J.G. Ballard - Cocaine Nights

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Cocaine Nights: краткое содержание, описание и аннотация

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There’s something wrong with Estrella Del Mar, the lazy, sun-drenched retirement haven on Spain’s Costa Del Sol. Lately this sleepy hamlet, home to hordes of well-heeled, well-fattened British and French expatriates, has come alive with activity and culture; the previously passive, isolated residents have begun staging boat races, tennis competitions, revivals of Harold Pinter plays, and lavish parties. At night the once vacant streets are now teeming with activity, bars and cafes packed with revelers, the sidewalks crowded with people en route from one event to the next.
Outward appearances suggest the wholesale adoption of a new ethos of high-spirited, well-controlled collective exuberance. But there’s the matter of the fire: The house and household of an aged, wealthy industrialist has gone up in flames, claiming five lives, while virtually the entire town stood and watched. There’s the matter of the petty crime, the burglaries, muggings, and auto thefts which have begun to nibble away at the edges of Estrella Del Mar’s security despite the guardhouses and surveillance cameras. There’s the matter of the new, flourishing trade in drugs and pornography. And there’s the matter of Frank Prentice, who sits in Marbella jail awaiting trial for arson and five counts of murder, and who, despite being clearly innocent, has happily confessed.
It is up to Charles Prentice, Frank’s brother, to peel away the onionlike layers of denial and deceit which hide the rather ugly truth about this seaside idyll, its residents, and the horrific crime which brought him here. But as is usually the case in a J.G. Ballard book, the truth comes with a price tag attached, and likely without any easing of discomfort for his principal characters.
Cocaine Nights marks a partial return on Ballard’s part to the provocative, highly-successful mid-career methodology employed in novels such as Crash and High Rise: after establishing himself as a science fiction guru in the 1960s, Ballard stylistically shifted gears towards an unnerving, futuristic variant on social realism in the 1970s. Both Crash and High Rise were what-if novels, posing questions as to what the likely results would be if our collective fascination with such things as speed, violence, status, power, and sex were carried just a little bit further: How insane, how brutal could our world become if we really cut loose?
Cocaine Nights asks a question better suited to the ’90s, the age of gated communities and infrared home security systems: Does absolute security guarantee isolation and cultural death? Conversely, is a measure of crime an essential ingredient in a vibrant, living, properly functioning social system? Is it true, as a character asserts, that “Crime and creativity go together, always have done,” and that “total security is a disease of deprivation”? Suffice to say that the answers presented in Nights will be anathema to moral absolutists; the world of Ballard’s fiction, like life in the hyperkinetic, relativistic 1990s, abounds with uncomfortable grey areas.
On the surface, Cocaine Nights is a whodunit and a race against time, but as it proceeds – and as preconceived conceptions of good and evil begin to dissolve – it evolves into a thoughtful, faintly frightening look at under-examined aspects of 1990s western society. As is his wont, Ballard confronts his readers with some faintly outlandish hypotheses unlikely to be embraced by many, but which nonetheless serve to provoke both thought and a bit of paranoia; it’s a method that Ballard has developed and refined on his own, and as usual, it propels his novel along marvellously.
Cocaine Nights doesn’t have either the broad sweep or brute impact of the landmark Crash, but it retains enough social relevance and low-key creepiness to more than satisfy Ballardphiles. As is often the case in Ballard’s alternate reality, it’s a given that his most appealing, human characters turn out to be the most twisted, and that even the most normal of events turn out to be governed by a perverse, malformed logic; that this logic turns out to be grounded in sound sociological and psychological principles is its most horrific feature.
David B. Livingstone

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I hesitated, but Sanger had slipped the question in so casually that I almost warmed to him. 'Our mother died when we were young. It left us… a broken family. Frank was desperately unsettled.'

'He did steal?'

'It brought us together. I'd cover up and try to take the blame. Not that it mattered – our father rarely punished us.'

'And you never stole yourself?'

'No. I think Frank was doing that for me.'

'And you envied him?'

'I still do. It gave him a kind of freedom I didn't have.'

'And now you're again assuming your child role, rescuing Frank from another of his scrapes?'

'I knew that from the start. The curious thing is that part of me suspects he may have started the Hollinger fire.'

'Of course, you envy him his "crime". No wonder you find Bobby Crawford so intriguing.'

'That's true-there's something mesmerizing about all that promiscuous energy. Crawford charms people, always sailing so close to the rocks. He graces their Uves with the possibilities of being genuinely sinful and immoral. At the same time, why do they put up with him?' Too restless to sit in the chair, I stood up and paced among the cartons of books, while Sanger listened to me, constructing a series of steeples with his slender fingers. 'I followed him this afternoon – he could have been arrested a dozen times. He's a genuinely disruptive presence, running a network of drug-dealers, car thieves and prostitutes. He's likeable and enthusiastic, but why don't people send him packing? Estrella de Mar would be a paradise without him.'

Sanger collapsed his steeple, vigorously shaking his head. 'I think not. In fact, Estrella de Mar is probably a paradise because of Bobby Crawford.'

'The theatre clubs, galleries, choral societies? Crawford has nothing to do with them at all.'

