J.G. Ballard - Cocaine Nights

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Cocaine Nights: краткое содержание, описание и аннотация

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There’s something wrong with Estrella Del Mar, the lazy, sun-drenched retirement haven on Spain’s Costa Del Sol. Lately this sleepy hamlet, home to hordes of well-heeled, well-fattened British and French expatriates, has come alive with activity and culture; the previously passive, isolated residents have begun staging boat races, tennis competitions, revivals of Harold Pinter plays, and lavish parties. At night the once vacant streets are now teeming with activity, bars and cafes packed with revelers, the sidewalks crowded with people en route from one event to the next.
Outward appearances suggest the wholesale adoption of a new ethos of high-spirited, well-controlled collective exuberance. But there’s the matter of the fire: The house and household of an aged, wealthy industrialist has gone up in flames, claiming five lives, while virtually the entire town stood and watched. There’s the matter of the petty crime, the burglaries, muggings, and auto thefts which have begun to nibble away at the edges of Estrella Del Mar’s security despite the guardhouses and surveillance cameras. There’s the matter of the new, flourishing trade in drugs and pornography. And there’s the matter of Frank Prentice, who sits in Marbella jail awaiting trial for arson and five counts of murder, and who, despite being clearly innocent, has happily confessed.
It is up to Charles Prentice, Frank’s brother, to peel away the onionlike layers of denial and deceit which hide the rather ugly truth about this seaside idyll, its residents, and the horrific crime which brought him here. But as is usually the case in a J.G. Ballard book, the truth comes with a price tag attached, and likely without any easing of discomfort for his principal characters.
Cocaine Nights marks a partial return on Ballard’s part to the provocative, highly-successful mid-career methodology employed in novels such as Crash and High Rise: after establishing himself as a science fiction guru in the 1960s, Ballard stylistically shifted gears towards an unnerving, futuristic variant on social realism in the 1970s. Both Crash and High Rise were what-if novels, posing questions as to what the likely results would be if our collective fascination with such things as speed, violence, status, power, and sex were carried just a little bit further: How insane, how brutal could our world become if we really cut loose?
Cocaine Nights asks a question better suited to the ’90s, the age of gated communities and infrared home security systems: Does absolute security guarantee isolation and cultural death? Conversely, is a measure of crime an essential ingredient in a vibrant, living, properly functioning social system? Is it true, as a character asserts, that “Crime and creativity go together, always have done,” and that “total security is a disease of deprivation”? Suffice to say that the answers presented in Nights will be anathema to moral absolutists; the world of Ballard’s fiction, like life in the hyperkinetic, relativistic 1990s, abounds with uncomfortable grey areas.
On the surface, Cocaine Nights is a whodunit and a race against time, but as it proceeds – and as preconceived conceptions of good and evil begin to dissolve – it evolves into a thoughtful, faintly frightening look at under-examined aspects of 1990s western society. As is his wont, Ballard confronts his readers with some faintly outlandish hypotheses unlikely to be embraced by many, but which nonetheless serve to provoke both thought and a bit of paranoia; it’s a method that Ballard has developed and refined on his own, and as usual, it propels his novel along marvellously.
Cocaine Nights doesn’t have either the broad sweep or brute impact of the landmark Crash, but it retains enough social relevance and low-key creepiness to more than satisfy Ballardphiles. As is often the case in Ballard’s alternate reality, it’s a given that his most appealing, human characters turn out to be the most twisted, and that even the most normal of events turn out to be governed by a perverse, malformed logic; that this logic turns out to be grounded in sound sociological and psychological principles is its most horrific feature.
David B. Livingstone

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The modest sports club with its shabby courts and drained pool was a far cry from the Club Nautico, but by pretending to manage it I would draw closer to Crawford and Betty Shand, and might at last step on to the path that had led to the burning of the Hollinger mansion and Frank's absurd confession.

A yacht had entered the marina, a white-hulled sloop with furled sails, moving under its engine. Gunnar Andersson stood at the helm, his slim-shouldered figure as tall as a mizzen-mast, shirt floating from his shoulders like a strip of tattered sail. The craft seemed neglected, its hull smeared with oil, and I assumed that Andersson had sailed it through the tanker lanes from Tangier. Then I noticed the tag of yellow ribbon flying from the fore-rail, the last of the police tapes that had wrapped themselves around the craft.

'It's the Halcyon. Frank's sloop… what's it doing here?'

'That's right.' Crawford stood up and waved to Andersson, who doffed his cap in return. 'I talked to Danvila. Frank agrees the yacht will be safer in the Costasol marina-no tourists cutting off bits of rigging. Gunnar is going to work in the boatyard and start servicing all these arthritic engines. With a little luck we'll make the Costasol regatta the swankiest show on the coast. Believe me, Charles, sea air is what people need. Now, here's Elizabeth, looking more handsome every day. Bratwurst obviously agrees with her…'

The stretch Mercedes was turning into the car park of the sports club. Betty Shand lay back against the leather upholstery, a wide-brimmed hat screening her veiled face, a gloved hand jerking the passenger strap as if reminding the huge car of its rightful owner. The swarthy Maghrebian sat at the wheel, the two young Germans on the jump seats behind him. When the car stopped by the steps Mahoud sounded the horn, and a moment later David Hennessy and the Keswick sisters emerged from the Thai restaurant. Together they set off towards the club, bundles of property prospectuses under their arms.

