Peter Mayle - A Year In Provence

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Amazon.com Review
Who hasn't dreamed, on a mundane Monday or frowzy Friday, of chucking it all in and packing off to the south of France? Provençal cookbooks and guidebooks entice with provocatively fresh salads and azure skies, but is it really all Côtes-du-Rhône and fleur-de-lis? Author Peter Mayle answers that question with wit, warmth, and wicked candor in A Year in Provence, the chronicle of his own foray into Provençal domesticity.
Beginning, appropriately enough, on New Year's Day with a divine luncheon in a quaint restaurant, Mayle sets the scene and pits his British sensibilities against it. "We had talked about it during the long gray winters and the damp green summers," he writes, "looked with an addict's longing at photographs of village markets and vineyards, dreamed of being woken up by the sun slanting through the bedroom window." He describes in loving detail the charming, 200-year-old farmhouse at the base of the Lubéron Mountains, its thick stone walls and well-tended vines, its wine cave and wells, its shade trees and swimming pool-its lack of central heating. Indeed, not 10 pages into the book, reality comes crashing into conflict with the idyll when the Mistral, that frigid wind that ravages the Rhône valley in winter, cracks the pipes, rips tiles from the roof, and tears a window from its hinges. And that's just January.
In prose that skips along lightly, Mayle records the highlights of each month, from the aberration of snow in February and the algae-filled swimming pool of March through the tourist invasions and unpredictable renovations of the summer months to a quiet Christmas alone. Throughout the book, he paints colorful portraits of his neighbors, the Provençaux grocers and butchers and farmers who amuse, confuse, and befuddle him at every turn. A Year in Provence is part memoir, part homeowner's manual, part travelogue, and all charming fun. – L.A. Smith
From Publishers Weekly
An account of the author's first frustrating but enlightening year in Provence opens with a memorable New Year's lunch and closes with an impromptu Christmas dinner. "In nimble prose, Mayle… captures the humorous aspects of visits to markets, vineyards and goat races, and hunting for mushrooms," said PW.
***
One of my favorite books by one of my favorite authors, A Year in Provence is a light-hearted autobiography as well as a travel/restaurant guide and cultural study of the south of France. Peter Mayle, once a British businessman, has finally chucked it all and bought a house in Provence with his wife and two dogs. He recounts a year of their adventures living and working amid the French, including daily struggles with the strong Provençal accent, the nosiness of neighbors, and the self-proclaimed experts on everything from geophysics to truffle hunting. His humorous yet affectionate approach will make you long for France, particularly the south, whether or not you've ever been there.
You won't be able to stop laughing when you read about the author's discovery of French bureaucracy and the bone-chilling winter wind called the Mistral, his desperate tactical maneuvering to get his house remodeled, and the hordes of rude tourists. You'll be tickled by his observations of French greetings and body language. You'll love his French neighbors and hate his English friends. And you will be starving after reading his mouth-watering descriptions of dozens of restaurants and dinner parties.
Whether you are interested in learning more about French, "the Hexagon," or cuisine française, A Year in Provence is the book to get you started on your cultural discovery of the south of France. The best discovery of all is that Peter Mayle continues to write about Provence, both non-fiction and novels. You will definitely want to seek out all of his books and continue learning about the people, traditions, and food of southern France.
Laura K. Lawless

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As the day wore on, the planters became more widely spaced, with Beauchier often two hundred yards in front of the stragglers at the back, but distance was no barrier to conversation. It appears to be part of the ritual that lengthy discussions are always conducted between the two people farthest away from each other, while the intervening members of the team curse the dogs and argue about the straightness of the lines. And so the raucous procession moved up and down the field until mid-afternoon, when Henriette produced two large baskets and work stopped for the Provençal version of a coffee break.

The team sat on a grassy bank above the vines, looking like a scene from Cartier-Bresson's scrapbook, and attacked the contents of the baskets. There were four liters of wine and an enormous pile of the sugared slices of fried bread called tranches dorées, dark gold in color and crisp and delicious to taste. Grandfather André arrived to inspect what had been done, and we saw him poking the earth critically with his stick and then nodding his head. He came over for a glass of wine and sat in the sun, a benign old lizard, scratching a dog's stomach with the end of his muddy stick and asking Henriette what was for dinner. He wanted to eat early so that he could watch Santa Barbara , his favorite television soap opera.

The wine had all gone. The men stretched and brushed the crumbs from their mouths and went back to work. By late evening it was finished, and the ragged old melon field was now impeccable, the tiny dots of new vines just visible against the setting sun. The team gathered in our courtyard to unkink their backs and make inroads on the pastis, and I took Faustin to one side to ask him about payment. We'd had the tractor for three days, and dozens of hours of labor. What did we owe them? Faustin was so anxious to explain that he put down his glass. We would pay for the vines, he said, but the rest was taken care of by the system which operated in the valley, with everyone contributing their time free when major replanting had to be done. It all evened out in the end, he said, and it avoided paperwork and tedious dealings with les fiscs about taxes. He smiled and tapped the side of his nose with a finger and then, as though it was a small matter hardly worth mentioning, he asked if we would like 250 asparagus plants put in while we still had the use of the tractor and the men. It was done the next day. So much for our theory that nothing happens fast in Provence.

