J.G. Ballard - Cocaine Nights

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Cocaine Nights: краткое содержание, описание и аннотация

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There’s something wrong with Estrella Del Mar, the lazy, sun-drenched retirement haven on Spain’s Costa Del Sol. Lately this sleepy hamlet, home to hordes of well-heeled, well-fattened British and French expatriates, has come alive with activity and culture; the previously passive, isolated residents have begun staging boat races, tennis competitions, revivals of Harold Pinter plays, and lavish parties. At night the once vacant streets are now teeming with activity, bars and cafes packed with revelers, the sidewalks crowded with people en route from one event to the next.
Outward appearances suggest the wholesale adoption of a new ethos of high-spirited, well-controlled collective exuberance. But there’s the matter of the fire: The house and household of an aged, wealthy industrialist has gone up in flames, claiming five lives, while virtually the entire town stood and watched. There’s the matter of the petty crime, the burglaries, muggings, and auto thefts which have begun to nibble away at the edges of Estrella Del Mar’s security despite the guardhouses and surveillance cameras. There’s the matter of the new, flourishing trade in drugs and pornography. And there’s the matter of Frank Prentice, who sits in Marbella jail awaiting trial for arson and five counts of murder, and who, despite being clearly innocent, has happily confessed.
It is up to Charles Prentice, Frank’s brother, to peel away the onionlike layers of denial and deceit which hide the rather ugly truth about this seaside idyll, its residents, and the horrific crime which brought him here. But as is usually the case in a J.G. Ballard book, the truth comes with a price tag attached, and likely without any easing of discomfort for his principal characters.
Cocaine Nights marks a partial return on Ballard’s part to the provocative, highly-successful mid-career methodology employed in novels such as Crash and High Rise: after establishing himself as a science fiction guru in the 1960s, Ballard stylistically shifted gears towards an unnerving, futuristic variant on social realism in the 1970s. Both Crash and High Rise were what-if novels, posing questions as to what the likely results would be if our collective fascination with such things as speed, violence, status, power, and sex were carried just a little bit further: How insane, how brutal could our world become if we really cut loose?
Cocaine Nights asks a question better suited to the ’90s, the age of gated communities and infrared home security systems: Does absolute security guarantee isolation and cultural death? Conversely, is a measure of crime an essential ingredient in a vibrant, living, properly functioning social system? Is it true, as a character asserts, that “Crime and creativity go together, always have done,” and that “total security is a disease of deprivation”? Suffice to say that the answers presented in Nights will be anathema to moral absolutists; the world of Ballard’s fiction, like life in the hyperkinetic, relativistic 1990s, abounds with uncomfortable grey areas.
On the surface, Cocaine Nights is a whodunit and a race against time, but as it proceeds – and as preconceived conceptions of good and evil begin to dissolve – it evolves into a thoughtful, faintly frightening look at under-examined aspects of 1990s western society. As is his wont, Ballard confronts his readers with some faintly outlandish hypotheses unlikely to be embraced by many, but which nonetheless serve to provoke both thought and a bit of paranoia; it’s a method that Ballard has developed and refined on his own, and as usual, it propels his novel along marvellously.
Cocaine Nights doesn’t have either the broad sweep or brute impact of the landmark Crash, but it retains enough social relevance and low-key creepiness to more than satisfy Ballardphiles. As is often the case in Ballard’s alternate reality, it’s a given that his most appealing, human characters turn out to be the most twisted, and that even the most normal of events turn out to be governed by a perverse, malformed logic; that this logic turns out to be grounded in sound sociological and psychological principles is its most horrific feature.
David B. Livingstone

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'That's even better. I'll call her at the Clinic. I know she's very keen to talk to him. What about the trial-will this affect it?'

'If he withdraws his confession I will petition the court in Marbella. Everything depends on your meeting this afternoon. It's necessary to be gentle, Mr Prentice.'

We arranged to rendezvous in the visitors' car park at the prison. I walked Danvila to his car, and as he stowed his briefcases in the passenger seat I took from the pocket of my towelling robe the set of keys I had found in the lemon orchard. I tested them against the door lock and, as I assumed, saw that they failed to fit. But Danvila had noticed the shift in my eyes.

'Mr Prentice, are you enjoying your stay in Estrella de Mar?'

'Not exactly. But it's a place of great charm-it even has a certain magic.'

'Magic, yes.' Danvila held the steering wheel, restraining it from any rash behaviour. 'You begin to look like your brother…'

I returned to Frank's apartment, trying to guess at the significance of his decision. By refusing to see me, or any of his friends and colleagues at the Club Nautico, he had drawn a line under the case, accepting the blame for the Hollingers' deaths in the way a government minister might resign after the misconduct of a subordinate. At the same time he was shielding me from any memories of the remorse we had shared after our mother's death. We had tried too hard to keep her alive, steadying her on the staircase and sweeping up the glass of the shattered whisky tumblers on the bathroom floor.

I felt a rush of affection for Frank, remembering the determined eight-year-old polishing the smeary cutlery in the kitchen drawers. Only now could I accept that this stricken, lonely woman had probably not even noticed her young sons, and had been scarcely more aware of herself, staring into the mirrors around the house as if trying to remember her own reflection.