'He has everything to do with them. Before Crawford arrived Estrella de Mar was just another resort on the Costa del Sol. People drifted about in a haze of vodka and Valium – I had a great many patients then, I may say. I remember the silent tennis courts at the club, a single member lying by the pool. The water's surface wasn't broken from one day to the next. You could see the dust lying on it.'

'And how did Crawford bring everything to life? He's a tennis player 'But it wasn't his cross-court backhand that revived Estrella de Mar. He made use of other talents.' Sanger stood up and walked to the window, listening to a nearby security alarm that shrilled through the evening air. 'In a sense Crawford may be the saviour of the entire Costa del Sol, and even wider world beyond that. You've been to Gibraltar? One of the last proud outposts of small-scale greed, openly dedicated to corruption. No wonder the Brussels bureaucrats are trying to close it down. Our governments are preparing for a future without work, and that includes the petty criminals. Leisure societies lie ahead of us, like those you see on this coast. People will still work – or, rather, some people will work, but only for a decade of their lives. They will retire in their late thirties, with fifty years of idleness in front of them.'

'A billion balconies facing the sun. Still, it means a final goodbye to wars and ideologies.'

'But how do you energize people, give them some sense of community? A world lying on its back is vulnerable to any cunning predator. Politics are a pastime for a professional caste and fail to excite the rest of us. Religious belief demands a vast effort of imaginative and emotional commitment, difficult to muster if you're still groggy from last night's sleeping pill. Only one thing is left which can rouse people, threaten them directly and force them to act together.'

'Crime?'

'Crime, and transgressive behaviour – by which I mean all activities that aren't necessarily illegal, but provoke us and tap our need for strong emotion, quicken the nervous system and jump the synapses deadened by leisure and inaction.' Sanger gestured at the evening sky like a planetarium lecturer pointing to the birth of a star. 'Look around you – the people of Estrella de Mar have already welcomed this.'

'And Bobby Crawford is the new Messiah?' I drank the last of Sanger's water, trying to wash the flatness out of my mouth. 'How did a small-time tennis pro discover this new truth?'

'He didn't. He tripped across it in despair. I remember how he paced those empty courts, playing endless games with his serving machine. One afternoon he left the club in disgust and spent a few hours stealing cars and shoplifting. Perhaps it was coincidence, but the very next morning two tennis lessons were booked.'

'Does one follow the other? I don't believe it. If someone burgles my house, shoots the dog and rapes the maid my reaction isn't to open an art gallery.'

'Not your first reaction, perhaps. But later, as you question events and the world around you… the arts and criminality have always flourished side by side.'

I followed him to the door and waited while he telephoned for a taxi. As he spoke he watched himself in the mirror, touching his eyebrows and adjusting his hair like an actor in his dressing room. Was he telling me that Bobby Crawford had started the fire at the Hollinger house, and had in some way forced Frank to be his scapegoat?

As we stood on the steps, the graffiti glowing beside us under the security lights, I said: 'One thing is missing in your scheme of things-a sense of guilt. You'd expect people here to be crippled by remorse.'

'But there is no remorse in Estrella de Mar. We've had to forgo that luxury, Mr Prentice. Here transgressive behaviour is for the public good. All feelings of guilt, however old and deep-rooted, are assuaged. Frank discovered that. And you may, too.'

'I hope I do. One last question – who killed the Hollingers? Bobby Crawford? He has a taste for fire.'

Sanger's nose was lifted to the night air. He seemed sensitive to every sound, to every squeal of brakes and blare of music. 'I doubt it. That fire was too destructive. Besides, he was very fond of Bibi and Anne Hollinger.'

'He disliked the older couple.'

'Even so.' Sanger steered me across the gravel as the taxi's headlights swept the drive. 'You won't find who was responsible by looking for motives. In Estrella de Mar, like everywhere in the future, crimes have no motives. What you should look for is someone with no apparent motive for killing the Hollingers.'

17 A Change of Heart

Frank, unpredictable to the end, had decided to see me. Senor Danvila brought the good news to the Club Nautico, certain that a breakthrough of importance had taken place. He was waiting for me in the lobby as I returned from the swimming pool and seemed unsurprised when I failed to recognize him against the background of English sporting prints.

'Mr Prentice…? Is there a problem?'

'No. Senor Danvila?' Taking off my sunglasses, I identified the harassed figure with his perpetually shuffled briefcases. 'Can I help you?'

'It's an urgent matter, concerning your brother. I heard this morning that he will now receive you.'

'Good…'

'Mr Prentice?' The lawyer followed me to the elevator and placed his hand over the call button. 'Can you understand me? You may visit your brother. He's agreed to see you.'

'That's… wonderful. Do you know why he's changed his mind?'

'It doesn't matter. It's important that you meet him. He may have something to tell you. Perhaps some new evidence about the case.'

'Of course. It's excellent news. He's probably had time to think everything over.'

'Exactly.' For all his air of a dogged but tired schoolmaster, Danvila was watching me with unexpected shrewdness. 'Mr Prentice, when you see your brother give him time to speak for himself. The visiting hour is four-thirty this afternoon. He asked you to bring Dr Hamilton.'

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