THE LUBÉRON sounded different in spring. Birds who had been ducking all winter came out of hiding now that the hunters were gone, and their song replaced gunfire. The only jarring noise I could hear as I walked along the path toward the Massot residence was a furious hammering, and I wondered if he had decided to put up a For Sale notice in preparation for the beginning of the tourist season.

I found him on the track beyond his house, contemplating a five-foot stake that he had planted at the edge of a clearing. A rusty piece of tin had been nailed to the top of the stake, with a single angry word daubed in white paint: PRIVÉ! Three more stakes and notices were lying on the track, together with a pile of boulders. Massot was obviously intending to barricade the clearing. He grunted good morning and picked up another stake, hammering it into the ground as if it had just insulted his mother.

I asked him what he was doing.

"Keeping out the Germans," he said, and started to roll boulders into a rough cordon between the stakes.

The piece of land that he was sealing off was some distance from his house, and on the forest side of the track. It couldn't possibly belong to him, and I said I thought it was part of the national park.

"That's right," he said, "but I'm French. So it's more mine than the Germans." He moved another boulder. "Every summer they come here and put up their tents and make merde all over the forest."

He straightened up and lit a cigarette, tossing the empty packet into the bushes. I asked him if he had thought that maybe one of the Germans might buy his house.

"Germans with tents don't buy anything except bread," he said with a sniff of disdain. "You should see their cars-stuffed with German sausage, German beer, tins of sauerkraut. They bring it all with them. Mean? They're real pisse-vinaigres."

Massot, in his new role as protector of the countryside and authority on the economics of tourism, went on to explain the problem of the peasant in Provence. He admitted that tourists-even German tourists-brought money to the area, and that people who bought houses provided work for local builders. But look what they had done to property prices! It was a scandal. No farmer could afford to pay them. We tactfully avoided any discussion of Massot's own attempts at property speculation, and he sighed at the injustice of it all. Then he cheered up, and told me a house-buying story that had ended to his complete satisfaction.

There was a peasant who for years had coveted his neighbor's house; not for the house itself, which was almost a ruin, but for the land that was attached to it. He offered to buy the property, but his neighbor, taking advantage of the sharp rise in house prices, accepted a higher offer from a Parisian.

During the winter, the Parisian spent millions of francs renovating the house and installing a swimming pool. Finally, the work is finished, and the Parisian and his chic friends come down for the long First of May weekend. They are charmed by the house and amused by the quaint old peasant who lives next door, particularly by his habit of going to bed at eight o'clock.

The Parisian household is awakened at four in the morning by Charlemagne, the peasant's large and noisy cockerel, who crows nonstop for two hours. The Parisian complains to the peasant. The peasant shrugs. It is the country. Cocks must crow. That is normal.

The next morning, and the morning after that, Charlemagne is up and crowing at four o'clock. Tempers are getting frayed, and the guests return to Paris early, to catch up on their sleep. The Parisian complains again to the peasant, and again the peasant shrugs. They part on hostile terms.

In August, the Parisian returns with a houseful of guests. Charlemagne wakes them punctually every morning at four. Attempts at afternoon naps are foiled by the peasant, who is doing some work on his house with a jackhammer and a loud concrete mixer. The Parisian insists that the peasant silence his cockerel. The peasant refuses. After several heated exchanges, the Parisian takes the peasant to court, seeking an injunction to restrain Charlemagne. The verdict is in favor of the peasant, and the cockerel continues his early morning serenades.

Visits to the house eventually become so intolerable that the Parisian puts it up for sale. The peasant, acting through a friend, manages to buy most of the land.

The Sunday after the purchase goes through, the peasant and his friend celebrate with a huge lunch, the main course of which is Charlemagne, turned into a delicious coq au vin .

Massot thought that this was a fine story-defeat for the Parisian, victory and more land for the peasant, a good lunch-it had everything. I asked him if it was true, and he looked at me sideways, sucking on the ragged end of his moustache. "It doesn't do to cross a peasant" was all he would say, and I thought that if I were a German camper I'd try Spain this summer.

EVERY DAY, as the weather stayed mild, there was fresh evidence of growth and greenery, and one of the most verdant patches of all was the swimming pool, which had turned a bilious emerald in the sunshine. It was time to call Bernard the pisciniste with his algae-fighting equipment before the plant life started crawling out of the deep end and through the front door.

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