Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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"Fifteen a month," Milo finally tabulated aloud, "for twelve months a year, will come to amp;"

"A hundred and eighty," Wintergreen told him curtly.

Milo nodded, with an expression that revealed nothing.

"Then we agree. You will work for us for one year for one hundred and eighty dollars."

"Thousand, Milo. A hundred and eighty thousand dollars a year, plus expenses. Tell him again, Eugene. And write out a check for three months in advance. That's the way I'm always paid, quarterly. I've already gotten you C. Porter Lovejoy."

Milo 's look of pain was habit. But from that date on, Yossarian knew, but did not care to admit, he had not been in serious want of teady cash, except in those uncommon times of divorce and the successive collapse of his tax shelters a dozen years after each had been erected by infallible specialists.

"And by the way"-Wintergreen took him aside at the end- "about your son. Establish a legal residence in a black neighborhood where the draft boards don't have trouble meeting their quotas. Then, lower back pain and a letter from a doctor should do the rest. I have one son technically living in Harlem now, and a couple of nephews who officially reside in Newark."

Yossarian had the feeling about Michael, and himself, that they would sooner flee to Sweden.

C. Porter Lovejoy and G. Noodles Cook took to each other symbiotically from the day Yossarian brought them together, with a reciprocating warmth Yossarian had never felt toward Noodles or for Porter Lovejoy either the few times they had met.

"That's one I owe you," Noodles had said afterward.

"There's more than one," Yossarian took the precaution of reminding him.

C. Porter Lovejoy, silver-haired, bipartisan, and clearheaded, as the friendly press chose consistently to describe him, was a man still very much at ease with life. He had been a Washington insider and a made member of the Cosa Loro there for almost half a century and by now had earned the right, he liked to ruminate to listeners, to start slowing down.

Publicly, he served often on governmental commissions to exonerate and as coauthor of reports to vindicate.

Privately, he was the major partner and counsel-at-large to the Cosa Loro Washington law firm of Atwater, Fitzwater, Dishwater, Brown, Jordan, Quack, and Capone. In that capacity, because of his aristocratic prestige and reputation for probity, he could freely represent whatever clients he liked, even those with adversarial interests. From a border state, he professed legitimate home ties in all directions and could speak in the soothing accents of the well-bred southern gentleman when talking to Northerners and with the phonetics of the cultivated true Ivy Leaguer when talking to Southerners. His partner Capone was dark and balding and looked down-to-earth and rather tough.

"If you are coming to me for influence," Porter Lovejoy would stress to each hopeful prospect seeking him out, "you have come to the wrong man. However, if you wish to retain the services of experienced people who know their way blindfolded through the corridors of power here, who are on close terms with the people you will want to see and can tell you who they are and can arrange for them to see you, who can accompany you to meetings and do much of the talking for you, who can find out what is happening about you at meetings you don't attend, and who can go over heads directly to superiors if the decisions are not those you like, I may be able to help."

It was C. Porter Lovejoy who did most to foster the aspirations of G. Noodles Cook and to increase their range. He astutely calibrated the parameters of the younger man's initiative and moved with openhanded celerity to place him with other celebrities in the Cosa Loro family who could best utilise his ingenious insights into the mechanics of political public relations and image building: his knack for the rabble-rousing motto, the snide insinuation, the smooth and sophisticated insult, the tricky prestidigitation in logic that was quicker than the eye and could glide by invisibly, and the insidious lie. Once given the chance, Noodles had never disappointed anyone who, like C. Porter Lovejoy, expected the worst from him.

Between Yossarian and a Cosa Loro hit man like Noodles Cook a breach of peaceable distaste had taken shape which neither saw any necessity to repair. Yet Yossarian had no hesitation in calling now about the ridiculous possibility of inducing the new President to pretend to take seriously an invitation from Christopher Maxon to the wedding of a stepniece or something at the Port Authority Bus Terminal.

"He raises millions for your party, Noodles."

"Why not?" said Noodles merrily. "It sounds like a lark. Tell them he says he'll think seriously about coming."

"You don't have to ask him?"

"No." Noodles sounded surprised. "John, the brain has not yet come into being that is large enough to deal with all of the matters any President has to pretend he understands. I'm still riding high since I helped him through the inauguration."

As the tenth and newest of the nine senior tutors with eleven doctoral degrees in the brain trust surrounding the man who had since become President, G. Noodles Cook was still unstained by that particular contempt which familiarity is often said to breed.

It was C. Porter Lovejoy, observing the dimming luster of the original nine tutors, who had proposed the appointment of G. Noodles Cook as a tenth to rekindle an illusion of brilliance in high office, a choice, he maintained with disinterested authority, that had to be beneficial to this Vice President, the administration, the country, to Noodles Cook himself, and, unsaid but understood, to C. Porter Lovejoy and his partnership interest in the Cosa Loro lawyer-lobbying firm of Atwater, Fitzwater, Dishwater, Brown, Jordan, Quack, and Capone. Capone, like Lovejoy a founding partner, played golf at good clubs with business leader and high government officials, and was rarely permitted to lose.

The impediments in the formalities of the inauguration arose from the natural preference of the Vice President to be inducted into the higher office with an oath administered by the chief justice of the U. S. Supreme Court. The honorable gentleman occupying the post, a steely, rather domineering personality with eyeglasses and a high-domed forehead, resigned abruptly rather than collaborate in an act he felt was outside the spirit of the law, if not the letter.

The unexpected action left the new chief executive little choice but to call on one of the other celebrities on the court with party affiliations akin to his own.

The woman then on the court resigned voluntarily fourteen minutes after she was sounded out. She put forth as her explanation an overwhelming yearning to return to the field she loved most: housework. All her life, she stated, she had aspired only to be a housewife.

And the other star of magnitude in that revered constellation of honorable justices to which people had formerly been prone to look up, an honorable gentleman commended frequently by friendly newspapermen for what they called his wit and his showman's preening flair for tendentious and self-amusing hair-splitting, went fishing.

The Afro-American was of course out of the question. White America would not tolerate a President whose legitimacy in office had been validated by a black man, and especially by a black man like that one, who was not much of a lawyer and not much of a judge and had seemed at his confirmation hearings to be composed entirely out of equal measures of bile and bullshit.

The other orthodox party members on the court were spurned as simply not colorful enough and insufficiently well known. Their rejection became all the more final when from their chambers the constitutional doubt filtered out through unnamed sources and unidentified background officials as to whether any honorable member of any court in the land truly possessed the right to swear a man like him into the office of the highest government official in the land. In rare unanimous decision, they hailed the chief justice for resigning, the woman for her housework, and the witty one for going fishing.

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