Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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When the kid, their Michael, flipped out with his drugs and disappeared upstate about a year before he hanged himself, I did the same thing on the telephone, although I would have driven right up to Albany if I had to, but I didn't have to. I called the governor's office, the head of the National Guard, and the headquarters of the state police. It was personal, I knew, but this was Sergeant Rabinowitz, formerly of the famed First Division in Europe, the Big Red 1, and it was a matter of life and death. They found him in a hospital in Binghamton and had him transferred in a government car to a hospital in the city at state expense. Sammy never got over how good I could be at something like that one too.

"I've made jokes that were funnier," I told him this time, when he pointed out the one I'd just made about getting sick of feeling nauseous. "I wasn't trying to be funny."

"And the word is nauseated," he said to me.

"What?" I had no idea what he was talking about.

"The word is nauseated, not nauseous," he explained. "People don't get nauseous. They get nauseated."

I liked it better my way.

"Sammy, don't you be a prick," I told him. "You can get nauseated. I'll get nauseous, if I want to. Just think, Sammy. It wasn't so long ago that I nabbed that kid in the city with the stolen pocketbook. I picked him right up, turned him around in my hands in midair, and slammed him down on the hood of a car just hard enough to let him know I was Lew Rabinowitz. wMove and I'll break your back,' I warned him, and held him there until the cops came. Who would believe it, looking at me now? Now I feel like I couldn't lift a pound of butter.'

My weight is not coming back fast enough, and Teemer and Emil are thinking of trying something new. My appetite isn't back to normal either. Mostly I have none, and I'm beginning to wonder if maybe this time there's something new going on I don't know about yet. Sammy may be ahead of all of us, because he looks worried about me, but he doesn't say. What he does say, with his small smile, is this: "If you're that weak, Lew, I might be willing to take you on at arm wrestling now."

"I'd still beat you," I came back at him. That made me laugh. "And I'd beat you at boxing too, in case you ever want to try that one with me again."

He laughs too and we eat the rest of our tuna sandwiches. But I know I look thin. My appetite has just not come rushing back like after the other times, and now I seem to be beginning to know- this has not happened to me before-this time I seem to be beginning to know that this time, I may be getting ready to die.

I don't tell Claire.

I say nothing to Sammy.

I'm well into my sixties and we're into the nineties, and this time I'm beginning to feel, like my father felt when he got old, and his brother too, that this time things are beginning to come to an end.

12 Noodles Cook

The ascent to the throne room of the White House by the man with the code name Little Prick was not without its ceremonial falterings and sundry spiteful amusements, as G. Noodles Cook could have documented in detail were it not for a lifelong propensity to be guarded, self-serving, calculating, mendacious, and mercenary-all qualities commending him as a soul singularly qualified for his exalted post as the tenth of nine senior tutors to the man who had eventually become the country's newest President. Yossarian had informed the FBI that his old friend and business colleague G. Noodles Cook was a sneak and a snake and that the administration was not going to find a much better person to fill whatever position he was being considered for. Noodles Cook was a man who could always be trusted to lie.

He got the job.

As far back as seminars in graduate school, where they had met, Noodles had unmasked himself as a person with a tendency to display his gifts only in the presence of a designated mentor, who could note that anything original emerging had originated precociously with him. Noodles, who'd done well at a less-than-elegant preparatory school while Yossarian was away at war, labored on to obtain his doctoral degree and soon found out there was not much for him to do with it but teach.

By that time, Yossarian, who had dropped out of graduate school with just a master's degree, was already in a position to hire Noodles for his group in the public relations agency where he was at work when Noodles wisely decided to give that kind of business a shot. He had good family connections, and the public relations agency seemed to him a good launching pad for something bigger and better.

Coworkers soon smelled out that Noodles never proposed an idea save when Yossarian was close enough to hear and, more frequently, would postpone suggesting anything even to Yossarian until both were in the presence of the client or with a superior official of the company. Too often when they were collaborating on their screenplays and television scripts, Noodles would supply the pregnant line in a way that aroused suspicion that the key to the problem had been lying in his grasp the day before. Telling him to change, Yossarian would tell himself, would be like telling a hunchback to stand up straight. A noodle was a noodle. In his way he was loyal to Yossarian, who did not like him but did not mind him, and they persisted as friends.

Departing graduate school with the matter-of-fact discovery that he did not want his higher education to go any higher, Yossarian had done some teaching and then moved into advertising. He did well, enjoyed his annual raises and small promotions, liked the people there better than those at the university, received a small raise again at the end of his third year, and decided to go out exploring for a better-paying job doing work of a different kind. He found a new better-paying job quickly with a different agency that handled accounts pretty much the same as the one he had just left. He remained until he received his annual raise and then went looking for another new job, and another quicker increase in salary.

Each time he took leave of one place for another, it was with the discouraging resolution that he did not want to spend the balance of his life exercising his intelligence, ingenuity, and good looks furthering the progress of products he did not himself use and of publications he would not normally read. On the other hand, he could not think of a product or cause with which he did wish to become involved that paid enough for the things he had learned to want for himself and his wife and children. The dilemma was not agonizing.

There was no need to rationalize.

He worked because he had to.

In Wall Street, of course, lay the exotic attraction in quantities unimaginable of a distilled product denuded of all complicating attributes. It was called money, and mountains of it could be manufactured out of nothing, as magically, almost, and as naturally, as a simple tree manufactures tons of wood out of thin air, sunlight, and rainwater. Money might be shit, as every college student with some knowledge of Freud might point out perversely at parties and family gatherings; but it was shit that could buy things: friends of rank and means; a coat of arms in the furriers' and jewelers' and in the fashion hubs of the world; baronial estates in Connecticut, Virginia, Mexico, East Hampton, and Colorado; and titles of knowing distinction that admitted the truncating of first names into the mere initial and the graceful relocation of accent onto the middle name, as in G. Noodles Cook and C. Porter Lovejoy, that most gray of graying eminences in the Washington Cosa Loro.

The forbearing Noodles Cook was tireless in repeating that his mother had been a daughter of the Goodman Noodles family of Goodman Noodles fame and his father a collateral descendant of the British Cooks of Cook's Tours, and that he himself was something of a scion of the Noodles and the Cooks, with some means and property devolving upon him through the normal processes of heritage. Noodles Cook had been Goody in college, Goodman in business, and Noodles in newspaper gossip coverage of such social doings as are reported regularly. And today he was G. Noodles Cook in Who's Who and on official White House stationery.

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