Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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That left only the Democrat, who'd been appointed by the putative liberal John Kennedy long back, and had voted conservative ever since.

Could a President take office without taking the oath of office? There was not enough court left to decide. But then Noodles Cook, and Noodles alone of the senior tutors, came up with the enterprising suggestion he'd had in mind from the start but had kept to himself until the climactic time, which at length brought a satisfactory resolution to the embarrassing impasse.

"I still don't get it," said the Vice President once more, when the two of them were again conferring alone. By then the other nine of his senior tutors with eleven doctoral degrees had steadily lost face with him. "Please explain it again."

"I don't think I can," Noodles Cook said, grimly. He liked the position he held but was no longer sure about the work, or his employer.

"Try. Who appoints the new chief justice of the Supreme Court?"

"You do," said Noodles, gloomily.

"Right," said the Vice President, who, with the resignation of his predecessor, was technically already the President. "But I can't appoint him until I've been sworn in?"

"That's right too," said Noodles Cook, glumly.

"Who swears me in?"

"Whoever you want to."

"I want the chief justice."

"We have no chief justice," said Noodles, grouchily.

"And we will have no chief justice until I appoint one? And I can't appoint one until-"

"You've got it now, I think."

In silence, and with an expression of surly disappointment, Noodles was regretting once more that he and his third wife, Carmen, with whom he was in the throes of a bitter divorce, were no longer on speaking terms. He hankered for someone trustworthy with whom he could burlesque such conversations safely. He thought of Yossarian, who by this time, he feared, probably thought of him as a shit. Noodles was intelligent enough to understand that he himself probably would not think much of himself either if he were somebody other than himself. Noodles was honest enough to know he was dishonest and had just enough integrity left to know he had none.

"Yes, I think I have got it," said the Vice President, with a glimmer of hope. "I think I'm beginning to click again on all cylinders."

"That would not surprise me." Noodles sounded less affirmative than he meant to.

"Well, why can't we do them both together? Couldn't I be swearing him in as chief justice at the same time that he is swearing me in as President?"

"No," said Noodles.

"Why not?"

"He'll have to be confirmed by the Senate. You would have to appoint him first."

"Well, then," said the Vice President, sitting up straight with that very broad smile of nifty achievement he usually wore when at the controls of one of his video games, "couldn't the Senate be confirming him while I am appointing him at the same time tha he is swearing me in?"

"No," Noodles told him firmly. "And please don't ask me why. It's not possible. Please take my word for it, sir."

"Well, I really do think that's a crying shame! It seems to me the President should have the right to be sworn into office by the chief justice of the Supreme Court."

"No one I know of would disagree."

"But I can't be, can I? Oh, no! Because we have no chief justice: How did something like this ever come about?"

"I don't know, sir." Noodles warned himself reprovingly that he must not sound sarcastic. "It could be another oversight by our Founding Fathers."

"What the hell are you talking about?" Here the Vice President leaped to his feet, as though propelled into a choleric rage by some inconceivable blasphemy. "There were no oversights, were there? Our Constitution was always perfect. Wasn't it?"

"We have twenty-seven amendments, sir."

"We do? I didn't know that."

"It's not a secret."

"How was I supposed to know? Is that what an amendment is? A change?"

"Yeah."

"Well, how was I supposed to know?" His mood was again one of morose despair. "So that's where we still stand, right? I can't appoint a-"

"Yes." Noodles deemed it better to cut him off rather than to have them both subjected to the litany once more.

"Then it's just like Catch-22, isn't it?" the Vice President blurted out unexpectedly, and then brightened at this evidence of his own inspiration. "I can't appoint a chief justice until I'm the President, and he can't swear me in until I appoint him. Isn't that a Catch-22?"

Noodles Cook stared fiercely at the wall and made up his mind sooner to forfeit his position of prestige with the incoming administration than deal with a person like this one with a conjecture like that one.

He was staring, he saw, at a large, simplified chart, hanging as art, of the disposition of forces at the battle of Gettysburg. Noodles began brooding on the historical past. Possibly it had always been thus, he was thinking, between sovereign and adviser, that the subordinate was in all ways but rank the superior. It was then that Noodles, in exhausted desperation, snapped out in command the solution that in the end saved the day: Use the Democrat!

What?

"Yes, use the fucking Democrat." He swept objections aside by anticipating them. "He was a Kennedy Democrat, so what does that mean? That guy is as bad as the rest of us. You'll get better press coverage for being bipartisan. And when you turn unpopular, you can blame him for swearing you in."

Porter Lovejoy's vision was vindicated again. In briefing Noodles he had stressed the good use the Vice President could make of him. The need was immediate, the opportunities unlimited. There would be an interview. "How much should I tell him?" Noodles had wanted to know. Porter Lovejoy beamed owlishly. "As much as he lets you. Actually, you will be interviewing him to see if you want the job, although he won't know it." And how, Noodles wondered, amused, would he manage that? Porter Lovejoy merely beamed again. The code name?

"Don't bring that up now," Porter Lovejoy cautioned. "He chose it himself, you know. You will have no trouble."

"Come in, come in, come in," said the Vice President jovially to Noodles Cook, after convivial salutations in the anteroom that Noodles found bewilderingly informal.

It surprised him that the younger man of distinguished title had come bounding out to welcome him warmly. Noodles barely had time to note the high school and college pennants on the walls of the reception room. He could not take count of the large number, of television screens, all of them tuned to different channels. "Waiting for old clips and sound bites," the girls there explained, giggling, and Noodles could not tell whether that was serious or not.

"I've been looking forward to meeting you," the Vice President went on convincingly. "Varoom, varoom, varoom," he said confidentially when they were alone, with the door closed. "That's from a video game I'm undefeated at called Indianapolis Speedway. Do you know it? You will. Are you good at video games? I'll bet I can beat you. Well, now, please tell me all about yourself. I'm dying to know more."

For Noodles, this was child's play. "Well, sir, what is there about me you'd like to find out? Where should I begin?"

"The thing about me," answered the Vice President, "is that when I've set my mind to do something, I've always been able to accomplish it. I'm not going to cry over spilt milk, and what's past is past. Once I set a goal, I pursue that goal with a vengeance."

"I see," said Noodles, after a minute's surprise, when he guessed that a chance was being offered to comment. "And are you saying, that you had the goal of becoming Vice President?"

"Oh, yes, definitely, definitely. And I pursued that goal with a vengeance."

"What did you do?"

"I said yes when they asked me to accept it. You see, Mr. Cook -may I call you Noodles? Thank you. It's a privilege-to me the word that best describes the office of Vice President is be prepared. Or is that two words?"; "I believe it's two."

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