A team was assembling in the central plaza of the Residencia Costasol. Crawford, Elizabeth Shand, Hennessy and the Keswick sisters were coming together, ready to discuss their plans for the complex and its residents. The manager of the Thai restaurant waved to his departing guests, little realizing that his menus would soon be changing.

'Betty Shand and the Keswicks…' I commented. 'The seafood's going to be good.'

'Charles? Yes, the Keswick girls are taking over the Thai place. They know what people need, always a big help. Now, have you thought about working for us?'

'All right,' I said. 'I'll stay until Frank's trial. But nothing too arduous.'

'Of course not.' Crawford leaned across the table and clasped my shoulders, smiling with unfeigned delight, and I sensed that for a few seconds I had become the most important person in his world, the one friend he had relied upon to come to his aid. As he beamed at me proudly his face seemed almost adolescent, blond hair spilling over his forehead, lips parted across immaculate white teeth. Squeezing me with his strong hands, he spoke in a rush of lightheaded words. 'I knew you would, Charles-you're the one person I need here. You've seen the world, you understand how much we have to do if we're going to help these people. By the way, a house comes with the job. I'll find you one with a tennis court, and we'll play a few games. I know you're a lot better than you let on.'

'You'll soon see. By the way, you can pay me a small salary. Living expenses, car-hire and so on. Since I'm not earning a cent any more…'

'Absolutely.' He sat back and gazed at me fondly as Elizabeth Shand made her imperial way into the club. 'David Hennessy's already written out your first cheque. Believe me, Charles, we've thought of everything.'

20 A Quest for New Vices

Sunlight crazed the broken surface of the swimming pool, as if released from the glassy depths by my dive. I swam a leisurely length, touched the tiled gutter and hoisted myself on to the diving board. The waves slapped the sides of the pool, refusing to calm themselves, and eager to applaud the next pre-breakfast swimmer in search of an appetite.

As I towelled myself, however, I guessed that another day would pass and I would remain the swimming pool's only customer, just as I would be the only visitor to the tennis courts and gymnasium. Killing time beside the open-air bar, reading the London newspapers and thinking about Frank's trial, I knew that time had died in the Residencia Costasol long before my arrival.

During my first week as 'manager' of the sports club I sat back and watched Elizabeth Shand's groundsmen re-vamp the entire premises. They cleaned and filled the pool, watered the lawns and white-inked the tennis courts, then buffed the hardwood floor of the gymnasium to a mirror-like finish, ready for the first aerobics classes.

Despite these efforts, and the expensive pool-side furniture waiting to cushion their exhausted limbs, none of the Costasol residents had put in an appearance. My hours, David Hennessy told me, ran from eleven a. m. to three p. m., but 'take as long as you want for lunch, dear boy, we can't have you going mad with boredom.'

Nevertheless, I usually drove from the Club Nautico before breakfast, curious to see if the dozing residents of the complex had been tempted to leave their balconies. Hennessy would arrive at noon, retreat to his office and return to Estrella de Mar once he had paid the waiters and ground staff. Sometimes Elizabeth Shand would visit him, arriving in her limousine with the two Germans. In a curious pantomime each would hold open a passenger door for her, while she gazed at the sports club like a predatory widow visiting an entailed property about to fall into her grasp.

Had her legendary business savvy deserted her for once? Eating my breakfast at the bar, surrounded by the silent waiters and the empty sun-loungers, I guessed that she might soon be writing off her investment and leaving for the richer pastures at Calahonda. The caravan would move on to the retirement pueblos of the coast, taking with it my last hopes of discovering the truth about the Hollinger fire.

Frank, absurdly, still maintained his guilt, and I had twice postponed my visit to Zarzuella jail, convinced against all the evidence that the Residencia Costasol might be a back door into the secret Estrella de Mar for so long closed to me. His trial had been set for 15 October, four months to the day after the tragic fire, and despite all my efforts I would be no more than a character witness. I thought constantly of Frank and our childhood years together, but found it almost impossible to face him across the hard table of a prison interview room. His plea of guilty had seemed to embrace us both, but I no longer felt the sense of shared guilt that had once united us.

Behind me a car door opened and a motor faded. I looked up from my Financial Times to find that a familiar BMW had pulled into the car park. Paula Hamilton sat at the wheel, peering up at the bright new awnings that flared from the windows of the sports club. She had changed at the home of one of her patients at the Residencia, and wore a yellow beach robe over her black swimsuit.

She left the car and climbed the steps towards the swimming pool. Ignoring me, she walked to the deep end, left her robe and bag on the diving board and began to fasten her hair, arms raised as she showed off the hips and breasts that I had embraced so eagerly. I had repeatedly rung her flat near the Clinic, but since visiting Frank in Zarzuella jail she kept away from me. I wanted to see her again, and do my best to ease away the strain of contempt she felt for herself, like the prickly humour that shielded her fear of showing her real emotions. But the video-cassette of Anne Hollinger's rape separated us like the memory of a crime.

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