Graham Masterton - The Doorkeepers

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The Doorkeepers: краткое содержание, описание и аннотация

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Julia Winward, a young American woman, has been missing in England for nearly a year. When her mutilated body is discovered in the Thames, her brother Josh is determined to find out what happened to her during that lost time. But nothing Josh discovers makes any sense and he soon unearths a terrible secret. Julia had been working for a company that shut down 60 years ago, and living at an address that hadn't existed since World War II... From Publishers Weekly Occult rituals encoded in a nursery rhyme provide a passport to a topsy-turvy realm of terror in this lively but ragged weave of supernatural horror and alternate-world fantasy. While in London to identify the remains of his murdered expatriate sister, Julia, American Josh Winward notices peculiarities in her case, among them the fact that no one had seen her for nearly a year before her eviscerated corpse was found floating in the Thames. A fortuitous meeting with a mystic acquaintance of Julia's gives Josh and his lover, Nancy, the magic formula they need to travel into an alternate London where Julia was lured. This "other London" accessible through hidden interdimensional doorways is a pale reflection of our own, where Oliver Cromwell is the patron saint and religious zealots lie in wait for heretical "Purgatorials" like Josh, who wander in uninvited. Worse, it's home to Julia's murderous ex-employer, who is determined to snuff out Josh and Nancy before they can blow the whistle on him. Though Masterton (The Chosen Child) provides his usual interesting characters, they can only carry the animated plot so far, at which point he resorts to noticeable filler (Josh's accidental sojourn for several chapters in yet another alternate London) and contrivances (Josh's psychological rapport with animals at the most coincidentally advantageous times). The novel has one of those improbable climaxes in which the helpless victim gets the upper hand on the unsuspecting villains, and enough loose ends to suggest that Masterton is planning a sequel.

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“So that’s why you came here, instead of going to the police? You thought that I might believe you? Or at least, I wouldn’t laugh at you?”

“Yes,” said Josh.

“And you thought that perhaps I could help you find out what the six doors really were, and if they had anything to do with Julia’s disappearance?”

“Yes,” said Josh, irritably, even though he knew that Ella was provoking him only because she wanted him to ask for help. “Now how do I get these keys off?”

Ella plucked the keys off his hand one by one and dropped them into the box, quickly snapping the lid shut every time. “When that old lady spoke to you in the hospital, you knew that she was telling you something very important, didn’t you? Oh, you tried to think of a rational explanation for it. But sometimes it’s dangerous to rationalize. A whole lot of bad things happen in this life because people don’t pay any attention when somebody gives them the warning.”

She took the last key off the end of Josh’s thumb and closed the box and locked it. “If it tells us nothing else, it will tell us if you’re right to go looking for the six doors, or if you’re simply clutching at straws.”

“So what do we have to do?”

Ella took hold of Josh’s hands. He could feel all the rings on her fingers, silver and gold and studded with stones. “First of all you have to realize that this isn’t a game. You’re going to be hearing from Julia, from the other side. You might hear her voice. You might even see her, in some form or another.”

“She’s my sister. I’m not afraid of her.”

“The only thing you have to be afraid of is your own emotions. It’s easy to say that you won’t be frightened, but we’re dealing with the dead here, Josh. We’re dealing with people who have lost everything: their loved ones, their friends, the world they lived in. It’s the sense of loss that’s so hard to deal with. The grief. Even if we can manage to talk to them, they’re gone, and they’re never going to come back.”

Nancy came up and laid her hand on Josh’s shoulder. “You don’t have to do this, Josh. The chances are that it’s only going to hurt you.”

“I have to know,” Josh told her. “Besides, what else am I going to do? Sit in that hotel room all day, waiting for Detective Sergeant Paul to call me?”

“We could go back home.”

Josh shook his head. “Not yet. Let’s try this first.”

“And if this doesn’t work? If you still don’t know what happened to Julia, one way or another?”

“Oh, you’ll know,” said Ella. “I guarantee it. One hundred and ninety percent.”

She switched off all of the lights but one – a standard lamp draped with a beaded crimson shawl – and she lit an odd selection of differently colored candles, some of them scented with vanilla and myrrh and strawberries.

On the table beside her she set a silver dish full of salt.

