J.G. Ballard - Cocaine Nights

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Cocaine Nights: краткое содержание, описание и аннотация

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There’s something wrong with Estrella Del Mar, the lazy, sun-drenched retirement haven on Spain’s Costa Del Sol. Lately this sleepy hamlet, home to hordes of well-heeled, well-fattened British and French expatriates, has come alive with activity and culture; the previously passive, isolated residents have begun staging boat races, tennis competitions, revivals of Harold Pinter plays, and lavish parties. At night the once vacant streets are now teeming with activity, bars and cafes packed with revelers, the sidewalks crowded with people en route from one event to the next.
Outward appearances suggest the wholesale adoption of a new ethos of high-spirited, well-controlled collective exuberance. But there’s the matter of the fire: The house and household of an aged, wealthy industrialist has gone up in flames, claiming five lives, while virtually the entire town stood and watched. There’s the matter of the petty crime, the burglaries, muggings, and auto thefts which have begun to nibble away at the edges of Estrella Del Mar’s security despite the guardhouses and surveillance cameras. There’s the matter of the new, flourishing trade in drugs and pornography. And there’s the matter of Frank Prentice, who sits in Marbella jail awaiting trial for arson and five counts of murder, and who, despite being clearly innocent, has happily confessed.
It is up to Charles Prentice, Frank’s brother, to peel away the onionlike layers of denial and deceit which hide the rather ugly truth about this seaside idyll, its residents, and the horrific crime which brought him here. But as is usually the case in a J.G. Ballard book, the truth comes with a price tag attached, and likely without any easing of discomfort for his principal characters.
Cocaine Nights marks a partial return on Ballard’s part to the provocative, highly-successful mid-career methodology employed in novels such as Crash and High Rise: after establishing himself as a science fiction guru in the 1960s, Ballard stylistically shifted gears towards an unnerving, futuristic variant on social realism in the 1970s. Both Crash and High Rise were what-if novels, posing questions as to what the likely results would be if our collective fascination with such things as speed, violence, status, power, and sex were carried just a little bit further: How insane, how brutal could our world become if we really cut loose?
Cocaine Nights asks a question better suited to the ’90s, the age of gated communities and infrared home security systems: Does absolute security guarantee isolation and cultural death? Conversely, is a measure of crime an essential ingredient in a vibrant, living, properly functioning social system? Is it true, as a character asserts, that “Crime and creativity go together, always have done,” and that “total security is a disease of deprivation”? Suffice to say that the answers presented in Nights will be anathema to moral absolutists; the world of Ballard’s fiction, like life in the hyperkinetic, relativistic 1990s, abounds with uncomfortable grey areas.
On the surface, Cocaine Nights is a whodunit and a race against time, but as it proceeds – and as preconceived conceptions of good and evil begin to dissolve – it evolves into a thoughtful, faintly frightening look at under-examined aspects of 1990s western society. As is his wont, Ballard confronts his readers with some faintly outlandish hypotheses unlikely to be embraced by many, but which nonetheless serve to provoke both thought and a bit of paranoia; it’s a method that Ballard has developed and refined on his own, and as usual, it propels his novel along marvellously.
Cocaine Nights doesn’t have either the broad sweep or brute impact of the landmark Crash, but it retains enough social relevance and low-key creepiness to more than satisfy Ballardphiles. As is often the case in Ballard’s alternate reality, it’s a given that his most appealing, human characters turn out to be the most twisted, and that even the most normal of events turn out to be governed by a perverse, malformed logic; that this logic turns out to be grounded in sound sociological and psychological principles is its most horrific feature.
David B. Livingstone

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'Slow down a little…' Crawford leaned forward, peering up at a large deco house on a corner site. A shared access road ran towards a group of three-storey apartment houses.

Awnings flared over the balconies, tethered wings that would never touch the sky. 'Stop here… this looks like it.'

'What's the number? For some reason people here refuse to identify themselves.'

'I forget exactly. But this feels right.' He pointed fifty yards beyond the access road, where the fronds of a huge cycad formed a pedestrian shelter. 'Park there and wait for me.'

He unzipped the hold-all and removed what seemed to be a set of golf putters wrapped in an oilcloth. He stepped from the car, face hidden behind his peaked cap and dark glasses, patted the roof and set off in a light stride towards the drive. As I freewheeled down the slope to the cycad, my eyes on the rear-view mirror, I saw him vault the side gate that led to the servants' entrance.

I waited in the car, listening to the faint hiss of sprinklers from the walls and hedges around me. Perhaps the owners of the villa were away on holiday, and a lover was waiting for him in another maid's room. I imagined them playing clock-golf on the carpet, a formal courtship like the mating dance of a bower-bird…

'Right, let's go.' Crawford seemed to step from the screen of vegetation around the cycad. Under one arm he carried a video-cassette recorder, cables tied around it to form a black parcel. He placed it on the rear seat and loosened his cap, keeping a careful eye on the access road. 'I'm checking it for them – a couple called Hanley. He's a retired personnel manager from Liverpool. By the way, it looks as if I've recruited two new members.'

'For the sports club? Great stuff. How did you persuade them?'

