Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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"Listen, Morris, listen to me good," I told him when he finished. I Had almost four thousand in the bank from my gambling and army pay. "I will do better for you. And sometime you will do, better for me. I will give you a year free. But after one year, I wil decide my salary. And I will be the one to say where, when, and how I want to work."

"Free?"

That was okay with him. From that came the move after a while into the old mousetrap factory in Orange Valley, New York, and the idea of selling used building materials and plumbing fixture; and boilers and hot-water heaters in a place that didn't have much and needed things in a hurry.

Claire was a better driver than any of us-she'd come from upstate and had a license at sixteen-and she drove the truck back and forth into Brooklyn when I was too busy. She was tough and she was smart and could talk fresh when she had to, and she knew how to use her good looks with cops and filling station garages to get help when anything went wrong, without promising anything or putting herself in trouble. I remember the first ad for the local newspaper Sammy helped write that we still laugh over. WE CUT PIPE TO SKETCH.

"What's it mean?" he asked.

"What it says," I told him.

That line brought in more business of all kinds up here than anybody but me would have thought.

From that came the lumberyard and then the plumbing supply company, with the ten-thousand-dollar loan from my father, at good interest. He was worried about his old age, he said. He had a shaking in his head from a small stroke he'd already been through that nobody ever talked about but him.

"Louie, talk to me, tell me good," he would ask me. "Does it look like my head shakes a little, and the hand?"

"No, Pop, no more than mine."

I remember that when my mother's mind was all but gone, she still wanted her hair combed and whitened with rinse and the hairs tweezed from her face. I know that feeling now of wanting to look your best. And for almost thirty years now I try to keep out of sight until I look fine and healthy again.

"You're a good boy, Louie," he said with a kidding disgust. "You're a liar, like always, but I like you anyway."

We rented a house in our new community and had two kids, then bought a house and had a third, and then I built a house to sell and built some more, one at a time, with partners on the first few, and they did sell, for profit. Profit was always the motive. I found myself lunching and drinking with people who hunted and voted Republican, mainly, and who flew the flag on national holidays and felt they were serving the country by doing that. They put out yellow ribbons each time the White House went to war and acted like military heroes who were fighting it. Why yellow, I would jolly them, the national color of cowardice? But they had a volunteer fire department that was always on the spot and an emergency ambulance service I had to use the second time I got nauseous suddenly and lost all my strength and Claire panicked and rushed me into the hospital. That time they transferred me back to the hospital in Manhattan with Dennis Teemer, who fixed me up again and sent me home when I was back to normal. I joined the American Legion when we first moved up here, to make some friends and have a place to go. They taught me to hunt, and I liked doing that and liked the people I went with, felt beautiful when I hit. They cheered me whenever I brought down a goose and one time a deer. They had to gut it for me. I couldn't even watch. "It's the Christian thing to do," I'd say, and we'd all laugh. When I took my first son out, it was always with other people so there'd be someone to do that for us. He wasn't crazy about hunting and soon I stopped going too.

Next we got the golf club in a town nearby. I made more friends, a lot from the city who moved up out here to the distant suburbs, and we had different places to go and ate and drank with other married couples.

I learned more about banks, and bankers too. At the beginning they let us know, even the women who were tellers, that they didn't much like having to serve customers with names like Rabinowitz. That changed, I admit. But I didn't. They got used to me and a lot of others, as the area kept growing. They thought more of me when I borrowed than when I put money in. When I put money in I was only another hardworking guy struggling with a small business. When I was big enough to borrow, I turned into Mr. Rabinowitz, then Lew to the officers, to Mr. Clinton and Mr. Hardy-a client, of means and net worth-and I would bring them as guests to my golf club as soon as I got in and introduce them as Ed Clinton and Harry Hardy, my bankers, and they were so tickled they blushed. I found out about bankruptcies. I couldn't believe those laws the first time I found myself being screwed by them.

I found out about Chapter 11 from a builder named Hanson and his lawyer, and they found out about me. When they left his house at the start of a business day, I was out of my car while they were still on the porch.

"Lew?" Hanson was so surprised he actually smiled, until he saw I didn't. He was a tall man and he had his hair cut close to the ears in the kind of haircut we had to wear in the army, and I didn't like it even then. The one with him was a stranger. "How are you?"

"Hanson, you owe me forty-two hundred dollars," I said right off. "For lumber and shingles and toilet and kitchen fixtures and pipes. I've sent you bills and talked to you on the telephone, and now I'm telling you to your face I want it today, this morning. Now. I'm here to collect."

"Lew, this is my new lawyer. This one is Rabinowitz."

"Ah, yes," said the new lawyer, with the kind of a smile you always see on lawyers that makes them look like hypocrites you want to strangle on the spot. "My client is in Chapter 11, Mr. Rabinowitz. I think you know that."

"Tell your client-sir, what is your name? I don't think he gave it."

"Brewster. Leonard Brewster."

"Please advise your client, Brewster, that Chapter 11 is for him and his lawyers, and for the court and maybe for the other people he owes. It's not for me. It's not for Rabinowitz. Hanson, we made a bargain, you and me. You took my material, you used it, you didn't complain about the delivery or quality. Now you must pay for it. That's the way I work. Listen to me good. I want my money."

"You can't collect it, Mr. Rabinowitz," said Brewster, "except through the court. Let me explain."

"Hanson, I can collect it."

"Lew-" Hanson began.

"Explain to your lawyer that I can collect it. I don't have time for court. I can collect it through the pores of your skin if I have to, one drop at a time, if you make me. You're keeping your house? Not with my forty-two hundred. It will go out from under you brick by brick. Are you listening good?"

"Lenny, let me talk to you inside."

When they came out, Brewster spoke with his eyes down.

"You'll have to take it in cash," he told me under his breath. "We can't leave a record."

"I think I can do that."

I trusted banks a little better now, but not that much, and I put the money in a safe-deposit box, because I didn't ever want to have to trust my accountant either. Claire looked faint when I said where I'd been.

"You didn't know they would pay."

"If I didn't know, I would not have gone. I don't waste time. Don't ask me how I know. People do what I want them to. Haven't you noticed? Didn't you? Next-what about Mehlman, that gonif, as long as this is pay-up day?"

"The same story."

"Call him. I'll talk to him too."

"How much should I ask him for?"

"How much is six times seven?"

"Don't confuse me. Does he still get the discount?"

"Would you know how to figure it?"

"Does he pay interest or not? That's all I want from you! Don't put me back in school again."

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