Graham Masterton - The Doorkeepers

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Julia Winward, a young American woman, has been missing in England for nearly a year. When her mutilated body is discovered in the Thames, her brother Josh is determined to find out what happened to her during that lost time. But nothing Josh discovers makes any sense and he soon unearths a terrible secret. Julia had been working for a company that shut down 60 years ago, and living at an address that hadn't existed since World War II... From Publishers Weekly Occult rituals encoded in a nursery rhyme provide a passport to a topsy-turvy realm of terror in this lively but ragged weave of supernatural horror and alternate-world fantasy. While in London to identify the remains of his murdered expatriate sister, Julia, American Josh Winward notices peculiarities in her case, among them the fact that no one had seen her for nearly a year before her eviscerated corpse was found floating in the Thames. A fortuitous meeting with a mystic acquaintance of Julia's gives Josh and his lover, Nancy, the magic formula they need to travel into an alternate London where Julia was lured. This "other London" accessible through hidden interdimensional doorways is a pale reflection of our own, where Oliver Cromwell is the patron saint and religious zealots lie in wait for heretical "Purgatorials" like Josh, who wander in uninvited. Worse, it's home to Julia's murderous ex-employer, who is determined to snuff out Josh and Nancy before they can blow the whistle on him. Though Masterton (The Chosen Child) provides his usual interesting characters, they can only carry the animated plot so far, at which point he resorts to noticeable filler (Josh's accidental sojourn for several chapters in yet another alternate London) and contrivances (Josh's psychological rapport with animals at the most coincidentally advantageous times). The novel has one of those improbable climaxes in which the helpless victim gets the upper hand on the unsuspecting villains, and enough loose ends to suggest that Masterton is planning a sequel.

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THE DOORKEEPERS

Graham Masterton

There was a Door to which I found no key There was a Veil past which I could - фото 1

There was a Door to which I found no key:

There was a Veil past which I could not see.

Edward Fitzgerald

The Ruba’yát of Omar Khayyam

Six doors they stand in London Town

Six doors they stand in London, too

Yet who’s to know which way they face?

And who’s to know which face is true?

Traditional nursery rhyme

One

Julia typed Yours in anticipation, F.G. Mordant, and tugged the letter out of her typewriter. She slipped the letter into Mr Mordant’s red signing folder and dropped the pink and yellow copies into the box file next to her. She returned the carbon paper to her second drawer down.

It was five thirty-two p.m. and the office was bright with the last marmalade-colored light of the day. Julia put the lid on her typewriter, not knowing that this was the very last time she would do it, and that once the sun had sunk below the rooftops of the factories opposite, she would never see it come up again.

Alexandra put her head round the office door and blinked at her through owlish glasses. “Haven’t you finished yet? David’s offered to give us a lift to Hammersmith.”

“David? Oh, yes please! Just give me a minute, will you? I have to take these letters into Mr Mordant.”

“You should complain, you know. He’s always keeping you late.”

Julia gave her a dismissive pff! The idea of complaining to Mr Mordant was out of the question: especially if you wanted to keep your job. Alexandra had told her that it was highly unusual if any of his secretaries survived for more than six months. Some of them had stayed for only a week.

Julia opened her oak-paneled filing cupboard. There was a mirror on the back of the door and she gave her hair a quick brush. She pushed her tongue under her upper lip. She wasn’t sure if she was getting a cold sore or not.

She was a pretty girl, a little plumpish, with a heart-shaped face that made her look much younger than twenty-three. She had short blonde-streaked hair with a fringe, and wide brown eyes. She had been living in England for ten months now. She had lost all but the faintest ghost of her California tan, and acquired a pale blue twinset, but her accent had hardly changed. Everybody at Wheatstone Electrics called her “Yankee Doodle”. Americans were a rarity, except in films, and her friends never tired of hearing her talk about luxuries like washing machines and supermarkets.

She walked along the echoing linoleum-floored corridor to Mr Mordant’s office. All through the building she could hear doors slamming and people calling out “g’night” and clattering downstairs. Mr Mordant’s door was open but she still gave a little knock. He was sitting at his desk, talking on the phone and cat’s-cradling elastic bands between his fingers as he did so.