Curiously, at Estrella de Mar any residues of remorse had almost vanished, evaporating in the benevolent sunlight like the morning mists over the swimming pools. I rang Paula's answering machine at the Clinic and arranged to lunch with her at the Club Nautico before our drive to Malaga. After my shower I stood on the balcony and watched the tennis players knocking up at the courts, as always devotedly supervised by Bobby Crawford.

Frank's tennis rackets lay in the equipment cupboard, and I was tempted to set out for the courts and challenge Crawford to a set. He would easily beat me, but I was curious to know by what margin. There would be the first stinging aces, and a high kicker aimed at my head, but then he would lower his game, losing a few points as he drew me deeper into the rivalry between us. If I deliberately fumbled my own play he might leave me with too great a lead and be tempted into one or two reckless net rushes…

In the car park his Ponche sat in the centre of the black-rimmed halo that the burning Renault had seared into the asphalt. Crawford always parked here, either to remind me of the blaze or in some perverse show of solidarity. Earlier that morning I had tested the lost car keys in the Porsche's door locks. Looking down at the back numbers of the Economist, the carton of Turkish cigarettes and the amber-lensed aviator glasses on the glove shelf, I felt a sharp sense of relief when the keys failed to match.

While I waited for Paula I packed a fresh set of clothes for Frank. Searching the wardrobe for clean shirts, I came across the lace shawl passed on to us by our grandmother. The yellowing fabric lay like a shroud among the mohair sweaters, and I remembered placing the shawl around my mother's shoulders as she sat at her dressing-table, and how the scent of her skin blended so inseparably with the tang of whisky.

Paula's BMW turned into the car park and stopped beside the Porsche. Recognizing the sports car, she pinched her nose in a show of irritation and backed away into another space. She took an orange from a hamper of fruit on the passenger seat, stepped from the car and strode briskly to the entrance. As always, I was delighted to see her. In her white trouser suit and high heels, silk scarf floating from her throat, she looked less like a doctor than one of the style-setting yacht-guests at Puerto Banus.

'Paula…? Is that you?'

'It better be.' She closed the apartment door behind her and stepped on to the balcony. Lightly tossing the orange in one hand, she pointed to the circle of scorched asphalt. 'I wish they'd clear that up. Have a word with David Hennessy. Thank God you weren't inside the car.'

'I was sound asleep. It was after midnight.'

'You might have been dozing off at the wheel, or spying on a copulating couple. Some people like having sex in cars, though heaven knows why.' She lobbed the orange to me and leaned against the rail. 'So, how are you? For someone who's been attacked by hang-gliders and half-strangled to death you look remarkably well.'

'I am. I feel almost lightheaded. It's the thought of seeing Frank.'

'Of course it is.' Smiling, she walked up to me and embraced my shoulders, pressing her cheek against mine. 'We've worried ourselves sick over the poor man. At last we'll know what's been going on inside his head.'

'Let's hope so. Something must have changed his mind, though heaven knows what.'

'Does it matter?' She ran her fingers over the bruises on my neck. 'The main thing is that we're making contact. You do want to see Frank?'

'Absolutely. It's just that… I'm not sure what to say to him. It's so out of the blue and may not mean all that much. Cabrera will have told him about the attacks on me. I dare say Frank wants me to go back to London.'

'And you? Do you want to go back?'

'Not exactly. Estrella de Mar is a lot more interesting than I thought at first. Besides The tennis school had broken up for lunch and the players were making their way back to the changing rooms. Crawford moved around the silent serving machine, returning the scattered balls to the hopper. He sprinted after the players, challenging them to race him back to the showers. Admiring his energy, I was about to wave to him, but Paula held my elbow.

'Charles…'

'What is it?'

'Control yourself. You're more concerned with Bobby Crawford than you are with your own brother.'

'That's not true.' I followed Paula into the bedroom, where she began to re-pack the case filled with Frank's clothes. 'But Crawford is interesting. He and Estrella de Mar are the same thing. I talked to Sanger the other day – he thinks we're the prototype of all the leisure communities of the future.'

'And you agree with him?'

'I may do. He's an odd man, with his taste for young girls that he tries to hide from himself. But he's very shrewd. According to him the engine that drives Estrella de Mar is crime. Crime and what Sanger calls transgressive behaviour. You're not surprised, Paula?'

She shrugged, and closed the catches of the suitcase. 'No one ever reports any crime.'

'And that's the most perfect crime of all – when the victims are either willing, or aren't aware that they are victims.'

'And Frank is one of those victims?'

'Perhaps. There's a very curious logic at work here. My guess is that Frank was aware of it.'

'You can ask him yourself this afternoon. Get changed and we'll have lunch.'

She stood by the door, waiting as I took my passport and wallet from the bureau drawer and counted out twenty 1000-peseta notes.

'What are those for? Don't tell me David Hennessy charges you for lunch?'

'Not yet. They're to soften the palm of any prison official who might be of help to Frank. I'd call them a bribe, but that sounds so ungenerous.'

'Good.' Paula nodded approvingly as she re-tied her scarf and adjusted her cleavage in the mirror. 'Don't forget your car keys.'

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