Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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Customers frequently reported receiving as much as forty percent less of the tritium than they had paid for and forty percent less than had been packed and shipped, with no indications of theft, diversion, or leakage.

The tritium simply was not there when delivered.

Not long before, a test shipment from merely one building to another to comprehend this loss resulted in no new information and the disappearance of three quarters of the tritium packed for the test. It was inaccurate to say, said a sheepish spokesman, that it disappeared into thin air. They were monitoring the air. The air was not thin and the tritium wasn't in it.

Despite the radiation and consequent potential as a galvanizer of cancer, tritium was still the material of choice for illuminated guides and dial faces, for gun sights for nighttime marksmanship, for icons like swastikas, crosses, Stars of David, and halos that glowed in the dark, and for the stupendous enhancement in the explosive yield of nuclear weapons.

Melissa MacIntosh's ravishing roommate, Angela Moore, whom Yossarian could no longer resist thinking of by any other name than Angela Moorecock, had by now already put forth to her elderly, gentlemanly employers the idea of luminescent items highlighting the more protuberant organs of copulation phosphorescently and had tested on buyers at the toy fair, men and women, her notion for a bedroom clock with a radiating face of tritium in a compound of paint in which the hour and minute hands were circumcised male members and the numbers were not numbers but a succession of nude female figures unfolding sensually and progressively with the hours in systematic stages of erotic trance until satiation was attained at the terminal hour of twelve. Yossarian got hot hearing her discourse on this inspiration for a consumer product in the cocktail lounge a day or two before she sucked him off the first time and sent him home because he was older than the men she was accustomed to and she was not sure she cared to know him more intimately than that, and afterward, because of Melissa's growing affection for him, along with a growing apprehension of AIDS, declined to suck him off a second time or oblige him in any equivalent way; and listening observantly to her rave that first time, he'd found himself with almost half a semi-hard-on, and he took her hand as they sat beside each other on the red velvet banquette at the plush cocktail lounge and rubbed it over the fly of his pants to let her feel for herself.

The great jump in explosive yield induced by the action of tritium in atomic warheads made possible an aesthetic reduction in the size and weight of the bombs, missiles, and shells devised, allowing a greater number to be carried by smaller implements of delivery like Milo 's projected bombers, and Strangelove's too, with no notable sacrifice in nuclear destructive capability.

The chaplain was up in value and completely safe.

14 Michael Yossarian

"When can I see him?" Michael Yossarian heard his father demand. His father's hair was thicker than his own and curly white, a color for which his brother Adrian was assiduously seeking a chemical formula for tinting; to a youthful, natural gray that would not be youthful on any man Yossarian's age and would not look natural.

"As soon as he's safe," answered M2, in a clean white shirt that was not yet rumpled, wet, or in need of ironing.

"Michael, didn't he just say the chaplain was safe?"

"It's what I thought I heard."

Michael smiled to himself. He pressed his brow against the pane of the glass window in order to gaze down intently at the ice rink below and its colorful kaleidoscope of leisurely skaters, wondering, with a downhearted presentiment of already having missed out on much, if there could possibly be abiding in that pastime rewards he might find diverting if ever he could bring himself to take the trouble to seek them. The reflecting oval of ice was ringed these days with drifting tides of panhandlers and vagrants, with working strollers on lunch and coffee breaks, with mounted policemen on daunting horses. Michael Yossarian would not dance; he could not get into the rhythm. He would not play golf, ski, or play tennis, and he knew already he would never ice-skate.

"I mean safe for us." He heard M2 defend himself plaintively and turned to watch. M2 appeared triumphantly prepared for the question he'd been asked. "He is safe for M amp; M Enterprises and cannot be appropriated by even Mercedes-Benz or the N amp; N Division of Nippon amp; Nippon Enterprises. Even Strangelove is barred. We will patent the chaplain as soon as we find out how he works, and we are looking for a trademark. We are thinking of a halo. Because he is a chaplain, of course, a Day-Glo halo. Maybe one that lights up in the dark, all night long."

"Why not tritium?"

"Tritium is expensive and radioactive. Michael, can you draw a halo?"

"It shouldn't be hard."

"We would want something cheerful but serious."

"I would try," said Michael, smiling again, "to make it serious, and it's hard to picture one that isn't cheerful."

"Where have they got him?" Yossarian wanted to know.

"In the same place, I would guess. I really don't know."

"Does your father know?"

"Do I know if he knows?"

"If you did would you tell me?"

"If he said that I could."

"If he said that you couldn't?"

"I would say I don't know."

"As you're saying right now. At least you're truthful."

"I try."

"Even when you lie. There's a paradox here. We are talking in circles."

"I went to divinity school."

"And what," said Yossarian, "do I tell the chaplain's wife? I'll be seeing her soon. If there's anyone else I can advise her to complain to, I will certainly tell her."

"Who could she find? The police are helpless."

"Strangelove?"

"Oh, no," said M2, turning whiter than customary. "I will have to find out. What you can tell Karen Tappman now-"

"Karen?"

"It's what it says on my prompt sheet. What you can tell Karen Tappman truthfully-"

"I don't think I would lie to her."

"We never choose to be anything but truthful. It's right there in our manual, under Lies. What you must tell Karen Tappman," M2 recited dutifully, "is that he is well and misses her. He looks forward to rejoining her as soon as he is not a danger to himself or the community and his presence in the family and the conjugal bed would not be injurious to her health."

"That's a new fucking wrinkle, isn't it?"

"Please." M2 flinched. "This one happens to be true."

"You would say that even if it weren't?"

"That is perfectly true," admitted M2. "But if tritium starts showing up inside him from that heavy water, he could be radioactive, and we'd all have to keep clear of him anyway."

"M2," said Yossarian harshly, "I'm going to want to talk to the chaplain soon. Has your father seen him? I know what you'll say. You have to find out."

"First, I'll have to find out if I can find out."

"Find out if you can find out if he can arrange it. Strangelove could."

M2 paled again. "You'd go to Strangelove?"

"Strangelove will come to me. And the chaplain won't produce if I tell him not to."

"I must tell my father."

"I've already told him, but he doesn't always hear."

M2 was shaken. "I just thought of something else. Should we be talking about all this in front of Michael? The chaplain is secret now, and I'm not sure I'm authorized to let anyone else hear about him."

"About who?" asked Michael mischievously.

"The chaplain," responded M2.

"What chaplain?"

"Chaplain Albert T. Tappman," said M2. "That friend of your father's from the army who's producing heavy water inside himself without a license and is now secretly in custody while they investigate and examine him while we try to patent him and register a trademark. Do you know about him?"

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