“Well, I’m sorry, Ronald, you’ll just have to buck your bloody ideas up, won’t you?” His accent was clipped, like a BBC wireless announcer. “If you can’t let me have those insulators by the end of the month, we’ll have to start looking for a new supplier. No, Ronald, I don’t care tuppence how long you’ve been dealing with us. Today is what counts.”

He noisily cradled the phone and said, “Idiot. He couldn’t organize a beetle-drive.” Then he looked up at Julia and gave her an unexpected smile. “Well, Julia, what have you got for me?”

Frank Mordant was handsome in a sharp, slightly Brylcreemy way. He had a finely chiseled forehead and a straight, thin nose, and his eyes were piercing blue and hooded like a hawk’s. His brown hair was brushed straight back, and he sported a thin, clipped moustache. He was always immaculately dressed in gray three-piece suits and starched white shirts with double cuffs and a separate collar. Wheatstone’s kept their offices warm and by the end of the day he always smelled faintly of body odor.

Julia put his signing folder down in front of him. He unscrewed his fountain pen, but before he opened his folder he leaned back in his chair. “How long have you been with me now, Julia?”

“Ten months next Wednesday. I started here May eleventh.”

“Doesn’t time fly! But let me tell you something, Julia, no word of a lie – I’ve never had a secretary anything like as good as you. Not even a secretary from … well, where you came from.”

“Thank you,” she said. “I wonder if you could sign your letters now, please. Some of my friends are giving me a ride home.”

Frank Mordant opened the folder and wrinkled up his nose at the letters inside. “These aren’t all that desperate, are they? There’s only this prospectus to the Air Ministry, isn’t there? And if they want that in a hurry you can send it up to Whitehall by taxicab.”

“Well, if it’s OK with you, Mr Mordant …”

He screwed the cap back on his pen. “Of course it’s ‘OK’ with me. But listen, instead of going into town with your friends, why don’t you let me take you? I’m going that way myself. I’d enjoy a chinwag.”

Julia couldn’t think of anything less appealing than driving into Hammersmith with Mr Mordant, especially since she had a severe crush on David and hadn’t seen him since Tuesday lunchtime. But Mr Mordant was her boss and it was very difficult to say no.

“I, ah—”

“Fine! That’s settled then! Why don’t you go and fetch your coat and I’ll meet you in the lobby in five minutes.”

Alexandra was waiting for her in her office. “Come on, Julia! We’re going to be late! We’re all going to go to the Corner House for tea and cream cakes!”

“Sorry,” said Julia. “I’m going to have to take a raincheck. Darth Vader wants to drive me home.”

“Who?”

“Mr Mordant. He says he feels like a chinwag.”

“Oh, God. You poor thing! Can’t you faint? Can’t you stick your finger down your throat and pretend that you’re sick?”

“I wish.”

“Oh, well. C’est la vie. You can still meet us at the Corner House later.”

“I’ll try. But if I can’t, look, I’ll see you tomorrow, OK?”

“All right,” said Alexandra. “But just you be careful. You know what they say about accepting lifts from strange men, and you couldn’t find anybody stranger than Frank Mordant, could you?”

He was waiting for her in the gloomy hexagonal lobby, with its pale-faced illuminated clock and its polished marble floor and its bronze statue of the goddess Electra. He was wearing a Homburg hat and a long black overcoat, and was buttoning up his black leather motoring gloves when she entered the room.

“Goodnight, Sheila,” called Julia to the receptionist, a curly redhead with a high, silly laugh. The lobby rattled with the footsteps of Wheatstone employees going home.

Frank Mordant gave Julia a slanted smile. “You look … splendid,” he complimented her, looking approvingly at the dark brown hooded coat she had bought in Bloomingdale’s on her stopover from Los Angeles. “I suppose it would be more circumspect of me not to ask where you got it.”

They pushed their way through the bronze and glass art deco doors. The sun had set and although the sky was still light there was a nip in the late-February air. Their breath smoked as they walked across the forecourt to Frank Mordant’s long navy-blue Armstrong-Siddeley. He opened the passenger door for her, and she climbed into a black leather interior. It smelled of cold cigars and motor oil. Frank Mordant settled himself beside her, turned the keys, and pushed the starter button.

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