J.G. Ballard - Cocaine Nights

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Cocaine Nights: краткое содержание, описание и аннотация

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There’s something wrong with Estrella Del Mar, the lazy, sun-drenched retirement haven on Spain’s Costa Del Sol. Lately this sleepy hamlet, home to hordes of well-heeled, well-fattened British and French expatriates, has come alive with activity and culture; the previously passive, isolated residents have begun staging boat races, tennis competitions, revivals of Harold Pinter plays, and lavish parties. At night the once vacant streets are now teeming with activity, bars and cafes packed with revelers, the sidewalks crowded with people en route from one event to the next.
Outward appearances suggest the wholesale adoption of a new ethos of high-spirited, well-controlled collective exuberance. But there’s the matter of the fire: The house and household of an aged, wealthy industrialist has gone up in flames, claiming five lives, while virtually the entire town stood and watched. There’s the matter of the petty crime, the burglaries, muggings, and auto thefts which have begun to nibble away at the edges of Estrella Del Mar’s security despite the guardhouses and surveillance cameras. There’s the matter of the new, flourishing trade in drugs and pornography. And there’s the matter of Frank Prentice, who sits in Marbella jail awaiting trial for arson and five counts of murder, and who, despite being clearly innocent, has happily confessed.
It is up to Charles Prentice, Frank’s brother, to peel away the onionlike layers of denial and deceit which hide the rather ugly truth about this seaside idyll, its residents, and the horrific crime which brought him here. But as is usually the case in a J.G. Ballard book, the truth comes with a price tag attached, and likely without any easing of discomfort for his principal characters.
Cocaine Nights marks a partial return on Ballard’s part to the provocative, highly-successful mid-career methodology employed in novels such as Crash and High Rise: after establishing himself as a science fiction guru in the 1960s, Ballard stylistically shifted gears towards an unnerving, futuristic variant on social realism in the 1970s. Both Crash and High Rise were what-if novels, posing questions as to what the likely results would be if our collective fascination with such things as speed, violence, status, power, and sex were carried just a little bit further: How insane, how brutal could our world become if we really cut loose?
Cocaine Nights asks a question better suited to the ’90s, the age of gated communities and infrared home security systems: Does absolute security guarantee isolation and cultural death? Conversely, is a measure of crime an essential ingredient in a vibrant, living, properly functioning social system? Is it true, as a character asserts, that “Crime and creativity go together, always have done,” and that “total security is a disease of deprivation”? Suffice to say that the answers presented in Nights will be anathema to moral absolutists; the world of Ballard’s fiction, like life in the hyperkinetic, relativistic 1990s, abounds with uncomfortable grey areas.
On the surface, Cocaine Nights is a whodunit and a race against time, but as it proceeds – and as preconceived conceptions of good and evil begin to dissolve – it evolves into a thoughtful, faintly frightening look at under-examined aspects of 1990s western society. As is his wont, Ballard confronts his readers with some faintly outlandish hypotheses unlikely to be embraced by many, but which nonetheless serve to provoke both thought and a bit of paranoia; it’s a method that Ballard has developed and refined on his own, and as usual, it propels his novel along marvellously.
Cocaine Nights doesn’t have either the broad sweep or brute impact of the landmark Crash, but it retains enough social relevance and low-key creepiness to more than satisfy Ballardphiles. As is often the case in Ballard’s alternate reality, it’s a given that his most appealing, human characters turn out to be the most twisted, and that even the most normal of events turn out to be governed by a perverse, malformed logic; that this logic turns out to be grounded in sound sociological and psychological principles is its most horrific feature.
David B. Livingstone

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She swam ten lengths, her streamlined body and clean strokes scarcely disturbing the surface of the pool. Waist-deep in the shallow end, she wiped the foam from her eyes and accepted the towel that I took from the pile beside the bar. Holding my hands, she sprang from the pool and stood dripping beside me, water sparkling at her feet. Happy to see her, I draped another towel around her shoulders.

'Paula – you're our first new member. I hope you want to join the club?'

'No. Just testing the water. It looks pure enough.'

'It's brand-new. You've christened it with your own lips. Now it knows its name.'

'I'll think about that.' She nodded approvingly at the sun-loungers and tables. 'It must be the cleanest pool on the Costa del Sol. Better than all that dissolved muck we usually swim through, under the misguided idea that it's water -detergent, sun-oil, anti-perspirant, aftershave, vaginal jelly, pee and God only knows what else. You look healthier for it, Charles.'

'I am. I swim every day, knock a few balls around with the groundsmen. I've even tried the gym machines.'

'And now you're working for Elizabeth Shand? That's really bizarre. Does she pay you well?'

'It's an honorary post. Hennessy covers my expenses. Bobby Crawford thought I might write a book about it all.'

' "Is there Death after Life? The Resurrection of the Residencia Costasol." How is our tennis pro?'

'I haven't seen him for days. The Ponche flashes by now and then. All mysterious errand stuff – speedboats, remote beaches, drug drops. I'm too square for him.'

Paula stopped to stare at me as we walked towards the diving board. 'You're getting involved. Be careful, he'll damage you if he wants to.'

'Paula, you're too hard on him. I know about the films and the dealing and the car thefts. He tried to strangle me, for reasons he probably doesn't understand. But it's all in a good cause, or so he thinks – he wants to bring people back to life. In many ways he's very naive.'

