Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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And still am, because there are things about my two daughters that Claire and I no longer even try to argue about. They wouldn't believe me when I let them know their mother was a virgin until we got married. And Claire made me swear I would never tell that, to anyone again.

I usually backed away from Claire's temper, but never from fear. I was not afraid in the army or the prison camps, not even in the firefights and scattered artillery barrages when we were pushing forward through the rest of France and Luxembourg and in toward the German border, not even when I looked up from the snow after the big December surprise and saw those German soldiers with clean guns and nice new white uniforms and the bunch of us were captured.

But I was afraid of the rats in our junkshop. And I hated the filth, especially when I was back after the war. Even a mouse at a baseboard would be enough to make me nauseous and set me shivering for a whole minute, like I do now when I get the taste of my mother's green apples or even remember it. And when I finally set up in business for myself in the town over two and half hours from our place in Brooklyn, the best location I could find was the building of a bankrupt mousetrap factory near the freight siding of the railroad station, and now there were plenty of mice there too.

One day after another I was disgusted by the dirt under my fingernails, and I was ashamed. All of us were. We scrubbed ourselves clean when we finished up, with cold water from the hose which was all we had there. It took maybe an hour. Even in the winter we soaped and hosed ourselves down with stiff industria brushes and lye soap. We didn't want to walk out and come home with all that muck on us. I hated the black beneath the fingernails. In Atlanta in the army I discovered the manicure-along with the shrimp cocktail and the filet mignon beefsteak-and in England I found the manicure again, and in France, moving through, I had my manicure whenever I could. And back in Coney Island I never wanted to be without it. And I never have been. Even in the hospital, at times when I'm feeling the lousiest, I still care about my cleanliness, and a manicure is one of the things I always make sure of getting. Claire already knew about manicures. After our marriage it was part of our foreplay. She liked pedicures too, and having her back scratched and her feet massaged, and I liked holding her toes.

I drove a good car as soon as I had money for one and bought another good one for Claire when I had money for that, and we didn't have to go out on dates in the company pickup anymore, and once I discovered hand-tailored suits I never wanted to dress myself up in anything else. When Kennedy became President it turned out we both had our suits made by the same shop in New York, but I had to admit I never looked as good in mine as he did in his. Sammy always said I didn't know how to dress, and Claire used to say so too, and maybe they're right, because I never did pay much attention to things like colors and style and left that to the tailors to choose for me. But I knew enough to know I always felt just grand walking around in a handmade suit that cost over three hundred dollars with the sales tax and might have cost as much as five hundred. Now they're over fifteen hundred and go up to two thousand, but I still don't care, and I have more of them now than I'll ever have time to wear out, because my weight keeps changing a lot between remissions, and I always like to look my tidiest in a suit and manicure whenever I dress up and go out.

I wore cotton shirts, only cotton. No nylon, no polyester, no Greaseproof, never any wash-and-wear. But no Egyptian cotton, not ever, not after Israel and the war of 1948. When Milo Minderbinder and his M amp; M Enterprises went big into Egyptian cotton, I stopped carrying their M amp; M toilet bowls and sinks in my plumbing business and their building materials in my lumberyard. Winkler knows I don't like the idea, but: he still buys Minderbinder cocoa beans for the chocolate Easter bunnies he's into, but we throw them out when he sends them as gifts.

I discovered cheese when I discovered the Caribbean, French cheese. I loved French cheeses from the day I found them. And Martinique and Guadeloupe and later Saint Barts became our favorite vacation spots in the Caribbean in winter. Because of the cheeses. I was not hot for Europe. I went once to France and once to Spain and Italy and never cared to go back to any place that didn't speak my language and couldn't get a good idea of the kind of person I thought I was. And then one day on Saint Barts, while having just a grand time with Claire after picking up two neat parcels of land in Saint Maarten at what I just knew would turn out to be a very good price, I ate a piece of cheese I always liked on a piece of bread I liked too, a Saint André cheese, I think I remember it was, and then a little while later felt coming up that taste of green apples I'd never forgotten, a burning, sour taste that I remembered from very far back when being sick as a kid, and I was scared that something not right might be going on inside me. And my neck felt stiff, like it was swelling up. Sammy would say that it had to swell up, because it couldn't swell down. I can smile at that now. It was something more than just indigestion. Till then I almost never felt nauseous, no matter how much I ate and drank, and I don't think I'd ever felt anything but good as a grown-up. In the army I was cold and dirty a lot and wanted more sleep and better food, but I don't think I ever felt anything but safe and healthy, or that anything that was bad and unusual was ever going to happen to me. Even when that sniper got that corporal named Hammer in the head when we were standing near that recon jeep and talking to each other just a foot apart. The town looked clear, that's what he was reporting back to me, and he was sure we could move on in. It didn't surprise me that it was him, not me. I didn't feel it was just good luck. I felt it had to happen that way.

"Honey, let's go back tomorrow," I said to Claire, when I felt that old, sick taste of green apples bubble up, and later gave her some baloney after we were back in our room and had balled each other again. "I thought of something I might do in Newburgh that might turn out pretty good for us."

I was feeling fine after the sex together and even after we were home. But just to make sure I dropped in at the doctor's. Emil looked and found nothing. I still don't know if he should have looked harder, or if it would have made any difference. Emil could easily believe that what I had on the island was not what I have now. j I'm not afraid of people but I'm getting more afraid of green apples. The first time in my life I remember getting sick, my mother told me I was sick because I had eaten some green apples she was keeping in a bowl to bake or cook something with. I don't know if I'd even really eaten them. But every time I got sick that way again and felt nauseous and threw up, from mumps, from chicken pox, from a strep throat one time, she put the blame on those same green apples, and after a while I began to believe her, even though I'd eaten no green apples, because that taste of throwing up was always the same. And I believe it still. Because each time I get sick to my stomach, before the radiation or chemotherapy and during the radiation or chemotherapy and after the radiation or chemotherapy, I taste green apples. I tasted my green apples with the surgery for the double hernia. And when I got really sick that first time driving back from a weekend at Sammy's house on Fire Island with a couple of some of Sammy's lively friends from Time and felt my neck swell so that I couldn't turn my head to keep driving and then went faint over the steering wheel and threw up just outside the car and began to babble to myself a little deliriously, it was about green apples I was babbling, Claire told me. And the kids in the back of the station wagon, we had just three then, said so too. We told people who wondered why we weren't home till late that it was only an upset stomach, because that's what we thought it was. Later we said it was angina. Then mononucleosis. Then tuberculosis of the glands. When I had my first real collapse seven years later and was in a hospital in the city and Claire told Glenda what it really was, it turned out she and Sammy both already knew or guessed. Glenda had some experience with an ex-husband with a different kind of cancer, and Sammy, as we knew, was smart, from reading Time magazine every week.

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