three times already and had braced herself, tightened her mouth, and clenched her fist. But each time it had resumed and she'd breathe in a slow, deep breath through her nose and unlock her jaws. In the hand that wasn't smoking she held a card of the type distributed by tobacco kiosks for the last ten or fifteen years. She tapped the arm of the chaise longue with it. The card was a photograph of an actress who called herself Pica but whose real name was Arlinda Monteiro. Maria looked at the card for the hundredth time-Pica the dyed blonde with large glossed lips trying to look American. She straightened her own true blonde hair as if it conferred a higher status.

The bedroom door opened a crack and shut. Maria Abrantes' foot started nodding and stopped. The bedroom door was flung open with a laugh and Pica, with her head thrown back over her shoulder, came into the living room. Her high heels were strict with the wooden floor. She didn't see Maria at first but the bristling presence in the room slowed her heels' progress. When she did see her, the heels took four little steps back and her shoulder hit the closed half of the double doors to the bedroom. She glanced into the bedroom and lengthened her neck to muster some drama-class dignity. She tilted her jaw and resumed her passage across the bare wooden floor, swinging her white handbag from her left hand.

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