“In Africa, salt is the sign of deepest friendship,” she said. “A bowl of purest salt must always be offered to your guests when they arrive. It is an offering to the spirits, too. A token of affection. It is also a token of grief. Many people believe that we shed tears to dissolve all of the salt that we have accidentally spilt.

“Salt also protects us from evil. You should always keep a bowl of salt by the door or any other entrance that demons might use. When you walk through the house at night, you should always carry a handful of salt. If you see a demon lurking in a corner, you can throw salt in its face to blind the evil eye.

“Tonight I’m using this salt to encourage Julia to come to talk to us. A gift of purity.”

She stood in the center of the room and offered a hand each to Josh and Nancy, and told them to hold hands, too. Abraxas stared at them pensively, but didn’t make any attempt to join them.

“He’s behaving himself,” Josh remarked.

“He doesn’t like séances. They spook him. If he wasn’t a dog, he’d be a chicken.”

“Don’t you sit around a table for séances?” asked Nancy.

“That’s always a mistake. Almost every medium makes it. How do they think a spirit is going to manifest itself in the middle of them, if they’re all sitting around a piece of solid wood? Wood is a non-conductor, and spirits are formed of electrical energy. You might just as well have a television with a wooden screen, and expect to get a picture on it.”

“Do we have to close our eyes?” Josh wanted to know.

Ella smiled. Her skin gleamed in the candlelight like polished bronze. Her eyes shone white. “All you have to do is relax, and breathe deeply and gently. Think about the times you spent with Julia, the really good times. Try and picture her face. See it as clearly as you can. The color of her eyes, her eyelashes, every detail of her skin. Any freckle, any little wisp of hair. Try to imagine that she’s living and breathing, living and breathing, just like you are. Her body’s warm and her lungs are going in and out, in and out.

“Her eyes are closed; but her eyelids are fluttering because she’s dreaming, Josh. She’s dreaming of you. She’s dreaming of coming back and talking to you, and telling you where she’s been. Can you see her now, Josh? Can you smell her now? Remember that perfume she always used to wear?”

Nancy, beside him, took a deep breath, and suddenly said, “Anaïs Anaïs.”

“What?” said Josh, with a prickling feeling all around his scalp.

“Anaïs Anaïs. That was the fragrance that Julia always used to wear. Can’t you smell it?”

Josh sniffed. He could vaguely detect a light, floral scent, but he couldn’t be sure that it was Julia’s. “I don’t know … it could be the candles.”

Ella said, “She’s close, Josh. The spirits are always close, especially when they’ve only just left us. She misses you, Josh, as much as you miss her. She wants to talk to you. She wants to touch you. She wants to tell you what happened to her.”

Josh glanced at Nancy. He was beginning to feel that they had made a bad mistake, coming back here to Ella’s. As if she could really bring Julia back from the dead. Julia had been hung and mutilated and dumped in the Thames and that was all there was to it. Ella was simply fueling his grief, so that she could exploit him. He wondered how much money she would ask him for, once this “séance” was over.

“Nothing,” said Ella, without blinking.

“What do you mean, nothing?”

“I’m not going to ask you for anything. This is all about faith, not money.”

Josh felt himself flushing. “Jesus. I wish my bank manager could tell when I was thinking about money.”

“It’s all right,” said Ella. “It’s all right to doubt. If nobody doubted, then belief would have no value at all. But remember that Julia was more than your sister. She was a friend to many, many people; and she was my friend, too … Now,” she went on, “let’s bring her closer, shall we? Let’s feel her living and breathing, living and breathing. Let’s see her face, the way we remember her best. The way we loved her.”

Ella raised her eyes to the ceiling and her grip on Josh’s hand tightened so much that her long fingernails dug into his palm. She was hurting him, but he guessed that she was doing it on purpose, to concentrate his mind.

She was silent for a long time. Her breathing was deep, with a slight rasp in it. The candle flames dipped and swiveled and all kinds of distorted shadows danced in the corners where the sloping ceilings met the walls. Outside, in the night, Josh could hear the ceaseless muttering of London’s traffic, and for the first time since he had arrived in England he felt very far from home.

Ella released Nancy’s hand for a moment and took a pinch of salt out of the silver bowl. She threw it into the center of the room between them, and chanted, “Three angels came out of the east. One brought fire, one brought frost. The third brought the spirit we seek.”

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