'Their television set isn't working. Something's wrong with the satellite dish. Besides, they feel that they ought to get out more. Now, let's drive over to the west side of the complex. I need to make a few house calls…'

He adjusted the climate-control unit on the instrument panel, sending a stream of cooler air into our faces, and lay back against the head-rest, so relaxed that I could hardly believe that we had embarked on a criminal spree. He stowed the golf putters in the hold-all, deliberately allowing me to see that they were, in fact, a pair of steel jemmies. I had guessed from the moment we left the sports club that he intended to carry out a series of provocative acts, petty burglaries and nuisance raids designed to shake the Residencia Costasol out of its dozing complacency. I assumed that the crimes which the Spanish police had reported to David Hennessy were Crawford's doing, the overture to his campaign of harassment and aggravation.

Twenty minutes later we stopped by the next villa, an imposing mansion in the Moorish style with a speedboat parked in its drive. Almost certainly, the residents would be asleep in the bedrooms upstairs, and the garden and terrace were silent. A slow drip of water from a forgotten hose counted the seconds as Crawford scanned the surveillance cameras, his eyes following the cables that ran from the satellite dish on the roof to the switchbox beside the patio doors.

'Leave the engine running, Charles. We may as well do this in style…'

He slipped away, disappearing among the trees that flanked the drive. My hands fretted at the wheel as I waited for him to return, ready to make a quick getaway. I smiled at an elderly couple who passed me in their car, a large spaniel sitting between them, but they seemed unconcerned by the Citroen's presence. Five minutes later Crawford slipped into the passenger seat, casually brushing a few splinters of glass from his jacket.

'More television trouble?' I asked as we set off.

'It looks like it.' Crawford sat straight-faced beside me, now and then taking the wheel from my nervous hands. 'These satellite dishes are very sensitive. They need to be constantly recalibrated.'

'The owners will be grateful. Possible members?'

'Do you know, I think they are. I wouldn't be surprised if they dropped in tomorrow.' Crawford unzipped his jacket and removed an engraved silver cigarette case, which he laid beside the cassette-recorder on the rear seat. 'The husband was a Queen's Club committee member, a keen tennis player. His wife used to be something of an amateur painter.'

'Perhaps she'll take it up again?'

'I think she might…'

We continued to make our calls, threading our way through the quiet avenues of the Residencia Costasol like a shuttle weaving a rogue pattern across a sedate tapestry. Crawford pretended to visit the properties at random, but I took for granted that he had selected his victims after carrying out a careful survey, picking those who would send out the largest ripples of alarm. I imagined them dozing through the siesta hours as Crawford moved around the rooms below, sabotaging the satellite systems, stealing a jade horse from a coffee table, a Staffordshire figure from a mantelpiece, rifling the desk drawers as if in search of cash or jewellery, creating the illusion that a gang of skilled house-breakers had taken up residence in the Costasol complex.

While I waited in the car, expecting Inspector Cabrera and the Fuengirola flying squad to seize me on the spot, I wondered why I had allowed Crawford to inveigle me into this criminal romp. As the Citroen's engine trembled against the accelerator pedal I was tempted to drive back to the sports club and tip off Cabrera. But Crawford's arrest would put an end to any hopes of discovering the arsonist who had murdered the Hollingers. Looking up at the hundreds of impassive villas, with their security cameras and mentally embalmed owners, I was sure that Crawford's attempts to transform the complex into another Estrella de Mar would fail. The people of the Residencia had not only travelled to the far side of boredom but had decided that they liked the view. Crawford's failure might well provoke him into a desperate act that would expose his complicity in the Hollinger killings. One fire too many would burn more than his fingers.

Yet his commitment to this bizarre social experiment had a charm all its own. Frank too, I guessed, had been seduced by his gaudy vision, and like Frank I said nothing as the rear seat of the Citroen accumulated its booty. By the sixth villa, one of the older mansions on the north-south radial boulevard, I found a blanket in the trunk and held it ready for Crawford when he emerged from the shrubbery with a waisted Ming vase under one arm, a blackwood stand under the other.

He patted me reassuringly as I draped the blanket over his treasure-trove, pleasantly surprised by the way in which I had held up under pressure.

'They're tokens, Charles – I'll see they find their way back to the owners. Strictly speaking, we don't need to take anything, just convey the sense that a thief has urinated on their Persian carpets and wiped his fingers on the tapestry.'

'And tomorrow the entire Residencia Costasol will feel like a game of tennis? Or decide to take up flower-arranging and needlepoint?'

'Of course not. The inertial forces here are colossal. But one elephant fly can start a stampede if it bites a sensitive spot. You sound sceptical.'

'A little.'

'You don't think it will work?' Crawford pressed my hand to the steering wheel, steeling my resolve. 'I need you, Charles – it's difficult to do this on my own. Betty Shand and Hennessy are only interested in their cash flow. But you can see beyond that to the larger horizon. What happened in Estrella de Mar will happen here, and then move on down the coast. Think of all those pueblos coming to life again. We're freeing people, Charles, returning them to their true selves.'

Did he believe his own rhetoric? Half an hour later, as he burgled a small apartment block near the central plaza, I unzipped the hold-all and glanced through its contents. There were jemmies and wirecutters, a selection of lockpicks and perforated entry cards, jump leads and electronic immobilizers. A smaller valise contained several aerosol paint cans, two camcorders and a clutch of fresh video-cassettes. A segmented plastic snake of cocaine sachets wrapped itself around a wallet filled with drug capsules and pills in foil dispensers, packs of syrettes and ribbed condoms.

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