'There's nothing naive about Betty Shand.'

'Or David Hennessy. But I'm still trying to find what happened at the Hollingers'. That's why I'm playing Frank's role. Now, tell me how he is.'

'Pale, very tired. He's resigned to everything. I think the trial's already over for him. He accepts that you don't want to see him.'

'Not true. Paula, I do want to see him. But I'm not ready yet. I'll visit him when I have something to tell him. Is there any chance of him changing his plea?'

'Of course not. He thinks he's guilty.'

I drove a fist into my palm. 'That's why I can't see him! I won't collude with whatever lies he's hiding behind.'

'You're colluding with everything else here.' Paula watched me, frowning to herself as she slipped into her robe, uncertain whether the bronzed and muscular man beside her was an impostor masquerading as the soft-skinned journalist who had embraced her on Frank's bed. 'You're involved with Elizabeth Shand, Hennessy and Bobby Crawford. It's almost a conspiracy, based on this club.'

'Paula… this isn't Estrella de Mar. It's the Residencia Costasol. Nothing happens here. Nothing ever will.'

'Now you're being naive.' Shaking her head at my foolishness, she strolled with me to her car. She tossed her bag into the passenger seat and then pressed her cheek to mine, her hands on my chest, as if reminding herself that we had once been lovers. 'Charles, dear, a great deal is happening here, far more than you realize. Open your eyes Almost on cue, a Spanish police car circled the central plaza. It stopped beside the marina, and one of the uniformed officers shouted to the boatyard where Andersson worked each morning on Crawford's speedboats. Often I walked down to the quay, but the morose Swede avoided me, unwilling to talk about the Hollinger fire and still nursing his memories of Bibi Jansen. During his rest periods he retreated to the Halcyon, which was berthed near the boatyard, and sat in the cabin, ignoring my feet on the deck above.

Hennessy was waiting in the entrance to the sports club, smiling affably under his reassuring moustache. A Hawaiian shirt covered his ample paunch, and he seemed the epitome of the shady businessman with whom the Spanish police would feel most at ease. He ushered them into his office, where a bottle of Fundador and a tray of tapas were ready to speed their investigation.

They left twenty minutes later, faces flushed and confident. Hennessy waved when they drove off, beaming the benign smile of a department-store Father Christmas. No doubt he had reassured them that he would personally see to the security of the Residencia Costasol and so free them to pursue their proper tasks of manhandling hitch-hikers, plotting against their superiors and collecting backhanders from the Fuengirola bar-owners.

'They don't seem too worried,' I commented to Hennessy. 'I thought they left us alone.'

'Spot of bother on the outer perimeter road – some sort of break-in last night. One or two people have had VCRs stolen. They will leave their patio doors open.'

'Burglaries? Isn't that unusual? I thought the Residencia Costasol was a crime-free zone.'

'I wish it were. Sadly, we're living in today's world. I've heard reports of car thefts, though heaven knows how the thieves get through the security barrier. These things happen in waves, you know. Estrella de Mar was as quiet as this when I first arrived.'

'Car thefts and burglaries?' For some reason I felt a stir of interest. The air around me had become crisper. 'What do we do, David? Start a neighbourhood watch scheme? Recruit some volunteer patrols?'

Hennessy turned his mild but steely eyes on to me, unsure whether I was being ironic. 'Do we need to go that far? Still, you may have a point.'

'Think about it, David. It might help to rouse people from this dreadful torpor.'

'Do we want them roused? They could become a nuisance, develop all sorts of odd enthusiasms. I'll mention it to Elizabeth.' He pointed to the stretch limousine moving through the gates of the sports club, its burnished carapace outshining the sun. 'How sleek she looks today, positively purring. I dare say she's bought up the last of the leases. Curious how a few robberies can be a boost to business. People get nervous, you know, and start shifting their cash around…'

So crime was coming to the Residencia Costasol. After its brief years of peace, the unending slumbers of the sun-coast were about to be disturbed. I counted the silent balconies overlooking the plaza, waiting for the first signs of morning life. It was ten o'clock, but scarcely a resident had stirred, though the first glimmers of a breakfast-television programme had begun to play across the ceilings. The Costasol complex was about to wake itself from the deep sea-bed of sleep and break the surface of a new and more bracing world. I felt surprisingly elated. If Bobby Crawford was the young district officer, then David Hennessy and Elizabeth Shand were the agents of the trading company who dogged his heels, ready to rouse the docile natives with their guns and trinkets, beads and brummagem.

This time, however, merchandise of a different kind was being delivered. From the trunk of the Mercedes the young Germans lifted a computerized cash-register. Elizabeth Shand broke off her téte-á-téte with Hennessy and beckoned me towards her. Despite the heat, her immaculate make-up was untouched by the slightest hint of perspiration. A cooler blood chilled her veins, as if her predatory mind worked best at temperatures lower than the heart's. As always, though, her lips parted generously when she greeted me, holding out the promise of an erotic encounter so strange that it might jump the species barrier.

'Charles, how good of you to be here so early! I do value keenness. These days no one wants anything to be a success, as if failure were somehow chic. I've brought something that should help to make the profits sing. Show Helmut and Wolfgang where you want it.'

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